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Public lands and political meaning: ranchers, the government, and the property between them
No full textThe history of the American West is a history of struggles over land, and none has inspired so much passion and misunderstanding as the conflict between ranchers and the federal government over public grazing lands. Drawing upon neglected sources from organized ranchers, this is the first book to provide a historically based explanation for why the relationship between ranchers and the federal government became so embattled long before modern environmentalists became involved in the issue. Reconstructing the increasingly contested interpretations of the meaning of public land administration, Public Lands and Political Meaning traces the history of the political dynamics between ranchers and federal land agencies, giving us a new look at the relations of power that made the modern West. Although a majority of organized ranchers supported government control of the range at the turn of the century, by midcentury these same organizations often used a virulently antifederal discourse that fueled many a political fight in Washington and that still runs deep in American politics today. In analyzing this shift, Merrill shows how profoundly people's ideas about property wove their way into the political language of the debates surrounding public range policy. As she unravels the meaning of this language, Merrill demonstrates that different ideas about property played a crucial role in perpetuating antagonism on both sides of the fence. In addition to illuminating the origins of the "sagebrush rebellions" in the American West, this book also persuasively argues that political historians must pay more attention to public land management issues as a way of understanding tensions in American state-building
The view from Vesuvius: Italian culture and the southern question
No full textThe vexed relationship between the two parts of Italy, often referred to as the Southern Question, has shaped that nation's political, social, and cultural life throughout the twentieth century. But how did southern Italy become "the south," a place and people seen as different from and inferior to the rest of the nation? Writing at the rich juncture of literature, history, and cultural theory, Nelson Moe explores how Italy's Mezzogiorno became both backward and picturesque, an alternately troubling and fascinating borderland between Europe and its others. This finely crafted book shows that the Southern Question is far from just an Italian issue, for its origins are deeply connected to the formation of European cultural identity between the mid-eighteenth and late nineteenth centuries. Moe examines an exciting range of unfamiliar texts and visual representations including travel writing, political discourse, literary texts, and etchings to illuminate the imaginative geography that shaped the divide between north and south. His narrative moves from a broad examination of the representation of the south in European culture to close readings of the literary works of Leopardi and Giovanni Verga. This groundbreaking investigation into the origins of the modern vision of the Mezzogiorno is made all the more urgent by the emergence of separatism in Italy in the 1990s
Mexico's mandarins: crafting a power elite for the twenty-first century
No full textThis groundbreaking study marks the culmination of over twenty years of research by one of this country's most prominent Mexico scholars. Roderic Ai Camp provides a detailed, comprehensive examination of Mexico's power elite - their political power, societal influence, and the crucial yet often overlooked role mentoring plays in their rise to the top. In the course of this book, he traces the careers of approximately four hundred of the country's most notable politicians, military officers, clergy, intellectuals, and capitalists. Thoroughly researched and drawn from in-depth interviews with some of Mexico's most powerful players, Mexico's Mandarins provides insight into the machinations of Mexican leadership and an important glimpse into the country's future as it steps onto the global stage
Annihilating difference: the anthropology of genocide
No full textGenocide is one of the most pressing issues that confronts us today. Its death toll is staggering: over one hundred million dead. Because of their intimate experience in the communities where genocide takes place, anthropologists are uniquely positioned to explain how and why this mass annihilation occurs and the types of devastation genocide causes. This ground breaking book, the first collection of original essays on genocide to be published in anthropology, explores a wide range of cases, including Nazi Germany, Cambodia, Guatemala, Rwanda, and Bosnia
Remaking the modern: space, relocation, and the politics of identity in a global Cairo
No full textIn an effort to restyle Cairo into a global capital that would meet the demands of tourists and investors and to achieve President Anwar Sadat's goal to modernize the housing conditions of the urban poor, the Egyptian government relocated residents from what was deemed valuable real estate in downtown Cairo to public housing on the outskirts of the city. Based on more than two years of ethnographic fieldwork among five thousand working-class families in the neighborhood of al-Zawyia al-Hamra, this study explores how these displaced residents have dealt with the stigma of public housing, the loss of their established community networks, and the diversity of the population in the new location. Until now, few anthropologists have delivered detailed case studies on this recent phenomenon. Ghannam fills this gap in scholarship with an illuminating analysis of urban engineering of populations in Cairo. Drawing on theories of practice, the study traces the various tactics and strategies employed by members of the relocated group to appropriate and transform the state's understanding of "modernity" and hegemonic construction of space. Informed by recent theories of globalization, Ghannam also shows how the growing importance of religious identity is but one of many contradictory ways that global trajectories mold the identities of the relocated residents. Remaking the Modern is a revealing ethnography of a working class community's struggle to appropriate modern facilities and confront the alienation and the dislocation brought on by national policies and the quest to globalize Cairo
Images and empires: visuality in colonial and postcolonial Africa
No full textFigurative images have long played a critical, if largely unexamined, role in Africa - mediating relationships between the colonizer and the colonized, the state and the individual, and the global and the local. This pivotal volume considers the meaning and power of images in African history and culture. Paul S. Landau and Deborah Kaspin have assembled a wide-ranging collection of essays dealing with specific visual forms, including monuments, cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits. The contributors, experts in a number of disciplines, discuss various modes of visuality in Africa and of Africa, investigating the interplay of visual images with personal identity, class, gender, politics, and wealth. Integral to the argument of the book are over seventy contextualized illustrations. Africans saw foreigners in margarine wrappers, Tintin cartoons, circus posters, and Hollywood movies; westerners gleaned impressions of Africans from colonial exhibitions, Tarzan films, and naturalist magazines. The authors provide concrete examples of the construction of Africa's image in the modern world. They reveal how imperial iconographies sought to understand, deny, control, or transform authority, as well as the astonishing complexity and hybridity of visual communication within Africa itself
