1840 research outputs found
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Opera in seventeenth-century Venice: the creation of a genre
No full textEllen Rosand shows how opera, born of courtly entertainment, took root in the special social and economic environment of seventeenth-century Venice and there developed the stylistic and aesthetic characteristics we recognize as opera today. With ninety-one music examples, most of them complete pieces nowhere else in print, and enlivened by twenty-eight illustrations, this landmark study will be essential for all students of opera, amateur and professional, and for students of European cultural history in general.Because opera was new in the seventeenth century, the composers (most notably Monteverdi and Cavalli), librettists, impresarios, singers, and designers were especially aware of dealing with aesthetic issues as they worked. Rosand examines critically for the first time the voluminous literary and musical documentation left by the Venetian makers of opera. She determines how these pioneers viewed their art and explains the mechanics of the proliferation of opera, within only four decades, to stages across Europe. Rosand isolates two features of particular importance to this proliferation: the emergence of conventions - musical, dramatic, practical - that facilitated replication; and the acute self-consciousness of the creators who, in their scores, librettos, letters, and other documents, have left us a running commentary on the origins of a genre
Thinking fragments: psychoanalysis, feminism, and postmodernism in the contemporary West
No full textThinking Fragments provides a brilliant critique of psychoanalytic, feminist, and postmodern theory. Examining the writings of Freud, Winnicott, Lacan, Chodorow, Irigaray, Derrida, Rorty, and Foucault, among others, Flax conducts a "conversation" among psychoanalysts, feminist thinkers, and postmodern theorists, evaluating the ways in which each group of thinkers succeeds in coming to terms with crises in contemporary Western culture. As she analyzes each theory in turn, the others are used to identify and interrogate its gaps and omissions. The result is a postmodern text of intertwined ideas, devoid of clear beginnings, endings, conclusions.Flax addresses the question, "how is it possible to theorize in the contemporary West?" With the demise of objective notions of truth, knowledge, self and power, intellectuals have devised these new modes of thinking which both reflect and contribute to the uncertainties of the contemporary West. Each also addresses at least one aspect of what has become most problematic to modern individuals: How to come to terms with self, gender, knowledge and power without resorting to concepts that stress objectivity, universal knowledge, and a unitary self.Flax finds that neither psychoanalysis, nor feminism, nor postmodernism is adequate to the task for which it was conceived. Each can illuminate certain aspects of problems of self, gender, knowledge, and power, but none is sufficient on its own. In fact, each incorporates characteristic blindnesses rooted in part in the very difficulties it addresses. Despite their failures, Flax concludes that these modes of theorizing are our best tools thus far, compelling us to use them even while we grapple with the problems they raise. Thinking Fragments is a wide-ranging study that will elicit much discussion and debate. It is an essential text for social scientists and humanists alike, as well as anyone else who thinks about how to "do" theory in the contemporary West
The limits of realism: Chinese fiction in the revolutionary period
No full textChinese intellectuals of the early twentieth century were attracted to realism primarily as a tool for social regeneration. Realism encouraged writers to adopt the stance of the independent cultural critic and drew into the compass of serious literature the disenfranchised "others" of Chinese society. As historical pressures forced new ideological commitments in the late twenties and thirties, however, writers grew suspicious both of the "individualism" implicit in the realist model and of the often superficial nature of the sympathies that their fiction evoked in the middle class. Anderson argues that realism must be defined negatively as a "discourse of limitations" and is of minimal utility in the Chinese search for political and cultural empowerment. He shows how hesitations about the realist model affect the fiction of four representative authors, Lu Xun, Ye Shaojun, Mao Dun, and Zhang Tianyi. He also considers the demise of critical realism in the face of a new collectivist understanding of Chinese reality
Novelas amorosas y ejemplares. English
