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University of California Press eScholarship editions
Between 1890 and 1918 the city of Berlin evolved into a commercial and industrial hub that also became an international center for radical new ideas in the visual, performing, and literary arts. Jews were key leaders in developing this unique cosmopolitan culture. Berlin Metropolis: Jews and the New Culture, 1890-1918 vividly documents the many ways that Jewish artists and entrepreneurs participated in this burst of artistic creativity and promoted the emergence of modernism on the international scene.The book and exhibition at The Jewish Museum highlight leading cultural figures such as Max Liebermann, a founder of the Berlin Secession, and Herwarth Walden, who founded Der Sturm; artists such as Ludwig Meidner and Jakob Steinhardt; pioneers of cabaret, theater, and film, including Max Reinhardt and Ernst Lubitsch; art dealers, publishers, and writers; and leading intellectual and political figures such as Martin Buber and Georg Simmel. These and other fascinating individuals are represented by more than 200 diverse objects: paintings, sculpture, drawings, prints, books, letters, posters, graphic arts, theater memorabilia, and film. The book includes eight essays by scholars of German and Jewish culture and art history that provide a truly interdisciplinary interpretation of the Berlin renaissance.The period represented in Berlin Metropolis was a time when Jews were traditionally restricted from participating in major areas of German public life such as the army, government, and the university. But by turning to the "alternative public spheres" characteristic of urban society - galleries, cafés, journals, theaters, cabarets - they emerged as innovative cultural leaders whose intellectual and artistic impact is still felt today.The exhibition, Berlin Metropolis: Jews and the New Culture, 1890-1918 , will be at The Jewish Museum, New York , from November 14, 1999, to March 5, 2000; and the Norton Museum of Art, West Palm Beach, Florida , from April 1 to June 11, 2000
The consumer revolution in urban China
After decades of egalitarian, restricted consumption, residents of China's cities are surrounded by a level of material comfort and commercial hype unimaginable just ten years ago. In this first in-depth treatment of the consumer revolution in China, fourteen leading scholars of Chinese culture and society explore the interpersonal consequences of rapid commercialization.In the early 1980s, Beijing's communist leadership advocated decollectivization, foreign trade, and private entrepreneurship to jump-start a stagnant economy, while explicitly rejecting any notion that economic reforms would promote political change. However, by the early 1990s the reforms in the marketplace not only produced double-digit growth but also enabled ordinary citizens to nurture dreams and social networks that challenged official discourse and conventions through millions of daily commercial transactions. Using participant observation, contributors to this book describe and analyze a wide range of these changing consumer practices: luxury housing, white wedding gowns, greeting cards, McDonald's, discos, premium cigarettes, bowling, and more
Religion and popular culture in America
The connections between American popular culture and religion is the subject of this multifaceted and innovative collection. Ranging from religious themes in cowboy fiction to Madonna's "Like a Prayer," from televangelism to the world of sports, the book's contributors offer fascinating insights into what popular culture reveals about the nature of American religion today. Bruce David Forbes provides an introductory essay that states the book's organizing principles. The first group of essays examines the appearance of explicit religious content or implicit religious themes in popular culture, focusing on such particulars as Christmas television specials and the fiction of Louis L'Amour and Cormac McCarthy. The second group of essays considers ways that popular culture influences traditional religions, especially evangelical Christianity. A third group illustrates how aspects of popular culture develop their own myths, symbol systems, and ritual patterns; included are discussions of Star Trek fandom, women's weight loss rituals, and sports. The fourth group offers examples of ways that religion and popular culture might critique each another: the disguise of vengeance in Pale Rider , rap music's take on African-American Christian theology, and a Christian feminist perspective on the role of gender in cyberspace. Jeffrey H. Mahan's concluding essay looks at the academic and general audiences engaged in discussions of social and cultural reform
The frail social body: pornography, homosexuality, and other fantasies in interwar France
Amid the national shame and subjugation following World War I in France, cultural critics there - journalists, novelists, doctors, and legislators, among others - worked to rehabilitate what was perceived as an unhealthy social body. Carolyn J. Dean shows how these critics attempted to reconstruct the “bodily integrity” of the nation by pointing to the dangers of homosexuality and pornography. Dean's provocative work demonstrates the importance of this concept of bodily integrity in France and shows how it was ultimately used to define first-class citizenship. Dean presents fresh historical material - including novels and medical treatises - to show how fantasies about the body-violating qualities of homosexuality and pornography informed social perceptions and political action. Although she focuses on the period from 1890 to 1945, Dean also establishes the relevance of these ideas to current preoccupations with pornography and sexuality in the United States
Jazz, rock, and rebels: cold war politics and American culture in a divided Germany
In the two decades after World War II, Germans on both sides of the iron curtain fought vehemently over American cultural imports. Uta G. Poiger traces how westerns, jeans, jazz, rock 'n' roll, and stars like Marlon Brando or Elvis Presley reached adolescents in both Germanies, who eagerly adopted the new styles. Poiger reveals that East and West German authorities deployed gender and racial norms to contain Americanized youth cultures in their own territories and to carry on the ideological Cold War battle with each other. Poiger's lively account is based on an impressive array of sources, ranging from films, newspapers, and contemporary sociological studies, to German and U.S. archival materials. Jazz, Rock, and Rebels examines diverging responses to American culture in East and West Germany by linking these to changes in social science research, political cultures, state institutions, and international alliance systems. In the first two decades of the Cold War, consumer culture became a way to delineate the boundaries between East and West. This pathbreaking study, the first comparative cultural history of the two Germanies, sheds new light on the legacy of Weimar and National Socialism, on gender and race relations in Europe, and on Americanization and the Cold War