Making sweatshops: the globalization of the U.S. apparel industry
No full textThe only comprehensive historical analysis of the globalization of the U.S. apparel industry, this book focuses on the reemergence of sweatshops in the United States and the growth of new ones abroad. Ellen Israel Rosen, who has spent more than a decade investigating the problems of America's domestic apparel workers, now probes the shifts in trade policy and global economics that have spawned momentous changes in the international apparel and textile trade. Making Sweatshops asks whether the process of globalization can be promoted in ways that blend industrialization and economic development in both poor and rich countries with concerns for social and economic justice - especially for the women who toil in the industry's low-wage sites around the world. Rosen looks closely at the role trade policy has played in globalization in this industry. She traces the history of current policies toward the textile and apparel trade to cold war politics and the reconstruction of the Pacific Rim economies after World War II. Her narrative takes us through the rise of protectionism and the subsequent dismantling of trade protection during the Reagan era to the passage of NAFTA and the continued push for trade accords through the WTO. Going beyond purely economic factors, this valuable study elaborates the full historical and political context in which the globalization of textiles and apparel has taken place. Rosen takes a critical look at the promises of prosperity, both in the U.S. and in developing countries, made by advocates for the global expansion of these industries. She offers evidence to suggest that this process may inevitably create new and more extreme forms of poverty
Loss: the politics of mourning
No full textTaking stock of a century of pervasive loss - of warfare, disease, and political strife - this eloquent book opens a new view on both the past and the future by considering "what is lost" in terms of "what remains." Such a perspective, these essays suggest, engages and reanimates history. Plumbing the cultural and political implications of loss, the authors--political theorists, film and literary critics, museum curators, feminists, psychoanalysts, and AIDS activists--expose the humane and productive possibilities in the workings of witness, memory, and melancholy. Among the sites of loss the authors revisit are slavery, apartheid, genocide, war, diaspora, migration, suicide, and disease. Their subjects range from the Irish Famine and the Ottoman slaughter of Armenians to the aftermath of the Vietnam War and apartheid in South Africa, problems of partial immigration and assimilation, AIDS, and the re-envisioning of leftist movements. In particular, Loss reveals how melancholia can lend meaning and force to notions of activism, ethics, and identity
Reconfiguring modernity: concepts of nature in Japanese political ideology
No full textJulia Adeney Thomas turns the concept of nature into a powerful analytical lens through which to view Japanese modernity, bringing the study of both Japanese history and political modernity to a new level of clarity. She shows that nature necessarily functions as a political concept and that changing ideas of nature's political authority were central during Japan's transformation from a semifeudal world to an industrializing colonial empire. In political documents from the nineteenth to the early twentieth century, nature was redefined, moving from the universal, spatial concept of the Tokugawa period, through temporal, social Darwinian ideas of inevitable progress and competitive struggle, to a celebration of Japan as a nation uniquely in harmony with nature. The so-called traditional "Japanese love of nature" masks modern state power. Thomas's theoretically sophisticated study rejects the supposition that modernity is the ideological antithesis of nature, overcoming the determinism of the physical environment through technology and liberating denatured subjects from the chains of biology and tradition. In making "nature" available as a critical term for political analysis, this book yields new insights into prewar Japan's failure to achieve liberal democracy, as well as an alternative means of understanding modernity and the position of non-Western nations within it
Ruth Harriet Louise and Hollywood glamour photography
No full textWhen Ruth Harriet Louise joined Metro-Goldwyn-Mayer, the studio with "more stars than there are in heaven," she was twenty-two years old and the only woman working as a portrait photographer for the Hollywood studios. In a career that lasted from 1925 until 1930, Louise (born Ruth Goldstein) photographed all the stars, contract players, and many of the hopefuls who passed through the studio's front gates, including Greta Garbo, Lon Chaney, John Gilbert, Joan Crawford, Marion Davies, and Norma Shearer. This book, which coincides with a major traveling retrospective of Louise's work organized by the Santa Barbara Museum of Art, is the first collection of her exquisite photographs. Containing over one hundred breathtaking images--reproduced from the original negatives--, it attests to the talent and vision of a surprisingly unknown photographer who formed the images and helped create the popularity of some of our most enduring stars. Louise shot about one hundred thousand negatives that distilled the glamour, drama, and excitement of MGM's feature productions. Louise's original photographs were circulated to millions of moviegoers, magazine and newspaper readers, and fans. The movies and publicity machine that these photographs supported shaped the basic notions of stardom, glamour, and fashion in the 1920s and still affect our ideas today. Robert Dance and Bruce Robertson re-create the entire process--from the moment a performer sat in front of Louise's camera to the point at which a fan pasted a star's picture into a scrapbook. They provide insight into Louise's work habits in the studio and describe the personal dynamics between Louise and the actors she photographed. They include a condensed account of the methods of other photographers, a sharp analysis of fan culture in the period, and superb readings of Louise's photographs. With its combination of well-known and rare images, all magnificently reproduced, this book is a fitting tribute to one of the most gifted and underappreciated glamour photographers of Hollywood's golden period. Note: The hardcover edition of this book does have a dust jacket. (Some hardcovers of University of California Press books available in paperback do not.