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    Benin Dwarf Figure

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    Dwarf 26 high Circa 18th Century Benin, Nigeria, West Africa Bronze, Copper alloy A courtly standing figure with bodily proportions that indicate he may be a dwarf. The figure has an enlarged, oval-shaped head, closed eyes, a splayed nose and a full mouth. Necklaces adorn the neck and both arms are lifted above the waist with the right arm at a forty-five degree angle. The figure is clothed in a skirt and rests on broad, flat feet.https://dclu.langston.edu/africanartcollection_14_15/1010/thumbnail.jp

    Buyi Male Ancestor Figure

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    Standing Male Figure 13 1/2 high Circa 20th Century Buyi, Democratic Republic of the Congo, Africa Wood A standing male figure with an enlarged head, almond-shaped eyes, a blunt nose and an oval mouth. The beard is composed of a round carving. The cylindrical neck leads to angular shoulders and a scarified chest. Straight arms with flat hands flank the long torso, the legs truncated with bent knees that lead to thick feet with incisions for toes.https://dclu.langston.edu/africanartcollection_14_15/1025/thumbnail.jp

    Kewpie 90th Anniversary Doll from Cameo

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    Kewpie 90th Anniversary doll from Cameo.Series II, Box 2 12” high 7” wide Unknown date Multinational Mixed medium vinyl and plastic The “Kewpie Doll” was a mass produced doll by the K and K Toy Company who founded Cameo Dolls in the United States of America. “Kewpie Dolls” are dolls with closed mouths, side glancing eyes, and topknot hairdos. Similar to other massed produced dolls made for African-American children, this doll exhibits the same features as the original white “Kewpie Doll” but with darkened skin. She is wearing a Christmas style blue and white dress with white stockings and black patent leather shoes.https://dclu.langston.edu/eflewisdollcollection/1013/thumbnail.jp

    1980’s Porcelain Victorian Style Doll

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    Porcelain Victorian Style Dressed Doll. Series II, Box 2 16½” high 11” wide 1980 Multinational Mixed medium porcelain This Porcelain Victorian period doll was created in the 1980’s. In the 1980’s there was a movement to create dolls that reflected the complex images of the African American community. This doll has a combination of features that may be found in a person from both the African and European Diasporas. The doll maintains the hair and clothing style that would have been found during the Victorian period of 1837-1901 but wears modern makeup. She is of a dark brown complexion, has dark red full lips, flowing black hair, and a medium body frame. She wears a blue dress, a blue velvet cape, and high black boots.https://dclu.langston.edu/eflewisdollcollection/1012/thumbnail.jp

    African-American Christmas Doll

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    African-American Christmas Doll Series V. Box 5 12½” high 4½” wide 1985 Multinational Plastic, Porcelain, cloth, mixed medium This doll takes combines the European and American traditions of Christmas with a doll that makes her appear more of what an African- American would look like celebrating Christmas from their perspective. The doll was created in the 1980\u27s when dolls were to be more of a representative of people of color. The doll does not have stereotypical skin color or facial features. The time period that the doll represents is unknown but reflects the 1800\u27s carolers outfit.https://dclu.langston.edu/eflewisdollcollection/1042/thumbnail.jp

    Martinique Island Plastic Doll

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    Martinique Island Plastic Doll Series IV. Box 4 9” high 7” wide 1980 Martinique Island Plastic, Cloth, vinyl, and mixed medium This doll is from the Island of Martinique. This doll is tourist Island doll. It wears bright colorful clothes and has dark skin. This doll represents what may believe and island woman would look like. The doll has a combination European, Native, and African features. This image was more accurate due to the creation of the doll in the 1980\u27s versus the stereotypical eras of years earlier.https://dclu.langston.edu/eflewisdollcollection/1058/thumbnail.jp

    African Gourd Doll

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    African Gourd Doll Series IV. Box 4 7½” high 5½” wide 1970 Multinational Gourd, plant, feathers, and mixed medium This doll is in the tradition of African Artist who makes dolls with materials that are available. These dolls are not made for children to play with, but are considered spirit holders and used for traditional African religion ceremonies. This concept was brought from Africa to the islands and is a part of the voodoo culture. This doll was made in the 1970\u27s when African Pride was very strong all over the world.https://dclu.langston.edu/eflewisdollcollection/1056/thumbnail.jp

    Fang Reliquary Guardian Figure Female

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    Reliquary Guardian Figure 22 1/2 high Circa 19th Century Fang, Gabon, West Africa Wood, Metal A standing female figure with a rounded, enlarged head on a heart-shaped face and metal eyes. A cylindrical neck leads to rounded shoulders, full, pointed breasts and arms that bend at the elbows. The forearms are extended with hands touching the thighs and flanking the elongated torso and protruding navel area. The knees are bent and lead to heavy calves and comparatively small feet.https://dclu.langston.edu/africanartcollection_14_15/1023/thumbnail.jp

    Lega Dance Mask

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    Dance Mask 10 1/2 high Circa 20th Century Lega, Democratic Republic of the Congo, Africa Wood, Pigment An oval-shaped mask carved of wood with an abstracted heart-shaped face with no eye or mouth holes. The nose is elongated, the eyebrows arched and adorned with drill holes that are repeated on the top of the head. There is subtle pigment on the surface of the mask.https://dclu.langston.edu/africanartcollection_14_15/1028/thumbnail.jp

    Lega Cult Mask

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    Cult Mask 10 1/4 high Circa 19th Century Lega, Democratic Republic of the Congo Wood, Pigment Am oval-shaped mask carved of wood with red pigment on the heart-shaped face. The eyebrows are arched and the almond-shaped eyes are open. The nose is elongated and leads to a rounded chin, curved lips and small, open mouth.https://dclu.langston.edu/africanartcollection_14_15/1027/thumbnail.jp

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