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Ruslands erobringskrig mod Ukraine vil have varige dysfunktionelle og nedbrydende konsekvenser for hele verden og dens sikkerhed
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Heine Andersen og Lars Bo Kaspersen (red.): Klassisk og Moderne Samfundsteori
Hanne Kathrine Krogstrup: Brugerinvolvering i Evaluering og Forskning – Metoder og formå
Ukrainekrigen og krigens sociologi
Verdenssamfundet er i krise. Ikke mindst som sammenhængende verden, og som det Max Weber kaldte meningssammenhæng. Faktisk er der flere omfattende kriser oven i den Ukrainekrise, der er temaet for nærværende artikel. Hertil kommer den omfattende krise med orienteringen i rådvildheden, der omfatter alle disse krisers egne ’omfangslogikker’ – for nu at udtrykke det med den hedengangne århusianske mestertænker Hans-Jørgens Schanz’ lige så hedengangne marxistiske kapitallogik
Mark Coeckelbergh, Self-Improvement: Technologies of the Soul in the Age of Artificial Intelligence. New York: Columbia University Press, 2022. Pp. 144.: ISBN: 978-0-231-20655-6 (paperback).
The Covid-19 Pandemic and the Freedom-Security Tension: Calibrating their Fragile Relationship
Grounded in a will to adapt to dangers, and espouse both responsibility and resilience, voluntary measures have largely replaced one of the oldest public health strategies, quarantine. The Covid-19 pandemic, however, elicited a broad sweep of tactics from the archive of public health armoury. On a general level, this review essay addresses the common measures rolled out by various authorities against the pandemic - the lock-downs, reopening process, financial support and vaccination. By relating these measures to 1) the “plague-stricken town”, deployed during the seventeenth and eighteenth centuries in Europe by the Polizeistaat; 2) the “self-regulation strategy” that emerged with liberal ideas at the end of the eighteenth century; and 3) the “minimum security” programmed by neoliberal governmentality in the second half of the twentieth century, it is suggested that tensions between freedom and security during, and after, the pandemic can be better understood. To end, the essay noticed that the pandemic has enforced tensions in the administration and calibration of individual wishes and collective wellbeing, creating a fragile “freedom-security relationship” and new problem space for self-regulation
Virus as a figure of geontopower or how to practice Foucault now? A conversation with Elizabeth A. Povinelli
Elizabeth A. Povinelli, Franz Boas Professor at Columbia University, is a philosopher and anthropologist who has critically engaged with Michel Foucault’s ideas as well as scholarship inspired by his works. Povinelli has been dedicated to research on colonialism within liberalism and is also a filmmaker and founding member of The Karrabing Film Collective. The film collective is part of a larger organization of Aboriginal peoples and artists living in the Australian Northern Territory that refuses ‘fantasies of sovereignty and property’.[1]
As Povinelli shares with us during the interview, her trajectory was constituted in the middle of the 1980s following her life-changing encounter with the elders in Belyuen in the Australian Northern Territory. In the wake of that encounter, and with urgent issues raised about indigeneity due to changes in Australian law, Povinelli has been working even closer with her Karrabing family. The changes in law both acknowledged Aboriginal peoples' rights to their territory and imposed certain ideas of identity, family and culture, producing an entanglement between rights and government. These efforts to manage differences – cultural, race, gender – are problematized and deciphered in Povinelli’s ethnographic work with a focus on how late settler liberalism has been reconfigured with novel expressions of colonialism and imperialism. Now embedded..
Ralph Ellison Travels to Denmark: Invisible Man/Usynlig Mand and the World Location of American Literature
This essay argues that the Danish translation of Invisible Man (1952), Ralph Ellison’s prize-winning debut novel, offers a set of spatiotemporal coordinates with which the world location of postwar American literature can be mapped. By reconstructing how Invisible Man was received both in the United States and Denmark, I show that the evaluative criteria by which the novel was judged to be a valuable work of art breaks down the geographical delimitation of national literatures. To that effect, the construction of the author figure “Ralph Ellison” was contingent upon his fiction conforming to criteria of evaluation formalized by cultural institutions such as newspapers, universities, and literary prizes. These criteria were often derived from aesthetic principles associated with European modernism, and they come into full view in my reconstruction of Invisible Man’s publication and (Danish) translation history. I conclude that the residue of Invisible Man’s paratextual apparatus which has survived to this day, as well as the global connections this residue signifies, exposes the discursive construction of a nationally specific American literature as an ideological fiction, not a material fact.