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Functional Voice Skills for Music Therapists
This informative book is a guide for the development of functional voice skills for music therapists and students, young clinicians, educators and other health professionals in clinical settings. It presents techniques for emerging a rich, varied, engaging, and healthy clinical voice for use in music therapy practice. The book has a beautiful cover, and invites the reader to take a journey through the uniqueness of the authentic voice. It guides them to discover vocal challenges as well as to find personal vocal strength
Outlining a theory of the social and symbolic function of evaluations of education
AbstractThe article presents the results of a research project focusing on evaluations of education as a part of a New Public Management in the area of education.The empirical material consists of:- 8 state-sanctioned evaluations of the formal training programs for the positions in a medical field- various texts on evaluations- various examples of Danish evaluation research.A field of producers of Danish evaluation research is constructed as part of a field of power: analogous to the analysed evaluations, Danish evaluation research forms a discourse legitimizing socially necessary administrative interventions. The evaluations and the evaluation research are constructed as parts of a mechanism performing and legitimizing a sorting to an existing social order. The theoretical starting point is from theories, primarily by Émile Durkheim, Pierre Bourdieu and Ulf P. Lundgren.Keywords: evaluation, evaluation of education, social reproduction, New Public Management, societies after the Modern, meritocrac
“Students Can Write!”: How Can Students Explore and Improve their Writing by Using Different Academic Genres, Sources and Voices?
One purpose of this article is to shed light upon the concept of voice in writing, related to genres and sources in humanities. Another purpose is to participate in the academic discussion on voice. We want to raise awareness about the use of voice, in general, among students and supervisors. We want to inspire and motivate students to voice their texts explicitly and naturally – by using different genres and by entering into dialogue with central sources. Such sources can be used to create new meaning and for sense making, but they do not carry a given answer (Dervin, 1999; Holliday & Rogers, 2013).
The variation and complexity of voice is present in the variety of sources students find and use, such as articles, textbooks, dissertations, interviews, films, pictures, etc. Voices are explicit or implicit in all kind of sources used. Voices emerge as authoritative and experienced within academia, for instance in textbooks and articles. Voices may be creative and inviting. Some are attractive and believable, others hesitant or uncertain, as voices in many texts written by students.
Students, at all academic levels, express insecurity when working with academic writing and genres. However, by analysing and practicing different academic genres and by attending to voice(s) in others’ texts, students are empowered to explore genres and sources and to voice their own texts. By using and entering into dialogue with various sources, students make choices about how to present and interact with sources. In these ways, students develop their voices and improve their texts.
Our theoretical point of departure deals with voice, dialogue (Elbow, 2007; Bakhtin, 1986) and the use of sources combined with the search for information (Dervin, 1999; Holliday & Rogers, 2013). We analyse and compare two examples of the use of sources in academic texts, in order to show how texts representing two genres, use voices and sources in different ways. We present supervisors’ guidance strategies, representing supervisors’ voices. We – and supervisors – mention students’ general challenges with academic writing. Finally, we present dialogic strategies and propose a new dialogic strategy. This new strategy combines and unites reading and writing in different genres, drawing on and entering into dialogue with central sources, with different and clear ways of voicing; explicit and implicit voicing. Our dialogic strategy – and other intended dialogic strategies – can be used by students and all supervisors who assist students in writing, when dealing with voice(s) and sources.
 
NVivo courses in the library: Working to create the library services of tomorrow
In 2017, we started a project with the goal of offering a new service to academic staff and PhD candidates at the NTNU University Library: courses and guidance in the use of NVivo, a software to alleviate the workload in structuring and analysing qualitative research data.
Such software is useful for a plethora of subjects, like geography, anthropology, sociology, but also subjects like art history. Faculty members and PhD-candidates at NTNU have expressed enthusiasm when contacted about future courses in NVivo. Some employees have experience with NVivo, while others have tried to make their own tools and systems for analysis to fulfil their needs. Based on their feedback, experiences and valuable suggestions, we will offer the course in the fall 2018, either as a standalone library course or as a joint venture with one or more departments in the Humanities and Social Sciences faculties.
