Masaryk University Journals / Časopisy Masarykovy univerzity
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Le dieci paradosse degli Academici Intronati da Siena (1564) : un espacio alternativo para la mujer
No full textThis article analyzes the collective work Le dieci paradosse (1564) published by the Accademia degli Intronati of Siena and how it deals directly or indirectly, but insistently, with issues related to women, especially in the field of love, through paradox and play. This perspective, apparently ludic and uncompromising, reveals a critical and defiant attitude towards the most widespread conventions and trends in Italian Renaissance society and literature, which results in the creation of an alternative space not only for the intellectuals, but also for women. Although it is a space located on the margins of everyday life, it allows women to project themselves in society in a freer way, with greater dignity, with a voice of their own, and to approach non-canonical forms of behavior.En este artículo se analiza la obra la colectiva Le dieci paradosse (1564) de la Academia de los Intronati de Siena y, en particular, cómo se afronta directa o indirectamente, pero con insistencia, cuestiones relacionadas con las mujeres, especialmente en el ámbito amoroso, a través de la paradoja y el juego. Esta perspectiva, aparentemente lúdica y carente de compromiso, deja traslucir una actitud crítica y desafiante de las convenciones y tendencias más generalizadas en la sociedad y la literatura renacentista italiana que tiene como consecuencia la creación de un espacio alternativo no solo para los intelectuales, sino también para la mujer. A pesar de que se trata de un espacio situado al margen de la vida cotidiana, este permite a la mujer proyectarse en la sociedad de una manera más libre, con mayor dignidad, con una voz propia y acercarse a formas de comportamiento no canónicas
Dell'eccellenza della donna : sintesi, interpretazioni e approfondimenti in riguardo del discorso di Hercole Filogenio
No full textOn 1589 Hercules Philogenius wrote a speech entitled Dell'eccellenza della donna with the dual objective of praising female virtues and at the same time preserving women from the reproach manifested by the hegemonic machismo of his time, thus deserving a place in the Querelle des femmes. He chose to dedicate his writing to Flavia Peretti Orsina, a distinguished woman of her time, who thanks to her innovative spirit and her most varied interests contributed to the social advancement. The author arrived at two Conclusions, that the Woman is superior and more excellent than the Man in many respects but above all in the acuteness of her intellect, and that the Woman is neither inferior nor less excellent than the Man. In support of the opinions expressed, he develops all the necessary arguments in the pages of the treatise.Nel 1589 Hercole Filogenio scrisse un discorso che intitolò Dell'eccellenza della donna con il doppio obiettivo di elogiare le virtù femminili e parallelamente preservare le donne dal biasimo manifestato dal maschilismo egemone della sua epoca, meritando così un posto nella Querelle des femmes. Scelse di dedicare il suo scritto a Flavia Peretti Orsina, una donna distinta del suo tempo, la quale grazie al suo spirito innovatore e ai suoi interessi più vari contribuì all'avanzamento sociale del suo tempo. L'autore giunse a due Conclusioni, che la Donna è superiore e più eccellente dell'Uomo per molti aspetti ma soprattutto per l'acutezza del suo intelletto, e che la Donna non è inferiore né meno eccellente dell'Uomo. A supporto delle opinioni espresse sviluppa tutta l'argomentazione necessaria nelle pagine del trattato
La poética machadiana en la poesía de Luis García Montero : intertextualidad y transducción
No full textIn this paper we want to highlight the dialogical relationship between the work of Antonio Machado in the two books of poetry Diario cómplice (1987) and Habitaciones separadas (1994) by Luis García Montero and their problematics in the transductive act, and we will adopt Lubomír Doležel's (1990) concept of transduction. The study is based on an analysis of the verses that are connected and come into contact with each other, in order to assess how the transducer of a work that maintains a strict intertextual relationship with other work(s) has to reflect. If the complexity of a translation is already per se a continuous process of considerations between language and the inherent aspects of literature, the matter becomes more complicated when dialogical elements such as intertextuality converge in the original poetic whole. It is in our interest to develop a transductological and literary reflection on the idea of the transducer's approach to these issues, which we consider fundamental when it comes to poetic transduction.En este trabajo queremos destacar la relación dialógica entre la obra de Antonio Machado en los dos libros de poesía Diario cómplice (1987) y Habitaciones separadas (1994) de Luis García Montero y sus problemáticas en el acto transductivo, en este sentido adoptaremos el concepto de la transducción de Lubomír Doležel (1990). El estudio se basa en un análisis de los versos que se conectan y entran en contacto entre sí, para llegar a valorar cómo tiene que reflexionar el transductor de una obra que mantiene una estricta relación intertextual con otra(s) obra(s). Si ya la complejidad de una transducción es per se un proceso continuo de consideraciones entre la lengua y los aspectos inherentes a la literatura, además, la cuestión se complica cuando en el conjunto poemático original confluyen elementos dialógicos como la intertextualidad. Es nuestro interés desarrollar una reflexión transductológica y literaria sobre la idea de acercamiento, por parte del transductor hacia estos asuntos que consideramos fundamentales a la hora de una transducción poética
Transfert traductionnel vs transfert analytique
