1840 research outputs found
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Bureaucracy, politics, and decision making in post-Mao China
No full textUsing a model of "fragmented authoritarianism," this volume sharpens our view of the inner workings of the Chinese bureaucracy. The contributors' interviews with politically well-placed bureaucrats and scholars, along with documentary and field research, illuminate the bargaining and maneuvering among officials on the national, provincial, and local levels
Chaucer and the fictions of gender
No full textHansen challenges both the long-standing myth of Chaucer as the tolerant, wise Father of English poetry and the recent arguments that Chaucer was a protofeminist, subversive of the misogyny of his day. Hansen argues that these mistaken interpretations inhibit readings of Chaucer that respond to feminist and other poststructuralist critiques of traditional literary scholarship.Hansen suggests that the woman's voice in Chaucer reflects an urgent problem of gender identity for two kinds of men, both feminized by fourteenth-century courtly conventions: those who love women, and those who traffic in stories about women. She maintains that Chaucer destabilizes the notion of fixed gender difference but then privileges masculine identity by reconstructing the feminine in orthodox ways. Hansen exhorts readers of Chaucer, and students of the history of gender, to approach Chaucer's fictions with a more sophisticated awareness of their complexity and timeliness
Legal hermeneutics: history, theory, and practice
No full textInterpretation of the law is based on assumptions about the nature of texts, language, and the act of interpretation itself. These fourteen new essays trace the origin of these assumptions, examine their philosophical implications, and extend legal interpretation in new and constructive directions
Women, culture, and politics in Latin America
No full textThe result of a collaboration among eight women scholars, this collection examines the history of women's participation in literary, journalistic, educational, and political activity in Latin American history, with special attention to the first half of this century
The sexual education of Edith Wharton
No full textStarting with the tensions in the early family constellation, Gloria C. Erlich traces Edith Wharton's erotic evolution - from her early repression of sexuality and her celibate marriage to her discovery of passion in a rapturous midlife love affair with the bisexual Morton Fullerton. Analyzing the novelist's life, letters, and fiction, Erlich reveals several interrelated identity systems - the filial, the sexual, and the creative - that evolved together over the course of Wharton's lifetime
First cut: conversations with film editors
No full textFirst Cut offers an opportunity to learn what film editing really is, and to learn from the source. Gabriella Oldham's interviews with twenty-three award-winning film editors give a full picture of the complex art and craft of editing a film. Filled with animated anecdotes and detailed examples, this is the first book to provide a comprehensive treatment of both documentary and feature film editing
Who survives cancer?
No full textFACT OR FICTION? *A white male earning over $35,000 a year has a better chance of surviving most types of cancer than an unemployed African-American male.*Psychological factors predispose people to contracting cancer and improved emotional health promotes recovery.*Early detection is useless in curing cancer.*Experimental, not conventional, treatments offer the most benefits and longer survival rates to cancer patients.*A scientific breakthrough of practical and immediate significance in cancer treatment is imminent.*Cancer prevention is ineffective in many areas and campaigns will probably never achieve a reduction of cancer mortality approaching 50 percent.*Health Maintenance Organizations (HMOs) increase survival chances for most cancer patients.Howard Greenwald takes an incisive new look at how class, race, sex, psychological state, type of health care and available treatments affect one's chance of surviving cancer. Drawing on an original ten-year survival study of cancer patients, he synthesizes medical, epidemiological, and psychosocial research in a uniquely interdisciplinary and eye-opening approach to the question of who survives cancer and why.Scientists, health care professionals, philanthropists, government agencies, and ordinary people all agree that significant resources must be allocated to fight this dreaded disease. But what is the most effective way to do it? Greenwald argues that our priorities have been misplaced and calls for a fundamental rethinking of the way the American medical establishment deals with the disease. He asserts that the emphasis on prevention and experimental therapy has only limited value, whereas the availability of conventional medical care is very important in influencing cancer survival. Class and race become strikingly significant in predicting who has access to health care and can therefore obtain medical treatment in a timely, effective manner. Greenwald counters the popular notion that personality and psychological factors strongly affect survival, and he underscores the importance of early detection. His research shows that Health Maintenance Organizations, while sometimes prone to delays, offer low-income patients a better chance of ultimate survival. Greenwald pleads for immediate attention to the inadequacies and inequalities in our health care delivery system that deter patients from seeking regular medical care.Instead of focusing on research and the hope for a breakthrough cure, Greenwald urges renewed emphasis on ensuring available health care to all Americans. In its challenge to the thrust of much biomedical research and its critique of contemporary American health care, as well as in its fresh and often counterintuitive look at cancer survival, Who Survives Cancer? is invaluable for policymakers, health care professionals, and anyone who has survived or been touched by cancer
University of California Press eScholarship editions
No full textBetween 1908 and 1913, D. W. Griffith played a key role in the reformulating of film's narrative techniques, thus contributing to the creation of what we now think of as the classical Hollywood cinema. This book is the only extensive treatment of a critical period in the history of film acting: the emergence of the realistic "verisimilar" style in Griffith's biograph films. Roberta Pearson shows how Griffith gradually abandoned the deliberately affected "histrionic" acting style derived from the nineteenth-century stage. No longer did actors mime distress by raising their arms to heaven or clutching their heads - a subtle facial expression, a slight change in posture would convey a character's extreme emotions instead.Pearson makes detailed comparisons of certain Biograph films and brings a freshness to her analysis by closely examining contemporary journalistic writing, acting manuals, and the recollections of actors of the time. Her work is important for anyone interested in early cinema and performance, and it will enliven the study of American cultural history and mass communications
The ultimate art: essays around and about opera
No full textAnyone who cares about opera will find The Ultimate Art a thoroughly engaging book. David Littlejohn's essays are exciting, provocative, sometimes even outrageous. They reflect his deep love of opera - that exotic, extravagant, and perpetually popular hybrid performing art form - and his fascination with the many worlds from which it sprang.From its seventeenth-century beginnings, opera has been decried by its detractors for its elitism, its artifice, its absurd costliness, and its social irrelevance. But Littlejohn makes us see that opera embraces an extraordinary amount of intense human emotion and experience, Western culture, and individual psychology. It is also the most complex, challenging, and demanding form of public performance ever developed - at its most spectacular it pulls together in one evening a play, a concert, a ballet, and a pageant, not to mention an exhibition of painting and sculpture. Every opera is a veritable piece of cultural history.The book begins with "The Difference Is They Sing," a potentially controversial essay on the nature of opera and its place in modern culture. From there Littlejohn goes on to consider everything from "Sex and Religion in French Opera" to "What Peter Sellars Did to Mozart." He tells us about every major staging of Wagner's Ring cycle since 1876, the troubled fate (in legend, history, and opera) of the city of Nuremberg, and the volatile collaboration of Richard Strauss and Hugo von Hofmannsthal.Littlejohn presents these and many other fascinating moments in the history of opera with conviction and flair. By the end of the book the reader may very well be persuaded that opera is indeed the ultimate art