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From Craft to Industry: The Boat Builders of Holland (Audio Tour Information and Touch and Feel Sign)
From Craft to Industry: The Boat Builders of Holland was an exhibition at the Holland Museum on display from June 14, 2013 through December 30, 2013. Materials for the exhibit were used from both the Joint Archives of Holland and Holland Museum.https://digitalcommons.hope.edu/boat_builders/1060/thumbnail.jp
From Craft to Industry: The Boat Builders of Holland
From Craft to Industry: The Boat Builders of Holland was an exhibition at the Holland Museum on display from June 14, 2013 through December 30, 2013. Materials for the exhibit were used from both the Joint Archives of Holland and Holland Museum.https://digitalcommons.hope.edu/boat_builders/1026/thumbnail.jp
From Craft to Industry: The Boat Builders of Holland (Construction Materials)
From Craft to Industry: The Boat Builders of Holland was an exhibition at the Holland Museum on display from June 14, 2013 through December 30, 2013. Materials for the exhibit were used from both the Joint Archives of Holland and Holland Museum.https://digitalcommons.hope.edu/boat_builders/1059/thumbnail.jp
From Craft to Industry: The Boat Builders of Holland (First Hall from Entrance)
From Craft to Industry: The Boat Builders of Holland was an exhibition at the Holland Museum on display from June 14, 2013 through December 30, 2013. Materials for the exhibit were used from both the Joint Archives of Holland and Holland Museum.https://digitalcommons.hope.edu/boat_builders/1007/thumbnail.jp
From Craft to Industry: The Boat Builders of Holland (Tools and Work Desk in Corner of Second and Third Hall View A)
From Craft to Industry: The Boat Builders of Holland was an exhibition at the Holland Museum on display from June 14, 2013 through December 30, 2013. Materials for the exhibit were used from both the Joint Archives of Holland and Holland Museum.https://digitalcommons.hope.edu/boat_builders/1034/thumbnail.jp
Dance 39
Program: Strange Arrangements ; Choreographer: Steven Iannacone Ain\u27t Life Grand ; Choreographer: Sharon Wong the last of light ; Choreographer: Anne-Rene Petrarca Seal Steak...And Dirty Tulips ; Choreographer: Angie Yetzke in collaboration with the dancers Elysium Garden ; Choreographer: Matthew Farmer Waltz of the Hours from the Ballet Coppelia (1884) ; Choreographer: Marius Petipa and Enrico Cecchetti Legendary ; Choreographer: Crystal Frazier (with dancers\u27 freestyle
Harriet Sult Oral History
Harriet Sult reflects on her experience as the second female supervisor at S2 Yachts. (1 minute)https://digitalcommons.hope.edu/boat_builders/1096/thumbnail.jp
The Anchor, Volume 126.19: April 3, 2013
The Anchor began in 1887 and was first issued weekly in 1914. Covering national and campus news alike, Hope College’s student-run newspaper has grown over the years to encompass over two-dozen editors, reporters, and staff. For much of The Anchor\u27s history, the latest issue was distributed across campus each Wednesday throughout the academic school year (with few exceptions). In recent years The Anchor moved to monthly print issues and a more frequently updated website. The Anchor is now published in print twice per academic semester. Occasionally, the volume and/or issue numbering is irregular
The Anchor, Volume 126.14: February 6, 2013
The Anchor began in 1887 and was first issued weekly in 1914. Covering national and campus news alike, Hope College’s student-run newspaper has grown over the years to encompass over two-dozen editors, reporters, and staff. For much of The Anchor\u27s history, the latest issue was distributed across campus each Wednesday throughout the academic school year (with few exceptions). In recent years The Anchor moved to monthly print issues and a more frequently updated website. The Anchor is now published in print twice per academic semester. Occasionally, the volume and/or issue numbering is irregular
A Short Argument Against Abortion Rights
In this paper I will put forward a brief argument against abortion rights. The argument concerns itself with the two main ways in which defenders of abortion rights develop their position. The first strategy through which they tend to do this is by arguing against the personhood of the fetus. The second strategy, made famous by Judith Jarvis Thomson, is to argue that, even if the fetus were a person, its right to life would not entail the right to draw upon the resources of the woman in pregnancy, and so the pregnancy can be terminated (even if the fetus loses its life in the process). My argument will provide reasons to suspect that attacks on fetal personhood are based on a questionable notion of personhood, and that the most common attempts to show that the fetus does not have the right to draw on the resources of the woman in pregnancy also have considerable problems. This will buttress the case for the view that the fetus is a person and that it has the right to draw on the resources of the woman in pregnancy. -- from publisher\u27s websit