Transformative Works and Cultures - TWC (Organization for Transformative Works)
Not a member yet
852 research outputs found
Sort by
Female-centered fan fiction as homoaffection in fan communities
No full textIn the scholarship of fan studies, a lot has been said about why female fan communities enjoy writing about male characters and relationships in fan fiction. In contrast, there has been a dearth of research into female fan communities that are centered around female characters and their relationships with each other. Here I examine the heretofore unnamed female-centered fan fiction genre of homoaffection fic through a close reading of examples chosen from the Star Trek fandom. I show how this fan fictional genre reworks the masculine narratives of the television series and movies in order to define female experience and demonstrate the way in which this in turn creates female communities in both the world of the fic and our own world
"International perspectives on shojo and shojo manga," edited by Masami Toku
No full textReview of Masami Toku, editor, International perspectives on shojo and shojo manga: The influence of girl culture. New York: Routledge, 2016, hardcover, 54.95 (13538 KB) ASIN B00YY63KQM
"When the RP gets in the way of the F": Star Image and intertextuality in real person(a) fiction
No full textThis article uses a case study from the hockey RPF community to explore textual processes in real person(a) fiction, and particularly the intertextual relationship between different facets of the star image and the RPF character. I argue that the crisis in legitimacy faced by the fandom revealed a dense of web of intertextuality between the celebrity's public and official private personas, the imagined real person behind them, and the RPF character, all involved in a side-by-side reading of the similarities and differences between the celebrity fan object and the fan work. I highlight the complex relationship between celebrity persona, RPF character, and other seemingly unrelated elements that may be drawn into an archive by RPF readers and writers and show the collectively created RPF character was overwhelmed by these other elements
The scholarly rebellion of the early Baker Street Irregulars
No full textThis work provides and analyzes an early institutional history of the pioneering Sherlock Holmes American fan club, the Baker Street Irregulars (BSI). Using the publications and records of these devoted Sherlockians, I track the BSI's development from a speakeasy gathering in 1934 to a national organization by the mid-1940s. This growth was built on a foundation of Victorian nostalgia and playful humor. Yet at the same time the members of the Irregulars took their fandom seriously, producing Sherlockian scholarship and creating an infrastructure of journals, conferences, and credentialing that directly mimicked the academy. They positioned themselves in contrast to prevailing scholarly practices of the period, such as New Criticism. I trace both how their fan practices developed over time and how this conflict with the academy led to many of the BSI's defining characteristics
Queerly imagining "Super Girl" in an alternate world: The fannish worlding in FSCN femslash romance
No full textA globally formatted, Idol-style, reality singing contest produced by a Chinese provincial TV station, Super Girl (SG; Hunan Satellite TV, 2004–2006) received staggeringly huge commercial success nationwide. It only allowed female participants and featured a large number of gender-defying finalists. This article explores femslash fan fiction published and circulated on feise chaonü (FSCN), one of the most popular Mainland Chinese femslash fandoms of 2006 SG participants. The lesbian romance depicted in FSCN fan fiction is inspired by and further articulates the intentionally "queered" content of SG. However, these lesbian stories are often narrated within culturally distant, fictional settings, such as Western, futuristic, or historical backdrops. My reading of FSCN femslash fan fiction explores how and why this prevailing, yet self-contradictory, femslash writing strategy helps the fans to queerly construct an "alternate world" that enacts, facilitates, or legitimizes Chinese lesbianism. I reveal the underlying ways in which this FSCN worlding practice ambiguously appropriates and ridicules contemporary Chinese female gender- and sexuality-related norms and ideals. Ultimately, I argue that the "worlded" contexts and plotlines of queer fantasy in FSCN femslash can be construed as active fannish responses to and negotiations with the realities and histories of Chinese lesbian-related public cultures
Fan fiction in the library
No full textAlthough several notable collections of fan fiction exist in libraries, such as the Sandy Hereld Fanzine Collection at Texas A&M University (http://oaktrust.library.tamu.edu/handle/1969.1/149935) and the digital fanzine archives at the University of Iowa (http://www.lib.uiowa.edu/sc/resources/fandomresources/), not much attention is given to the systematic selection, acquisition, indexing, preservation, and sharing of fan works in the UK, considering the popularity of fandom, the volume of creative work that exists, and the rate at which new texts are produced. Here we present the results of an investigation into the extent to which UK libraries collect and manage fan fiction, and our attempts to ascertain the reasons underlying collection policy in local, public, special, academic, and national institutions. Our report is based on a review of recent literature, an analysis of the collection policies of a selection of UK libraries, and a brief survey of the views of Library & Information Science students. The empirical work was carried out in spring 2016. Results show that there is a little-known and less-understood dark side to fan fiction, in regard to how it is understood and valued in the library sector, which feeds a widening gap in our cultural heritage
"Anime fan communities: Transcultural flows and frictions," by Sandra Annett
No full textSandra Annett, Anime Fan Communities: Transcultural Flows and Frictions. New York: Palgrave Macmillan, 2014, hardcover, 76 (2471 KB), ASIN B00TR5JPW8
"Role playing materials," by Rafael Bienia
No full textRafael Bienia. Role playing materials. PhD diss., Maastricht University, 2016. 216p
"Ms. Marvel," Tumblr, and the industrial logics of identity in digital spaces
No full textThis essay examines fan interactions on "The All-New Ms. Marvel Backstage Pass," a Tumblr site initiated by Marvel Comics to promote the Ms. Marvel (2014–) comic book. I conceive of this site as a space in which racial, ethnic, and gendered identity dimensions can be uniquely articulated in accordance with identity markers of the Ms. Marvel character, a female teenage Pakistani American Muslim. These articulations are possible due to Tumblr's unique affordances as a mediator of fandom formation—affordances that are both technological and social. For Ms. Marvel fans, Tumblr affords opportunities for intertexual and paratextual productivity, orienting emerging fans into broader rites and practices of fandom participation and specific forms of identity expression undertaken in accordance with identity vectors of Ms. Marvel, its creators, and its fans. For Marvel Comics, fan activities on "The All-New Ms. Marvel Backstage Pass" are a source of promotional labor inflected with the veneer of authenticity, providing the company with a centralized means of instigating fannish promotion and emboldening an emergent audience that corresponds to institutional desires for audience diversification. This Tumblr therefore brokers the economic and institutional drives of Marvel Comics and the cultural drives of an emergent diversified fandom
GTOs (girls together outrageously)
No full textMemories of the Adventuresses of Sherlock Holmes (ASH) fan group