No full textAn instant best-seller in Spain in 1637, The Enchantments of Love is a collection of shrewd and timeless tales in the tradition of Bocaccio's Decameron and Chaucer's Canterbury Tales . Although some of the tales have appeared in English through the centuries, this delightful translation by H. Patsy Boyer is the first complete text.The structure of the book is provided by a series of lavish soirees at which five men and five women entertain with stories their ailing hostess, the lovely Lysis. Each of the ten tales explores some aspect of "enchantment," or love, between a handsome gallant and a lovely lady. The sharp contrast between the women's and men's stories transmits a subtle, often ironic feminism. Their originality, frankness, and powerful style make them as readable today as they were 350 years ago.The women storytellers emphasize the perspective of female protagonists, all of whom are deceived or abused by their husbands or by suitors. Each is finally driven to perform some act of heroism before finding satisfaction in marriage, or a haven in the convent. The men's stories all point to moral flaws in the characters' behavior: egotism, avarice, shortsightedness, lust, and unfaithfulness.Maria de Zayas portrays every theme from eroticism and brutal rape to the most exalted love. Her success with this book and its sequel, The Disenchantments of Love (1647), is well documented, although the details of her life are sadly lacking. Her bold treatment of the relationships between men and women challenged the literary conventions of her day, and her defense of women has earned her a reputation as a pioneering feminist
Lawrence and his laboratory: a history of the Lawrence Berkeley Laboratory
No full textThe Radiation Laboratory in Berkeley, California, was the birthplace of particle accelerators, radioisotopes, and modern big science. This first volume of its history is a saga of physics and finance in the Great Depression, when a new kind of science was born.Here we learn how Ernest Lawrence used local and national technological, economic, and manpower resources to build the cyclotron, which enabled scientists to produce high-voltage particles without high voltages. The cyclotron brought Lawrence forcibly and permanently to the attention of leaders of international physics in Brussels at the Solvay Congress of 1933. Ever since, the Rad Lab has played a prominent part on the world stage.The book tells of the birth of nuclear chemistry and nuclear medicine in the Laboratory, the discoveries of new isotopes and the transuranic elements, the construction of the ultimate cyclotron, Lawrence's Nobel Prize, and the energy, enthusiasm, and enterprise of Laboratory staff. Two more volumes are planned to carry the story through the Second World War, the establishment of the system of national laboratories, and the loss of Berkeley's dominance of high-energy physics
Urban revolt: ethnic politics in the nineteenth-century Chicago labor movement
No full textUrban Revolt is a careful, incisive reexamination of the most highly mobilized urban revolutionary force in American history - the late nineteenth-century Chicago labor movement. By documenting the importance of ethnic origins in accounting for political choice, Eric L. Hirsch completely reconceptualizes the dynamics of urban social movements.Hirsch links the industrialization of Chicago to the development and maintenance of an ethnically segmented labor market. Urbanization, he argues, fostered ethnic enclaves whose inhabitants were channeled into particular kinds of jobs and excluded from others. Hirsch then demonstrates the political implications of emergent ethnic identities and communities.In the late nineteenth century, Chicagoans of German background - denied economic power by Anglo-Americans' control of craft unions and excluded from political influence by Irish-dominated political machines - formulated radical critiques of the status quo and devised innovative political strategies. In contrast, the Irish revolutionary movement in Chicago targeted the oppressive British political system; Irish activists saw no reason to overthrow a Chicago polity that brought them political and economic upward mobility. Urban Revolt gives a new perspective on revolutionary mobilization by de-emphasizing the importance of class consciousness, social disorganization, and bureaucracy. In his original and provocative focus on the importance of ethnicity in accounting for political choice, Hirsch makes a valuable contribution to the study of social movements, race, and working-class politics
University of California Press eScholarship editions in process
