Copenhagen Business School: CBS Open Journals
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The Problem of Concealment: Reformism, Information Struggles, and the Position of Intellectuals
Foucault’s Outside: Contingency, May-Being, and Revolt
In this paper, I argue for an alternative reading of Michel Foucault as an anti-correlationist thinker. Specifically, I position him as aligned with what philosopher Quentin Meillassoux calls speculative materialism (an offshoot of speculative realism). Given the resurgent and exciting prioritization of speculative ontology over concrete politics among these thinkers, coupled with the need for a revolutionary anti-capitalist political movement, my approach aims to take speculative materialists’ claims regarding access to the in-itself seriously while also devoting attention to their (underdeveloped) political dimension. It is in this latter realm Foucault proves particularly helpful to think alongside. Though Foucault has often and convincingly been portrayed as an anti-universalist, postmodern, and epistemologically-oriented figure, I present him as concerned with the subject’s access to the Outside (the great outdoors, things-in-themselves) as well as the politics of such access. I do so through a study of a wide selection of his works (books, essays, interviews, articles), a comparison between his philosophical position and that of Meillassoux’s, and an expansion upon Foucault’s analysis of Diego Velázquez’s “Las Meninas” in The Order of Things, positing the artwork as a speculative object. I suggest, in short, that Foucault’s concepts of thought, force, and the subject have surprisingly striking similarities to Meillassoux’s absolute contingency and his political subject (the ‘vectoral militant’). We can, then, begin to see a revolutionary politics arising out of what I understand as Foucault’s speculative stance—hopefully providing an opportunity to both (re)consider Foucault and highlight the politics incipient in contemporary explorations into the Outside
Confronting Colorblind Commodity Racism: Young Jean Lee’s The Shipment
Surrounded by the hubbub of the 2008 presidential election, playwright Young Jean Lee considered a topic for the next project of her nonprofit experimental theater company and decided to write a black identity politics show that addressed the issues of commodity racism and perceived colorblindness. Her objective, in collaboration with five African American actors, was to expose both conscious and unconscious racial stereotyping deeply rooted in American culture and to lead the audience to connect the abstract element of racial stereotyping to the actual experiences of minority individuals. This article focuses on the development process of the 2008 project and connects it to the social, cultural and political influences that guided the process to demonstrate how the production fits into the historical landscape of dramatic literature and to illustrate the power of the performing arts as a catalyst to initiate public dialogue and to bring to the forefront the questioning of discriminative societal attitudes and practices
Julia Nitz's Belles and Poets: Intertextuality in the Civil War Diaries of White Southern Women
Edward B. Foley's Presidential Elections And Majority Rule: The Rise, Demise, and Potential Restoration of the Jeffersonian Electoral College
How The Chinese Think about the Family: The ‘Family’ in Chinese Family Firms
How The Chinese Think about the Family: The ‘Family’ in Chinese Family Firm
Tongju Gongcai: A Case in Hong Kong’s Caacaanteng
Tongju Gongcai: A Case in Hong Kong’s Caacaanten
Witches, Business & Culture: Anthropologists as Professional Strangers in the Boardroom
This article collates personal insights from 30 years of research and consultancy in organisational anthropology. It has two target groups in mind: on the one hand, students who, after completing a degree in anthropology with a more classical focus, are wondering what they can do with and how they could ‘sell’ their professional skills outside the academy, in the field of organizational consulting or organizational development. On the other hand, it wants to open the black box of anthropological methods and procedures for decision makers in organizations, enabling them to decide whether and when the use of anthropological expertise in their own company is worthwhile, especially in times of global flows of people, goods and communication. Here, the free-flying witch stands as a metaphor for the anthropological position as a professional stranger at the interface of the corporate world