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No full textGeorge Perle takes us into the composer's workshop as he reevaluates what we call "twentieth-century music" - a term used to refer to new or modern or contemporary music that represents a radical break from the tonal tradition, or "common practice," of the preceding three centuries. He proposes that this music, in the course of breaking with the tonal tradition, presents coherent and definable elements of a new tradition. In spite of the disparity in their styles, idioms, and compositional methods, he argues, what unites Scriabin, Stravinsky, Bartók, and the Viennese circle (Schoenberg, Berg, and Webern) is more important than what separates them.If we are to understand the connections among these mainstream composers, we also have to understand their connections with the past. Through an extraordinarily comprehensive analysis of a single piece by Varèse, Density 21.5 for unaccompanied flute, Perle shows how these composers refer not only to their contemporaries but also to Wagner, Debussy, and Beethoven.Perle isolates the years 1909-10 as the moment of revolutionary transformation in the foundational premises of our musical language. He asks: What are the implications of this revolution, not only for the composer, but also for the listener? What are the consequences for the theory and teaching of music today? In his highly original answers, Perle relates the role of intuition in the listening experience to its role in the compositional process.Perle asserts that the post-Schoenbergian serialists have preoccupied themselves with secondary and superficial aspects of Schoenberg's twelve-tone method that have led it to a dead end but he also exposes the speciousness of current alternatives such as chance music, minimalism, and the so-called return to tonality. He offers a new and more comprehensive definition of "twelve-tone music" and firmly rejects the notion that accessibility to the new music is reserved for a special class of elite listeners
Wars of the third kind: conflict in underdeveloped countries
No full textMost of the armed conflicts since World War II have been neither conventional nor nuclear, but wars of a third kind, usually fought in the Third World and relying heavily, although not exclusively, on guerrilla warfare. Edward E. Rice examines a number of conflicts of this sort, starting with the American Revolution, but concentrating on the Chinese Civil War, the Huk rebellion in the Philippines, the wars in Algeria and in Vietnam, and the repeated conflicts in Latin America. He explores the origin, organization, and motivation of wars of the third kind, their rural and popular nature, the conversion of guerrilla armies to regular armies, and conceptual approaches to counterinsurgency. Rice concludes with an analysis of the perils of these wars for the great powers
Peasant protests and uprisings in Tokugawa Japan
No full textThe Japanese peasant has been thought of as an obedient and passive subject of the feudal ruling class. Yet Tokugawa villagers frequently engaged in unlawful and disruptive protests. Moreover, the frequency and intensity of the peasants' collective action increased markedly at the end of the Tokugawa period. Stephen Vlastos's examination of the changing patterns of peasant protest in the Fukushima area shows that peasant mobilization was restricted both ideologically and organizationally and that peasants did not become a prime moving force in the Meiji Restoration
Lithuania awakening
No full textMikhail Gorbachev's policy of perestroika released new forces throughout Soviet society. In Lithuania this process resulted in a psychological-cultural revolution. Deep-rooted feelings, long suppressed, exploded, demonstrations and mass meetings ensued, and the face of the society changed. Although at the beginning of 1988 Lithuania appeared to be one of the relatively conservative republics in the Soviet Union, by the end of the year it stood among the leaders in pushing change. By 1990, Lithuania was even forcing Moscow to respond to its initiatives for independence and economic reform.Is Lithuania the prototype of a nation emerging from the collectivity of the Soviet Union? Alfred Erich Senn, who was present during most of this piece of history in the making, believes that it may be. He documents the dramatic events and changes in Lithuania during 1988 with the perspective of a historian and the immediacy of a participant.The reader will easily grasp the whole spectrum of political activity in Lithuania, and the range from right to left among Lithuanian activists. And, because the Lithuanians have emerged among the leaders of change in the Soviet Union, Senn's account provides a key to later developments, in terms of both political movements and political personalities
To craft democracies: an essay on democratic transitions
No full textIs democracy a hot-house plant? Is it difficult to transplant it into new soil? The fall of so many dictatorships in the last few years - first in Southern Europe, then in Latin America, now in Eastern Europe - opens new, more optimistic perspectives on democratic development. The crises of dictatorships and the search for a new political order offer fertile ground for an examination of how best to effect democratic transitions.By focusing on the objective conditions that make democracy probable, sociological and historical theories of democracy often lose sight of what is possible. Here Giuseppe Di Palma instead explores those conciliatory political undertakings that political actors on all sides now engage in to make the improbable possible. His emphasis is on political crafting: in regard to constitutional choices, to alliances and convergences between contestants, to trade-offs, to the pacing of the transitions. Di Palma also examines the reasons - stalemate, the high cost of repression, a loss of goals, international constraints and inducements - that may motivate incumbents and nondemocratic political actors to accept democracy, even in those cases, as in Central America and Eastern Europe, where acceptance would seem least likely.An original and imaginative work that, in the light of recent transitions, challenges our assumptions about fledgling democracies and breaks new theoretical ground, To Craft Democracies will appeal to anyone interested in the way we forge our political communities today