Politics, love, and divorce in urban and rural China, 1949-1964
In 1950, China's new Communist government enacted a Marriage Law to allow free choice in marriage and easier access to divorce. Prohibiting arranged marriages, concubinage, and bigamy, it was one of the most dramatic efforts ever by a state to change marital and family relationships. In this comprehensive study of the effects of that law, Neil J. Diamant draws on newly opened urban and rural archival sources to offer a detailed analysis of how the law was interpreted and implemented throughout the country. In sharp contrast to previous studies of the Marriage Law, which have argued that it had little effect in rural areas, Diamant argues that the law reshaped marriage and family relationships in significant--but often unintended--ways throughout the Maoist period. His evidence reveals a confused and often conflicted state apparatus, as well as cases of Chinese men and women taking advantage of the law to justify multiple sexual encounters, to marry for beauty, to demand expensive gifts for engagement, and to divorce on multiple occasions. Moreover, he finds, those who were best placed to use the law's more liberal provisions were not well-educated urbanites but rather illiterate peasant women who had never heard of sexual equality; and it was poor men, not women, who were those most betrayed by the peasant-based revolution
University of California Press eScholarship editions
During the 1930s and 1940s William Grant Still (1895-1978) was known as the "Dean of Afro-American Composers." He worked as an arranger for early radio, on Broadway, and in Hollywood; major symphony orchestras performed his concert works; and an opera, written in collaboration with Langston Hughes, was produced by the New York City Opera. Despite these successes the composer's name gradually faded into obscurity. This book brings William Grant Still out of the archives and examines his place in America's musical heritage. It also provides a revealing window into our recent cultural past.Until now Still's profound musical creativity and cultural awareness have been obscured by the controversies that dogged much of his personal and professional life. New topics explored by Catherine Parsons Smith and her contributors include the genesis of the Afro American Symphony , Still's best-known work; his troubled years in film and opera; and his outspoken anticommunism
Christian America?: what evangelicals really want
In recent decades Protestant evangelicalism has become a conspicuous and--to many Americans, worrisome--part of this country's cultural and political landscape. But just how unified is the supposed constituency of the Christian Coalition? And who exactly are the people the Christian Right claims to represent? In the most extensive study of American evangelicals ever conducted, Christian Smith explores the beliefs, values, commitments, and goals of the ordinary men and women who make up this often misunderstood religious group. The result is a much-needed contribution to the discussion of issues surrounding fundamental American freedoms and the basic identity of the United States as a pluralistic nation. Based on data from a three-year national study, including more than 200 in-depth interviews of evangelicals around the country, Christian America? assesses the common stereotype of evangelicals as intolerant, right-wing, religious zealots seeking to impose a Christian moral order through political force. What Smith finds instead are people vastly more diverse and ambivalent than this stereotype suggests. On issues such as religion in education, "family values," Christian political activism, and tolerance of other religions and moralities, evangelicals are highly disparate and conflicted. As the voices of interviewees make clear, the labels "conservative" and "liberal" are too simplistic for understanding their approaches to public life and political action
The view from Bald Hill: thirty years in an Arizona grassland
In 1540 Francisco Vasquez de Coronado introduced the first domestic livestock to the American Southwest. Over the subsequent four centuries, cattle, horses, and sheep have created a massive ecological experiment on these arid grasslands, changing them in ways we can never know with certainty. The Appleton-Whittell Research Ranch in the high desert of southeastern Arizona is an 8,000-acre sanctuary where grazing has been banned since 1968. In this spirited account of thirty years of research at the ranch, Carl and Jane Bock summarize the results of their fieldwork, which was aimed at understanding the dynamics of grasslands in the absence of livestock. The View from Bald Hill provides an intimate look at the natural history of this unique site and illuminates many issues pertaining to the protection and restoration of our nation's grasslands
The culture of sectarianism: community, history, and violence in nineteenth-century Ottoman Lebanon
Focusing on Ottoman Lebanon, Ussama Makdisi shows how sectarianism was a manifestation of modernity that transcended the physical boundaries of a particular country. His study challenges those who have viewed sectarian violence as an Islamic response to westernization or simply as a product of social and economic inequities among religious groups. The religious violence of the nineteenth century, which culminated in sectarian mobilizations and massacres in 1860, was a complex, multilayered, subaltern expression of modernization, he says, not a primordial reaction to it. Makdisi argues that sectarianism represented a deliberate mobilization of religious identities for political and social purposes. The Ottoman reform movement launched in 1839 and the growing European presence in the Middle East contributed to the disintegration of the traditional Lebanese social order based on a hierarchy that bridged religious differences. Makdisi highlights how European colonialism and Orientalism, with their emphasis on Christian salvation and Islamic despotism, and Ottoman and local nationalisms each created and used narratives of sectarianism as foils to their own visions of modernity and to their own projects of colonial, imperial, and national development. Makdisi's book is important to our understanding of Lebanese society today, but it also makes a significant contribution to the discussion of the importance of religious discourse in the formation and dissolution of social and national identities in the modern world