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    1840 research outputs found

    Caught in the act: theatricality in the nineteenth-century English novel

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    Litvak demonstrates that private experience in the novels of Austen, Charlotte Brontë, Eliot, and James is a rigorous enactment of a public script that constructs normative gender and class identities. He suggests that the theatricality which pervades these novels enforces social norms while introducing opportunities for novelists to resist them. This approach encourages a rethinking of the genre and its cultural contexts in all their instability and ambivalence

    Representation and its discontents: the critical legacy of German romanticism

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    Azade Seyhan provides a concise, elegantly argued introduction to the critical theory of German Romanticism and demonstrates how its approach to the metaphorical and linguistic nature of knowledge is very much alive in contemporary philosophy and literary theory. Her analysis of key thinkers such as Friedrich Schlegel and Novalis explores their views on rhetoric, systematicity, hermeneutics, and cultural interpretation. Seyhan examines German Romanticism as a critical intervention in the debates on representation, which developed in response to the philosophical revolution of German Idealism.Facing a chaotic political and intellectual landscape, the eighteenth-century theorists sought new models of understanding and new objectives for criticism and philosophy. Representation and Its Discontents identifies the legacy of this formative moment in modern criticism and suggests its relevance to contemporary discussions of post-structuralism, orientalism, theories of textuality, and the nature of philosophical discourse

    Elizabeth Bishop: life and the memory of it

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    Ethnographic presents pioneering anthropologists in the Papua New Guinea Highlands

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    Factory daughters: gender, household dynamics, and rural industrialization in Java

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    The imaginary puritan: literature, intellectual labor, and the origins of personal life

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    Nancy Armstrong and Leonard Tennenhouse challenge traditional accounts of the origins of modern Anglo-American culture by focusing on the emergence of print culture in England and the North American colonies. They postulate a modern middle class that consisted of authors and intellectuals who literally wrote a new culture into being.Milton's Paradise Lost marks the emergence of this new literacy. The authors show how Milton helped transform English culture into one of self-enclosed families made up of self-enclosed individuals. However, the authors point out that the popularity of Paradise Lost was matched by that of the Indian captivity narratives that flowed into England from the American colonies. Mary Rowlandson's account of her forcible separation from the culture of her origins stresses the ordinary person's ability to regain those lost origins, provided she remains truly English. In a colonial version of the Miltonic paradigm, Rowlandson sought to return to a family of individuals much like the one in Milton's depiction of the fallen world.Thus the origin both of modern English culture and of the English novel are located in North America. American captivity narratives formulated the ideal of personal life that would be reproduced in the communities depicted by Defoe, Richardson, and later domestic fiction

    Books of the brave: being an account of books and of men in the Spanish Conquest and settlement of the sixteenth-century New World

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    Since its original publication in 1949, Irving A. Leonard's pioneering Books of the Brave has endured as the classic account of the introduction of literary culture to Spain's New World. Leonard's study documents the works of fiction that accompanied and followed the conquistadores to the Americas and goes on to argue that popular texts influenced these men and shaped the way they thought and wrote about their New World experiences.For the first time in English, this edition combines Leonard's text with a selection of the documents that were his most valuable sources - nine lists of books destined for the Indies. Containing a wealth of information that is sure to spark future study, these lists provide the documentary evidence for what is perhaps Leonard's greatest contribution: his demonstration that royal and inquisitorial prohibitions failed to control the circulation of books and ideas in colonial Spanish America.Rolena Adorno's introduction signals the lasting value of Books of the Brave and brings the reader up to date on developments in cultural-historical studies that have shed light on the role of books in Spanish American colonial culture. Adorno situates Leonard's work at the threshold between older, triumphalist views of Spanish conquest history and more recent perspectives engendered by studies of native American peoples.With its rich descriptions of the book trade in both Spain and America, Books of the Brave has much to offer historians as well as literary critics. Indeed, it is a highly readable and engaging book for anyone interested in the cultural life of the New World

    Peasants and king in Burgundy: agrarian foundations of French absolutism

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    The example of Old Regime France provides a source for many of the ideas about capitalism, modernization, and peasant protest that concern social scientists today. Hilton Root challenges traditional assumptions and proposes a new interpretation of the relationship between state and society

    Masking the blow: the scene of representation in late prehistoric Egyptian art

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    The meaning of late prehistoric Egyptian images has until now been tantalizingly mysterious, as little understood as the circumstances of their production. As a result, analyses of these images have been general and often incorrectly illustrated. Whitney Davis now provides a welcome remedy in this detailed reinterpretation of the images carved on ivory knife handles and schist cosmetic palettes. These images are among the most important documents of early Egyptian history and include the Narmer Palette, often considered the very inception of ancient Egyptian image making.Davis deciphers the intriguing pictorial narratives and complex metaphors of images that are concerned with "masking the blow" of the ruler. "Masking the blow" refers to the ways that the images - from hunted animals to human antagonists - represent, elide, or suppress the depiction of a ruler's violent act of conquering an enemy.Examining late prehistoric Egyptian images in light of contemporary visual theory and illustrating his analyses with excellent reproductions, Davis goes beyond the usual concern for stylistic development and iconographic meanings that characterize prior studies. His work will greatly interest art historians, archaeologists, anthropologists, and students of the visual arts

    University of California Press eScholarship editions in process

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    Here is the first scholarly study of the life and thought of Benoît Malon (1841-1893), the most persuasive and visible spokesman for reformist socialism during the early years of the French Third Republic.Active in the generation of the French Left that came of age under the Second Empire, Malon was a prominent member of the First International in Paris and later joined the Paris Commune. As a result, he was forced into exile in Switzerland and Italy during the 1870s, where he became entangled in the struggles within the International. Malon attempted to steer a course between Marxist authoritarianism and anarchist utopianism, which he continued on his return to France in 1880.Vincent analyzes Malon's role as activist, editor, and author, arguing that Malon drew on a strong tradition of left-wing French republicanism. In his mature works, Malon articulated a socialism that emphasized broad moral and socioeconomic reform and advocated parliamentary rule as the appropriate source of national sovereignty. In helping the republican socialist Left shed its revolutionary associations, he pointed the way for later reformist socialists from Jean Jaurès to François Mitterrand

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