Setting safety standards: regulation in the public and private sectors
No full textIn this highly original and meticulously researched comparison of public and private standards-setting, Ross Cheit questions the old maxim that government-set safety standards are too severe while those set by the private sector are too lenient. Identifying the comparative institutional advantages of each arrangement through four paired case studies of grain elevators, woodstoves, aviation fire safety, and gas space heaters, he finds instead that some private standards are surprisingly strict, while government is better positioned to survey real-world experience and sponsor research likely to improve standards-setting. Setting Safety Standards challenges those political scientists who argue that only public institutions can advance the public interest in the controversial field of health and safety. Cheit draws attention to such little-known organizations as Underwriters Laboratories and the National Fire Protection Association, private-sector alternatives to the government regulation so frequently criticized as time-consuming, inflexible, and unreasonable. These organizations, he shows, play a far more significant role in regulation than most federal agencies, even though the standards they develop are widely - and often mistakenly - assumed to be less concerned with due process than government standards and often unduly lax.This study should be widely read by public policy and regulation experts in both the public and the private sectors as well as by academics in the field
The forgotten hermitage of Skellig Michael
No full textThis book is a dramatically told and visually stunning account of a ninth-century hermitage discovered on the South Peak of Skellig Michael, an island off the west coast of Ireland. It is the story, pieced together from fragmentary remains, study, and conjecture, of a man's attempt to live on a tiny ledge some 700 feet above the Atlantic on the outer edge of the European land mass, alone, as close to God as possible, in what is perhaps the ne plus ultra of ecstatic monastic solitude.Richly illustrated with maps, plans, and photographs that capture both the astonishing beauty and isolation of the hermitage, the text also includes reconstruction drawings of the site that combine a surveyor's accuracy with an artist's imaginative response to the hermit who found spiritual refuge on a pinnacle
"Peaks of Yemen I summon": poetry as cultural practice in a North Yemeni tribe
No full textIn this first full-scale ethnographic study of Yemeni tribal poetry, Steven Caton reveals an astonishingly rich folkloric system where poetry is both a creation of art and a political and social act. Almost always spoken or chanted, Yemeni tribal poetry is cast in an idiom considered colloquial and "ungrammatical," yet admired for its wit and spontaneity. In Yemeni society, the poet has power over people. By eloquence the poet can stir or, if his poetic talents are truly outstanding, motivate an audience to do his bidding. Yemeni tribesmen think, in fact, that poetry's transformative effect is too essential not to use for pressing public issues.Drawing on his three years of field research in North Yemen, Caton illustrates the significance of poetry in Yemeni society by analyzing three verse genres and their use in weddings, war mediations, and political discourse on the state. Moreover, Caton provides the first anthropology of poetics. Challenging Western cultural assumptions that political poetry can rarely rise above doggerel, Caton develops a model of poetry as cultural practice. To compose a poem is to construct oneself as a peacemaker, as a warrior, as a Muslim. Thus the poet engages in constitutive social practice.Because of its highly interdisciplinary approach, this book will interest a wide range of readers including anthropologists, linguists, folklorists, literary critics, and scholars of Middle Eastern society, language, and culture
State capitalism and working-class radicalism in the French aircraft industry
No full textIn the 1950s and 1960s France experienced an economic miracle. As the state's role expanded with efforts to create a more modern economy, however, labor relations remained more volatile and workers more radical than elsewhere in western Europe. Herrick Chapman argues in this important new book that state capitalism and working-class radicalism went hand-in-hand and that both have antecedents in the tumultuous events of the 1930s and 1940s.The author focuses on a key industry - aviation - which held center stage in France from the Great Depression to the Cold War. While manufacturers and state officials struggled to modernize, the aviation industry became a bastion of the Communist Party and an arena of combat where workers, employers, and officials promoted competing visions of industrial reform. This gave rise to a new environment where state intervention and working-class radicalism became mutually reinforcing, and by the postwar era a peculiarly contentious form of industrial politics had become firmly entrenched.Using local and national archives, the author analyzes not only how an industry transformed but also how people reacted to the Popular Front, the defeat of 1940, the Nazi Occupation, and the onset of the Cold War. He also sheds light on such central themes in modern French history as the style of entrepreneurship, the sources of state interventionism, the response of workers to technological change and the nature of the Communist movement