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Hollywood diva: a biography of Jeanette MacDonald
No full textJeanette MacDonald, the movie musical's first superstar, was an American original whose onscreen radiance mirrored a beguiling real-life personality. Based in large part on the author's exclusive access to MacDonald's private papers, including her unpublished memoir, this vivid, often touching biography transports us to a time when lavish musical films were major cultural events and a worldwide public eagerly awaited each new chance to fall under the singer's spell. Edward Baron Turk shows how MacDonald brilliantly earned her Hollywood nickname of "Iron Butterfly," and why she deserves a privileged position in the history of music and motion pictures.What made MacDonald a woman for our times, readers will discover, was her uncommon courage: Onscreen, the actress portrayed strong charcters in pursuit of deep emotional fulfillment, often in defiance of social orthodoxy, while offscreen she personified energy, discipline, and practical intellect. Drawing on interviews with individuals who knew her and on MacDonald's own words, Turk brings to life the intricate relations between the star and her legendary costars Maurice Chevalier, Clark Gable, and, above all, baritone Nelson Eddy. He reveals the deep crushes she inspired in movie giants Ernst Lubitsch and Louis B. Mayer and the extraordinary love story she shared with her husband of twenty-seven years, actor Gene Raymond.More than simply another star biography, however, this is a chronicle of American music from 1920s Broadway to 1960s television, in which Turk details MacDonald's fearless efforts to break down distinctions between High Art and mass-consumed entertainment. Hollywood Diva will attract fans of opera and concert music as much as enthusiasts of the great Hollywood musicals. It is first-rate cultural and film history
University of California Press eScholarship editions
No full textDark Side of Fortune contains all the elements of a Hollywood thriller. Filling in one of the most important gaps in the history of the American West, Margaret Leslie Davis's riveting biography follows Edward L. Doheny's fascinating story from his days as an itinerant prospector in the dangerous jungles of Mexico, where he built the $100-million oil empire that ushered in the new era of petroleum. But it was a tale that ended in tragedy, when - at the peak of his economic power - Doheny was embroiled in the notorious Teapot Dome scandal and charged with bribing the U.S. Secretary of the Interior.Few captains of industry have matched Doheny's drive to succeed and his far-reaching ambition. Drawn to the West in search of fortune, he failed at prospecting before finding oil in a smelly, tar-befouled lot in Los Angeles in 1892. Certain that the substance had commercial value, he envisioned steamships and locomotives no longer powered by coal, but by oil. After developing massive oil wells in Mexico, Doheny built an international oil empire that made him one of the wealthiest men in the world. But in 1924 the scandal of Teapot Dome engulfed him. As accusations mounted, he hired America's top legal talent for his defense. During the ten-year-long litigation, Doheny's only son was mysteriously murdered by a family confidant. The government's case against Doheny ended in an astounding jury decision: The cabinet official accused of taking a bribe from Doheny was found guilty and sent to prison, yet Doheny was fully acquitted. Despite the verdict, the scandal had overshadowed the achievements of a lifetime, and he died in disgrace in 1935.Margaret Leslie Davis recreates the legal drama and adds details of behind-the-scenes strategy gleaned from the personal diaries and archives of Doheny's famed defense attorneys. Previously hidden personal correspondence adds to this first complete portrait of the man and answers questions about Doheny that have eluded historians for almost seventy-five years
Crescendo of the virtuoso: spectacle, skill, and self-promotion in Paris during the Age of Revolution
No full textDuring the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization
The white scourge: Mexicans, Blacks, and poor whites in Texas cotton culture
No full textIn a book that fundamentally challenges our understanding of race in the United States, Neil Foley unravels the complex history of ethnicity in the cotton culture of central Texas. This engrossing narrative, spanning the period from the Civil War through the collapse of tenant farming in the early 1940s, bridges the intellectual chasm between African American and Southern history on one hand and Chicano and Southwestern history on the other. The White Scourge describes a unique borderlands region, where the cultures of the South, West, and Mexico overlap, to provide a deeper understanding of the process of identity formation and to challenge the binary opposition between "black" and "white" that often dominates discussions of American race relations.In Texas, which by 1890 had become the nation's leading cotton-producing state, the presence of Mexican sharecroppers and farm workers complicated the black-white dyad that shaped rural labor relations in the South. With the transformation of agrarian society into corporate agribusiness, white racial identity began to fracture along class lines, further complicating categories of identity. Foley explores the "fringe of whiteness," an ethno-racial borderlands comprising Mexicans, African Americans, and poor whites, to trace shifting ideologies and power relations. By showing how many different ethnic groups are defined in relation to "whiteness," Foley redefines white racial identity as not simply a pinnacle of status but the complex racial, social, and economic matrix in which power and privilege are shared.Foley skillfully weaves archival material with oral history interviews, providing a richly detailed view of everyday life in the Texas cotton culture. Addressing the ways in which historical categories affect the lives of ordinary people, The White Scourge tells the broader story of racial identity in America; at the same time it paints an evocative picture of a unique American region. This truly multiracial narrative touches on many issues central to our understanding of American history: labor and the role of unions, gender roles and their relation to ethnicity, the demise of agrarian whiteness, and the Mexican-American experience