Our article will focus on how we have identified a new skillset and how we developed a new course for our patrons in close cooperation with them. In our article we will walk you through our ongoing project. We are very interested in feedback and hope to spark a discussion on the creation of new services in the libraries.  
Turning a library into a skill center for scientific information and knowledge management
In the past, library users had to come to the library. Today, the library has to approach their possible clients, with interactions and services that prove the value of the engagement, especially in higher education. Libraries must be recognized and acknowledged as skills centers for dealing with scientific information.
Since 2013, we have gradually transformed our library into a multifunctional learning space, but also into a center that scouts, evaluates and selects information management solutions for life sciences and chemistry, develops own solutions and keeps their patrons tuned to the latest developments. We reach out to our clients in multiple ways. We raise awareness for selected new tools and databases through Infocus, a personalized e-mail newsletter, which is created based on users’ interest profiles. Infocus is complemented by Infozine, a magazine for users of scientific information, which is sent to all members of the departments we serve and also to external subscribers. Community building is also done through various F2F outreach formats, classical courses that are part of bachelor and master students’ curricula, and courses with workshops for PhD students. There are also new formats such as Coffee Lectures (10-min presentations on tools, databases and services) or Menu Card Seminars that are tailored to the needs of an individual research group. Through these intensified interactions, we, in turn, learn a lot about current research processes and problems and thus understand better our client’s information needs
PANTERA: a parallel corpus to study translation between Portuguese and Norwegian
This paper presents an on-going project, PANTERA, which deals with the Portuguese-Norwegian language pair. The PANTERA project aims a) to identify all translations ever published between the two languages Portuguese and Norwegian, and b) to make a sample of each available and searchable for the study of translation between the two languages in the PANTERA parallel corpus. After describing the methodology and processing used to create the corpus, I discuss briefly its contents from a translation studies perspective, and proceed to give examples of its actual use in the context of linguistic and cultural studies, ending with its possibilities as a teaching aid.
The particular subjects discussed are the concept of respect in the two languages, the semantic field of body parts, and the identification of possessive datives and null objects in Portuguese. The translations into Norwegian are used to demonstrate complex syntactic phenomena based on contrastive patterns
L’évolution du suffixe –issime : un inventaire et une fréquence des formes attestées dans Frantext
The synthetic superlative -ÍSSIMUS in Latin survived in Italian, whereas it was borrowed in the Romance languages on the Iberian Peninsula and in French during the Renaissance. This suffix has been very frequent in these languages with the exception of French. In this language it has been accepted merely when used in titles. Condemned by grammarians, the suffix has thus been quite rare in French literature. The present study shows however that in the database Frantext, which comprises mostly literary texts, nearly 1,400 occurrences of words with the suffix -issime are found, rarissime and richissime being the most frequent (apart from titles). But with the emergence of new media, it seems that the suffix has become much more frequent in French. These adjectives are found mainly in areas like politics, sports, travels, adult movies and in comments by web visitors as shown in this study
No me banco la gente así. Un estudio comparativo del uso de palabras coloquiales y malsonantes en conversaciones informales en tres comunidades de habla hispanohablantes
The present article aims at describing and comparing the use of slang words and swearwords in teenage talk from three different Spanish speaking communities. The analysis builds on spontaneous teenage conversations from the corpus of teenage language Corpus Oral de Lenguaje Adolescente (COLA). This corpus contains informal conversations from Madrid, Buenos Aires and Santiago de Chile; and for this study one conversation from each city has been selected. The aim of the analysis is twofold, in the first place to describe and compare the slang words and swearwords registered in the three conversations, and secondly to study the pragmatic functions of these words. The analysis of the slang words shows that there is variation in the informal words and expressions used in the three communities, and that these expressions seem to be mostly regional. Regarding the swearwords used, there are similarities in the three communities. There are also similarities in the pragmatic functions of the slang words and swearwords in context. The conclusions that can be drawn from the analysis, is that the Spanish speaking communities have a common system regarding how the slang words are used, but each community uses their creativity in developing words and expressions. For swearwords, the system and the words used are more similar, which might indicate that the communities share the cultural aspects that are reflected in the swearwords