No full textThis article seeks to problematize the dialogue of translation with psychoanalysis. Thus, from their common base constituted by desire, we will confront the psychoanalytic act and the act of translating. We will try to outline their similarities and differences. In order to conclude that if transference in psychoanalysis can be defined as an affective state experienced for an object extended to another object, the act of translating presents itself as a semantic, expressive and cultural transfer from one language to another. The positions taken are illustrated above all by examples from the seminar The Formations of the Unconscious of Jacques Lacan and the novel The Blue Flowers of Raymond Queneau.Cet article s'attache à problématiser le dialogue de la traduction avec la psychanalyse. À partir de leur base commune constituée par le désir, nous confrontons l'acte psychanalytique et l'acte traductif dans une tentative de circonscrire leurs similitudes et leurs différences. Afin de conclure que si le transfert en psychanalyse se définit comme un état affectif éprouvé pour un objet, étendu à un autre objet, l'acte traductif se présente comme un transfert sémantique, expressif et culturel d'une langue à une autre. Nos prises de position sont illustrées essentiellement par des exemples extraits du séminaire Les formations de l'inconscient de Jacques Lacan et du roman Les fleurs bleues de Raymond Queneau
The contribution of Slovak radio to the development of musical culture in the years of World War II
No full textDuring the Czechoslovak Republic, Slovak Radio (SRo) served mainly as a regional branch of Radiojournal, with limited input in national broadcasting and content decisions made in Prague. A decisive shift came on 14 March 1939, when SRo became independent following the creation of the Slovak state. The government, holding a substantial share in the new jointstock company, recognised its potential to shape public opinion and placed it under the Propaganda Office, including its music programming. Previously marginal, the music department, headed by composer Alexander Moyzes, achieved notable results during this period. However, Slovakia's position as a client state of Nazi Germany brought ideological pressures, which also extended to its main broadcasting institution. This article examines how SRo's music department maintained its independence from political interference and evaluates its role in shaping Slovak musical culture during the war years, with Moyzes's personal recollections serving as a supplementary perspective
Spomienka na Večné mesto - nález pútnického odznaku v Trnave
No full textIn the first jubilee year of 1300, many European pilgrims set out on a pilgrimage to the Eternal City. The souvenirs they brought home from the shrines they visited included various pilgrim badges. During archaeological research into a medieval urban plot in Trnava, in Štefánikova Street, one such badge was found, depicting St. Lawrence and St. Stephen, the first martyr, according to the inscription. These saints are buried in the Church of San Lorenzo fuori le Mura, one of seven crucial stops for pilgrims in Rome. The pilgrim badge comes from a contemporary levelling, which was one of the modifications to the road within the plot. From the context of the uncovered situation, as well as from the finds of coins, the pilgrim badge and fragments of pottery, the layer was dated to the the period between the late 13th and the early 14th century.V prvom jubilejnom roku 1300 sa vybralo na púť do Večného mesta mnoho európskych pútnikov. K spomienkovým predmetom, ktoré si doniesli z navštívených svätýň domov, patrili rôzne pútnické odznaky. Počas archeologického výskumu stredovekej mestskej parcely v Trnave, na Štefánikovej ul., sa našiel jeden z nich, podľa kolopisu zobrazujúci sv. Vavrinca a sv. Štefana, prvomučeníka. Títo svätci sú pochovaní v Kostole San Lorenzo fuori le Mura, jednej zo siedmych povinných zastávok pútnikov v Ríme. Pútnický odznak pochádza z dobovej nivelety, ktorá bola jednou z úprav komunikácie v rámci parcely. Z kontextu odkrytej situácie, ako aj z nálezov mincí, pútnického odznaku či z fragmentov keramiky vyplynulo datovanie vrstvy na záver 13. až začiatok 14. storočia
Zaniknuté stredoveké sídla a stopy montánnej činnosti v oblasti Galmus a jej okolí na Spiši
No full textTraces of iron metallurgy near the Galmus region in Spiš go back to as early as the La Tène period. In all probability, the beginnings of metallurgy in this period were followed by prospecting and mining activities directly in the Galmus mountains and their surroundings. This activity continued to develop during the early Middle Ages, reaching its first peak in the high Middle Ages and continuing to develop in the modern age, lasting until the 20th century. Research into mining cannot be separated from subsequent research into related production activities (e.g. platform forest mills) and, in particular, deserted mining settlements.Stopy po metalurgii železa nachádzame v blízkosti oblastí Galmus na Spiši už v laténskom období. Je pravdepodobné, že k počiatkom hutníctva už v tom období nadväzovala prospektorská a banícka činnosť priamo v pohorí Galmus a jej okolí. Tá sa počas včasného stredoveku ďalej rozvíjala, aby svoj prvý veľký vrchol dosiahla vo vrcholnom stredoveku a ďalej sa rozvíjala v novoveku a pretrvala až do 20. storočia. Od výskumu baníctva sa nedá oddeliť nasledujúci výskum nadväzujúcich výrobných činností (napr. miliere) a najmä zaniknutých banských osád
Lucy Gray Baird and Katniss Everdeen : representation of women in Hunger Games
No full textThis article explores the representation of women in the novels of Suzanne Collins, 'The Hunger Games' trilogy (2008-2010) and The Ballad of Songbirds and Snakes (2020) via a comparative analysis of the two main heroines, Katniss Everdeen and Lucy Gray Baird. Due to the success and the cultural impact of the Hunger Games dystopian universe, it is important to conduct a comprehensive analysis of the heroines who came to represent the current cultural trend for strong female main characters in Young Adult novels. This work utilizes feminist literary frameworks and analyses previously done in studies of 'The Hunger Games' universe to highlight the underlying feminist messaging of the books, as well as aims to demonstrate the parallels and differences between the heroines. Specific focus is on their gender presentation, constructed personalities, feelings of identity, performing roles and the effect their respective backgrounds have on the narrative