Making the invisible visible: a multicultural planning history
No full textThe history of planning is much more, according to these authors, than the recorded progress of planning as a discipline and a profession. These essays counter the mainstream narrative of rational, scientific development with alternative histories that reveal hitherto invisible planning practices and agendas. While the official story of planning celebrates the state and its traditions of city building and regional development, these stories focus on previously unacknowledged actors and the noir side of planning.Through a variety of critical lenses - feminist, postmodern, and postcolonial - the essays examine a broad range of histories relevant to the preservation and planning professions. Some contributors uncover indigenous planning traditions that have been erased from the record: African American and Native American traditions, for example. Other contributors explore new themes: themes of gendered spaces and racist practices, of planning as an ordering tool, a kind of spatial police, of "bodies, cities, and social order" (influenced by Foucault, Lefebvre, and others), and of resistance.This scrutiny of the class, race, gender, ethnic, or ideological biases of ideas and practices inherent in the notion of planning as a modernist social technology clearly points to the inadequacy of modernist planning histories. Making the Invisible Visible redefines planning as the regulation of the physicality, sociality, and spatiality of the city. Its histories provide the foundation of a new, alternative planning paradigm for the multicultural cities of the future
University of California Press eScholarship editions
No full textThis collection of essays by leading American film scholars charts a whole new territory in genre film criticism. Rather than assuming that genres are self-evident categories, the contributors offer innovative ways to think about types of films, and patterns within films, in a historical context. Challenging familiar attitudes, the essays offer new conceptual frameworks and a fresh look at how popular culture functions in American society. The range of essays is exceptional, from David J. Russell's insights into the horror genre to Carol J. Clover's provocative take on "trial films" to Leo Braudy's argument for the subject of nature as a genre. Also included are essays on melodrama, race, film noir , and the industrial context of genre production. The contributors confront the poststructuralist critique of genre head-on; together they are certain to shape future debates concerning the viability and vitality of genre in studying American cinema
Mirror of modernity: invented traditions of modern Japan
No full textThis collection of essays challenges the notion that Japan's present cultural identity is the simple legacy of Japan's premodern and insular past. Building on the pathbreaking historical analysis of British traditions, The Invention of Tradition , sixteen American and Japanese scholars examine "age-old" Japanese cultural practices, ranging from judo to labor management, and show these to be largely creations of the modern era
Putting Islam to work: education, politics, and religious transformation in Egypt
No full textThe development of mass education and the mass media have transformed the Islamic tradition in contemporary Egypt and the wider Muslim world. In Putting Islam to Work , Gregory Starrett focuses on the historical interplay of power and public culture, showing how these new forms of communication and a growing state interest in religious instruction have changed the way the Islamic tradition is reproduced.During the twentieth century new styles of religious education, based not on the recitation of sacred texts but on moral indoctrination, have been harnessed for use in economic, political, and social development programs. More recently they have become part of the Egyptian government's strategy for combating Islamist political opposition. But in the course of this struggle, the western-style educational techniques that were adopted to generate political stability have instead resulted in a rapid Islamization of public space, the undermining of traditional religious authority structures, and a crisis of political legitimacy. Using historical, textual, and ethnographic evidence, Gregory Starrett demonstrates that today's Islamic resurgence is rooted in new ways of thinking about Islam that are based in the market, the media, and the school
Other history
No full textLong considered to be an impenetrable, hermetic treatise, Walter Benjamin's The Origin of German Tragic Drama has rarely received the attention it deserves as a key text, central to a full understanding of his work. In this critically acclaimed study, distinguished Benjamin scholar Beatrice Hanssen unlocks the philosophical and ethical dimensions of his thought with great clarity and sophisitication
Cousins and strangers: Spanish immigrants in Buenos Aires, 1850-1930
No full textMore than four million Spaniards came to the Western Hemisphere between the mid-nineteenth century and the Great Depression. Unlike that of most other Europeans, their major destination was Argentina, not the United States. Studies of these immigrants - mostly laborers and peasants - have been scarce in comparison with studies of other groups of smaller size and lesser influence. Presenting original research within a broad comparative framework, Jose C. Moya fills a considerable gap in our knowledge of immigration to Argentina, one of the world's primary "settler" societies. Moya moves deftly between micro- and macro-analysis to illuminate the immigration phenomenon. A wealth of primary sources culled from dozens of immigrant associations, national and village archives, and interviews with surviving participants in Argentina and Spain inform his discussion of the origins of Spanish immigration, residence patterns, community formation, labor, and cultural cognitive aspects of the immigration process. In addition, he provides valuable material on other immigrant groups in Argentina and gives a balanced critique of major issues in migration studies