No full textGilmour traces the development of the congressional budget process from its origin through the emergence of reconcilliation and Gramm-Rudman-Hollings. He shows how changes in process have brought about far-reaching shifts in congressional power, and explains why they have failed to control the explosion of budget deficits.Throughout the last decade budgetary issues have dominated the national political agenda as the deficit has skyrocketed to previously unimaginable levels. In this important book, John Gilmour traces the continuing quest of Congress over the last fifteen years to reform its budgeting system in the hope of producing better policy. He shows that the enactment of the Congressional Budget Act of 1974 and the introduction of the reconciliation procedure in 1980 have produced a budgetary system in which congressional majorities can get what they want, provided only that they can agree on a comprehensive budget policy. From his thorough analysis, Gilmour concludes that, while the reforms have not produced balanced budgets, they have eliminated procedural obstructions to the adoption of a coherent budget.New budget procedures have transformed the way Congress works. Before the reforms of 1974 and 1980, Congress had an extremely fragmented, disintegrated budgetary system in which the budget emerged almost haphazardly from the independent actions of numerous committees. Gilmour shows that reconciliation procedures in the budget process makes total revenue, total expenditures, and the size of the deficit matters of deliberate choice, consolidating decisionmaking to an extent unprecedented in the history of the modern Congress.Yet, despite the striking structural and procedural changes, and despite its highly majoritarian features, the budget process has failed to reduce dissatisfaction with congressional handling of money. Deficits have been larger, not smaller, and overall spending has gone up. Gilmour deftly shows that the massive budget deficits of the Reagan years were due primarily to the failure of the House, the Senate, and the President to agree on how to reduce spending or increase taxes enough to eliminate the deficit. Responsibility for budgetary failure, he argues, must rest with Congress and its inability to reach consensus, not on the new budget process, which, given what we can expect from procedural change, has been quite successful
Xi xiang ji. English
No full textChina's most important love comedy, Wang Shifu's Xixiangji , or The Story of the Western Wing , is a rollicking play that chronicles the adventures of the star-crossed lovers Oriole and Student Zhang. Since its appearance in the thirteenth century, it has enjoyed unparalleled popularity. The play has given rise to innumerable sequels, parodies, and rewritings; it has influenced countless later plays, short stories, and novels and has played a crucial role in the development of drama criticism. This translation of the full and complete text of the earliest extant version is available in paperback for the first time. The editors' introduction will inform students of Chinese cultural and literary traditions
Passions of the cut sleeve: the male homosexual tradition in China
No full textThe first detailed treatment of the Chinese homosexual tradition in any Western language, Passions of the Cut Sleeve shatters preconceptions and stereotypes. Gone is the image of the sternly puritanical Confucian as sole representative of Chinese sexual practices - and with it the justification for the modern Chinese insistence that homosexuality is a recent import from the decadent West. Rediscovering the male homosexual tradition in China provides a startling new perspective on Chinese society and adds richly to our understanding of homosexuality.Bret Hinsch's reconstruction of the Chinese homosexual past reveals unexpected scenes. An emperor on his deathbed turns over the seals of the empire to a male beloved; two men marry each other with elaborate wedding rituals; parents sell their son into prostitution. The tradition portrays men from all levels of society - emperors, transvestite actors, rapists, elegant scholars, licentious monks, and even the nameless poor.Drawing from dynastic histories, erotic novels, popular Buddhist tracts, love poetry, legal cases, and joke books, Passions of the Cut Sleeve evokes the complex and fascinating male homosexual tradition in China from the Bronze Age until its decline in recent times
Contemplating the ancients: aesthetic and social issues in early Chinese portraiture
No full textDrawing on a wide variety of contemporaneous sources from Chinese history, literature, religious writings, and art and literary criticism, Spiro provides the modern reader with an aesthetic and social context for understanding early Chinese portraiture. Contemplating the Ancients introduces portraits that were never intended to be physical likenesses of their subjects and illuminates the meaning they held for the viewers for whom they were made.Spiro focusses on fourth- and fifth-century sets of almost identi- cal portraits of individuals known collectively in Chinese history as the Seven Worthies of the Bamboo Grove. Unlike the earlier Han dynasty portraits whose messages were universal, these exemplary portraits addressed a specific elitist audience. The subjects of these portraits served as idealized representations for a largely nouvel-arrivé aristocracy.Spiro examines the complex and sometimes ironic changes that occur when historical individuals are transformed by tradition into classical exemplars. She shows how the visual arts translate ideals of personal character into stylistic cues and how these cues, in turn, affect the values and behavior of human beings