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Money and the modern mind: George Simmel's Philosophy of money
No full textA major representative of the German sociological tradition, Georg Simmel (1858-1918) has influenced social thinkers ranging from the Chicago School to Walter Benjamin. His magnum opus, The Philosophy of Money , published in 1900, is nevertheless a difficult book that has daunted many would-be readers. Gianfranco Poggi makes this important work accessible to a broader range of scholars and students, offering a compact and systematically organized presentation of its main arguments.Simmel's insights about money are as valid today as they were a hundred years ago. Poggi provides a sort of reader's manual to Simmel's work, deepening the reader's understanding of money while at the same time offering a new appreciation of the originality of Simmel's social theory
A skeptic among scholars: August Frugé on university publishing
No full textWhen August Frugé joined the University of California Press in 1944, it was part of the University's printing department, publishing a modest number of books a year, mainly monographs by UC faculty members. When he retired as director 32 years later, the Press had been transformed into one of the largest, most distinguished university presses in the country, publishing more than 150 books annually in fields ranging from ancient history to contemporary film criticism, by notable authors from all over the world. August Frugé's memoir provides an exciting intellectual and topical story of the building of this great press. Along the way, it recalls battles for independence from the University administration, the Press's distinctive early style of book design, and many of the authors and staff who helped shape the Press in its formative years
Downcast eyes: the denigration of vision in twentieth-century French thought
No full textLong considered "the noblest of the senses," vision has increasingly come under critical scrutiny by a wide range of thinkers who question its dominance in Western culture. These critics of vision, especially prominent in twentieth-century France, have challenged its allegedly superior capacity to provide access to the world. They have also criticized its supposed complicity with political and social oppression through the promulgation of spectacle and surveillance.Martin Jay turns to this discourse surrounding vision and explores its often contradictory implications in the work of such influential figures as Jean-Paul Sartre, Maurice Merleau-Ponty, Michel Foucault, Jacques Lacan, Louis Althusser, Guy Debord, Luce Irigaray, Emmanuel Levinas, and Jacques Derrida. Jay begins with a discussion of the theory of vision from Plato to Descartes, then considers its role in the French Enlightenment before turning to its status in the culture of modernity. From consideration of French Impressionism to analysis of Georges Bataille and the Surrealists, Roland Barthes's writings on photography, and the film theory of Christian Metz, Jay provides lucid and fair-minded accounts of thinkers and ideas widely known for their difficulty.His book examines the myriad links between the interrogation of vision and the pervasive antihumanist, antimodernist, and counter-enlightenment tenor of much recent French thought. Refusing, however, to defend the dominant visual order, he calls instead for a plurality of "scopic regimes." Certain to generate controversy and discussion throughout the humanities and social sciences, Downcast Eyes will consolidate Jay's reputation as one of today's premier cultural and intellectual historians
Redefining Black film
No full textCan films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks.Reid's discussion of black independent films - defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks - ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community.In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces.Reid's innovative critical approach, which transcends the "black-image" language of earlier studies - and at the same time redefines black film - makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies
Aristocratic experience and the origins of modern culture: France, 1570-1715
No full textAristocratic Experience and the Origins of Modern Culture explores a crucial moment in the history of European selfhood. During the seventeenth century, French nobles began to understand their lives in terms of personal histories and inner qualities, rather than as the products of tradition and inheritance. This preoccupation with the self accompanied a critical view of society, monarchy, and Christian teachings. It also shaped a new understanding of political realities and personal relations.Drawing from a combination of memoirs, literary works, and archival sources, Jonathan Dewald offers a new understanding of aristocratic sensibilities. In detailed fashion, he explores the nobles' experience of war, career, money, family, love, and friendship. In all of these areas, nobles felt a gap between social expectations and personal needs; in the seventeenth century this tension became increasingly oppressive. Modern French culture, Dewald argues, emerged from this conflict between tradition and the individual's inner life
Plundering paradise: the struggle for the environment in the Philippines
No full textThis gripping portrait of environmental politics chronicles the devastating destruction of the Philippine countryside and reveals how ordinary men and women are fighting back. Traveling through a land of lush rainforests, the authors have recorded the experiences of the people whose livelihoods are disappearing along with their country's natural resources. The result is an inspiring, informative account of how peasants, fishers, and other laborers have united to halt the plunder and to improve their lives.These people do not debate global warming - they know that their very lives depend on the land and oceans, so they block logging trucks, protest open-pit mining, and replant trees. In a country where nearly two-thirds of the children are impoverished, the reclaiming of natural resources is offering young people hope for a future. Plundering Paradise is essential reading for anyone interested in development, the global environment, and political life in the Third World
The politics of reform in Ghana, 1982-1991
No full textEconomic reform was the most pressing question for African and other Third World countries during the 1980s, and it will continue to dominate their public policy agendas during the coming decade. In this first full-length examination of the political economy of adjustment in Ghana, Jeffrey Herbst describes the causes of Ghana's dramatic economic decline and reviews the politics of reform that began in 1983.Ghana was one of the first African countries to adopt a comprehensive reform program and the one that has sustained adjustment longest. As Africa confronts the possibility of total economic collapse by the turn of the century, the Ghanaian experience will have profound ramifications across the continent in the debates regarding stabilization and structural change.Herbst devotes special attention to the interaction between the type of government and the politics of adjustment, the reaction of interest groups such as urban labor and the peasantry, and the relationship between economic and political change. His extended field research and sophisticated knowledge of the issues involved, both from the economic and political science literature, make this an extremely useful study. It will be important not only to Africanists, political scientists, economists, and sociologists, but also to government and financial leaders wrestling with economic reform in the Third World
Oil and revolution in Mexico
No full textAnyone contemplating the consequences of foreign investment in Latin America will profit from reading this book. As Jonathan Brown shows, the dynamic growth of the Mexican oil industry resulted from both the domination of foreign capital and Mexico's own economic restructuring, conditions similar to those under which free-market reforms are being adopted throughout the hemisphere today.Brown's research into the operations of the British and American oil companies in Mexico between 1880 and 1920 reveals their involvement in the events that led the country to revolution in 1910. He weaves a fascinating, exciting story out of the maneuverings among oil men, politicians, diplomats, and workers in a period of massive social upheaval.Oil companies brought capital, technology, and jobs to Mexico, but they also threatened its deeply rooted social heritage. Brown shows that the Mexican response to this double-edged situation was far more effective than has been recognized. Mexicans of all classes were remarkably successful in imposing their own traditions on the powerful companies.Lively, provocative but evenhanded, with darts of wry humor, this study will engage a wide variety of readers: business, economic, political, labor, and social historians and students of Latin America, foreign investment, and international relations
The "new woman" revised: painting and gender politics on fourteenth street
No full textIn the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters - Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop - placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period.This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality