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    University of California Press eScholarship editions

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    A distinguished work by one of America's leading scholars of higher education, Places of Inquiry explores one of the major issues in university education today: the relationship among research, teaching, and study. Based on cross-national research on the university systems of Germany, Britain, France, the United States, and Japan - which was first reported in the edited volume The Research Foundations of Graduate Education (California, 1993) - this book offers in-depth comparative analysis and draws provocative conclusions about the future of the research-teaching-study nexus.With characteristic clarity and vision, Burton R. Clark identifies the main features and limitations of each national system: governmental and industrial dominance in Japan, for example, and England's collegiate form of university. He examines the forces drawing research, teaching, and study apart and those binding them together. Highlighting the fruitful integration of teaching and research in the American graduate school, Clark decries the widely held view that these are antithetical activities. Rather, he demonstrates that research provides a rich basis for instruction and learning. Universities, he maintains, are places of inquiry, and the future lies with institutions firmly grounded in this belief

    Passing by: gender and public harassment

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    Catcalls, wolf whistles, verbal slurs, pinches, stalking - virtually every woman has experienced some form of unwanted public attention by men. Off the street, in semi-public places such as restaurants and department stores, women often suffer the insult of being passed over by employees eager to serve men. How pervasive is this behavior? How dangerous can it be? What, if anything, should be done about it? Passing By , an illuminating, unsettling work, explores the important yet little-examined issue of gender-related public harassment. Based on extensive research - including in-depth interviews with nearly five-hundred midwestern women and men - it documents the many types of indignity visited on women in public places. As Carol Brooks Gardner demonstrates, these indignities cross all lines of age, class, and ethnicity and follow a typical pattern whereby a man or men take advantage of a woman's momentary or permanent vulnerability. Beyond describing the scope and variety of harassing behaviors, the book investigates the different ways women and men respond to and interpret them.Gardner concludes, provocatively, that gender-based public harassment exerts a powerful control over women's feelings of comfort in the towns and communities where they live and work. Further, she defines it as a new category of social problem that shares much in common with sexual harassment and, in its more menacing form, requires legal remedy

    Theocritus's urban mimes: mobility, gender, and patronage

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    Drawing on current literary, cultural, and historical approaches, Joan Burton presents sophisticated new readings of Theocritus's urban mimes, which are among the most frequently cited evidence of Hellenistic cultural life, religion, magic, and aesthetics. Unlike Theocritus's bucolic poems, which focus on the male experience, all of his urban mimes represent women in more central and powerful roles, reflecting the growing visibility of Greek women at the time. A work of both innovation and wide-ranging scholarship, this book will be welcomed not only by students of the Hellenistic age but also by readers interested in issues of gender, sexuality, and culture in the ancient world

    University of California Press eScholarship editions

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    Independence from colonial rule did not usher in the halcyon days many North Africans had hoped for, as the new governments in Morocco, Tunisia, and Algeria soon came to rely on repression to reinforce and maintain power. In response to widespread human rights abuses, individuals across the Maghrib began to form groups in the late 1970s to challenge the political practices and structures in the region, and over time these independent human rights organizations became prominent political actors. The activists behind them are neither saints nor revolutionaries, but political reformers intent on changing political patterns that have impeded democratization.This study, the first systematic comparative analysis of North African politics in more than a decade, explores the ability of society, including Islamist forces, to challenge the powers of states. Locating Maghribi polities within their cultural and historical contexts, Waltz traces state-society relations in the contemporary period. Even as Algeria totters at the brink of civil war and security concerns rise across the region, the human rights groups Susan Waltz examines implicitly challenge the authoritarian basis of political governance. Their efforts have not led to the democratic transition many had hoped, but human rights have become a crucial new element of North African political discourse

    Nothing but history: reconstruction and extremity after metaphysics

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    What is the role of history in our "postmetaphysical" age? Surveying two centuries of philosophical writing, David Roberts offers a thoughtful guide to the philosophy of history before the recent challenges associated with deconstructive postmodernism. He then argues for a moderate intellectual tradition in which historical knowledge, although freed from transcendent values, continues to play a crucial role in the conduct of human affairs.Roberts's careful account of historicism explores the ideas of its major nineteenth-century representatives and foils, including Hegel, Dilthey, and Nietzsche. His thorough consideration of such twentieth-century thinkers as Gadamer, Croce, Foucault, and Heidegger contributes vitally to the ongoing discussions about the use and abuse of history. Certain to engage historians and philosophers, this book will interest scholars across the humanities who are concerned with the present and future utility of historical thinking

    Welcoming the undesirables: Brazil and the Jewish question

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    Jeffrey Lesser's invaluable book tells the poignant and puzzling story of how earlier this century, in spite of the power of anti-Semitic politicians and intellectuals, Jews made their exodus to Brazil, "the land of the future." What motivated the Brazilian government, he asks, to create a secret ban on Jewish entry in 1937 just as Jews desperately sought refuge from Nazism? And why, just one year later, did more Jews enter Brazil legally than ever before? The answers lie in the Brazilian elite's radically contradictory images of Jews and the profound effect of these images on Brazilian national identity and immigration policy.Lesser's work reveals the convoluted workings of Brazil's wartime immigration policy as well as the attempts of desperate refugees to twist the prejudices on which it was based to their advantage. His subtle analysis and telling anecdotes shed light on such pressing issues as race, ethnicity, nativism, and nationalism in postcolonial societies at a time when "ethnic cleansing" in Europe is once again driving increasing numbers of refugees from their homelands

    Painters and politics in the People's Republic of China, 1949-1979

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    Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists - these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia

    Interpretation radical but not unruly: the new puzzle of the arts and history

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    With this challenging work, Joseph Margolis continues the project begun in The Flux of History and the Flux of Science (California, 1993). Tackling one of philosophy's master themes, he develops the controversial thesis that the world is a flux. Here he applies this doctrine to Western theories of history and the interpretation of cultural phenomena - offering the first sustained analysis of the logic, methodology, and metaphysics of interpretation committed to a thoroughgoing relativism and the historicized structure of cultural phenomena. Versed in Anglo-American and Continental philosophy, Margolis draws on the best views of Western philosophy to investigate a topic regularly ignored in that tradition. The result is the surprising synthesis of two historically antipathetic approaches to philosophy

    The courtier and the King: Ruy Gómez de Silva, Philip II, and the court of Spain

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    Ruy Gómez de Silva, or the prince of Eboli, was one of the central figures at the court of Spain in the sixteenth century. Thanks to his oily affability, social grace, and an uncanny knack for anticipating and catering to the desires of his prince, he rose from obscurity to become the favorite and chief minister of Philip II.From the scattered surviving sources James Boyden weaves a vivid, compelling narrative: one that breathes life not only into Ruy Gómez, but into the court, the era, and the enigmatic character of Phillip II as well. Elegantly written and highly readable, this book discovers in the career of Gómez the techniques, aspirations, and mentality of an accomplished courtier in the age of Castiglione

    Memory for forgetfulness: August, Beirut, 1982

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    One of the Arab world's greatest living poets uses the 1982 Israeli invasion of Lebanon and the shelling of Beirut as the setting for this sequence of prose poems. Mahmoud Darwish vividly recreates the sights and sounds of a city under terrible siege. As fighter jets scream overhead, he explores the war-ravaged streets of Beirut on August 6th (Hiroshima Day). Memory for Forgetfulness is an extended reflection on the invasion and its political and historical dimensions. It is also a journey into personal and collective memory. What is the meaning of exile? What is the role of the writer in time of war? What is the relationship of writing (memory) to history (forgetfulness)? In raising these questions, Darwish implicitly connects writing, homeland, meaning, and resistance in an ironic, condensed work that combines wit with rage.Ibrahim Muhawi's translation beautifully renders Darwish's testament to the heroism of a people under siege, and to Palestinian creativity and continuity

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