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Manifestations of Toxic Masculinity in Cormac McCarthy’s Blood Meridian or the Evening Redness in the West
Get PDFThis article analyzes Blood Meridian or The Evening Redness in the West (1985)—the first product of Cormac McCarthy’s borderlands immersion—by deploying the concept of “toxic masculinity,” an exaggerated masculinity related mythically to the role of the cowboy/warrior/pioneer, which creates recklessness and eventually perpetuates violence. In other words, it explores how perfunctorily embracing, or endeavoring to fulfill, hegemonic masculine ideals bring about self-destructive behaviors in McCarthy’s monolithically male characters on the Texas-Mexico border in the 1850s. Even though the term “toxic masculinity” was seldomly used in the 1980s when McCarthy wrote this novel, he clearly anticipates and historicizes the evolution of American masculinity as embodied by the cowboy/warrior/pioneer into a form of toxic masculinity. By doing so, he presages the gradual cultural recognition that such masculinity is not the generic standard against which all versions of gendered identity should be measured but is in fact toxic, pathological, political, and problematic. By exposing toxic cowboy mythology and deploying it to construct alternative masculinities, McCarthy questions the Frontier Thesis and Manifest Destiny while disrupting the toxic assumptions about manhood and masculine identities they were intended to uphold. The new vision McCarthy presents in Blood Meridian challenges the development of American national identity based on the vicious conquest of impoverished, discriminated, oppressed, and racialized Others and exploited, feminized nature
En grundvold i demokratiet: Biblioteker for de få. Biblioteker for alle.
Get PDFDet er undertitlen på Dansk Bibliotekshistorie. REVY var med til lanceringen af to-bindsværket, der fortæller om danske biblioteker i deres mangfoldighed. 
No Family Company Without Family: The Professionalization of a Chinese Family Business in Hong Kong
Get PDFNo Family Company Without Family: The Professionalization of a Chinese Family Business in Hong Kon
“Lord Save Us from Champions like This”: The Sonny Liston-Muhammad Ali Heavyweight Championship Bouts as Transnational Sporting Culture in 1960s Finland
Get PDFThe two championship bouts between Sonny Liston and Muhammad Ali in 1964 and 1965 are among some of the most controversial events in the history of boxing. While their significance has been interpreted in the United States against the backdrop of the Civil Rights era, this article opens up a pathway for discussing transnational meanings and functions that African American heavyweight champions assumed in faraway lands, such as Finland. Contextualized within a Transnational American Studies research paradigm, the article considers the multiple ways in which Finnish media reporting made sense of and imposed significance on transnational sporting culture in the 1960s. The article argues that prizefighting served as a lens through which reporters negotiated Euro-American relations, national identity, and the global spread of professional sports at the expense of amateurism. In addition to providing a site for negotiating ethnic and racial differentiation, the primary sources analyzed show the ways in which prizefighting offered a locus for constructing performative, class-based sporting whiteness