Imagining Something Else: A Queer Essay
Uno scritto queer*
Questo tema queer è suddiviso in tre sezioni. Nelle prime due sezioni prendo due diversi voli sui regni del senso, della terminologia, della parola, dell\u27in-corporazione e della materialità. In alcuni dei momenti della lettura, prenderò in considerazione il potenziale oppressivo + anti-oppressivo e il potenziale tortuoso + emancipatorio. Alla base delle parole scritte e delle immagini disegnate, mi chiedo come il disciplinare queering della scena riveli come le persone e le cose siano inseparabili. Indipendentemente da ciò che il mio interlocutorio discorso verbale può fare, mi viene anche ricordato che alcune cose e alcune persone rimangono resilienti e agenziali. Vorrei mostrare come penso che ciò sia realmente l\u27im+materialità che fa il queering a cui mi sento sempre più chiamato a partecipare e a occuparmene. Considero come il disimpegno sistematico e la diffrazione di meccanismi narrativi dominanti urlino la percezione di una molteplicità di impegni ontologici: le capacità di ciò che chiamo il "Sistema non-nervoso queer (QNn-S)" potrebbero emancipare l\u27antropocentrico dai Sistemi Nervosi Centrali, Periferici e Sociali? Nella terza sezione finale, presento il mio pensiero sull\u27analisi dell\u27iscrizione di materialità (MIA), volta a come eseguire voli reiterativi e accodamenti nell\u27ambito della ricerca e della pratica della musicoterapia. Questo è un modo con cui sto sostenendo persistentemente lo studio dell\u27ontogenesi, e dell\u27ontogenesi della musicoterapia. Con questo tema digitalizzato, scritto a mano e disegnato, auguro un rinnovato sconvolgimento del divenire in musicoterapia, iul quale possa essere univoco a livello globale, essere temporaneo e poli-modicamente sensato. Qualcos\u27altro, qualcosa di più. Forse.
* Socialmente eccentrico rispetto alle definizioni di normalità codificate dalla cultura dominante, anche in riferimento all’orientamento sessuale e all’identità di genere.
Traduzione di Claudio CominardiThis queer essay is in three sections. In the first two sections I take two different flights over the realms of sense, terminology, speaking, in-bodyment, and materiality. In some of the moments of reading, I will be considering the potentially oppressive+anti-oppressive and the potentially tortuous+emancipatory. Underlying the written words and drawn images, I wonder how disciplinary queering of the scene reveals how people and things are inseparable.
No matter what my questioning verbal discourse may do, I am also reminded that SomeThings and SomeBodies also remain resilient and agential. I wish to show how I think it is actually im+materiality which does the queering towards which I increasingly feel called to attend and care. I consider how systematic disengagement from, and diffraction of dominant narrative mechanisms scream out for the perception of a multiplicity of ontological commitments: Could the capacities of what I call the ‘Queer Nervous non-System (QNn-S)’ emancipate the anthropocentric from the Central, Peripheral and Social Nervous Systems?
In the final third section, I introduce my thoughts about Materiality Inscription Analysis (MIA) aimed at how to perform reiterative flights and queering within music therapy research and practice. This is one way that I am advocating for the persistent study of the ontogeneology and ontogenesis of music therapy.
With this digitalized hand-written and drawn essay I wish a renewed unsettling of the becomings of music therapy, that it/they may be globally uniqued, may be temporary, and may be polymodally sensed. Somethings else, somethings more. Perhaps
Los trabajos de Persiles y Sigismunda, historia setentrional de Miguel de Cervantes: Estado de la cuestión y su actualidad para hispanistas nórdicos
Miguel de Cervantes’ posthumous novel, Los trabajos de Persiles y Sigismunda, historia setentrional, published in 1617, has in the past decades received renewed attention from Cervantes scholars. This article gives an overview of the main perspectives of current research at the 400th anniversary of the novel that the author himself considered his literary testament. It concludes offering some brief reflections on its particular relevance for Nordic hispanists