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The Role of Descartes’s Dream in the Meditations and in the Historical Ontology of Ourselves
This paper situates the dream-hypothesis in Descartes’s First Meditation within the historical ontology of ourselves. It looks at the way in which the dream enters into and transforms Descartes’ relation to his “system of actuality.” In order to get free from his confinement within his system of actuality – an actuality defined by relations of power-knowledge, government, veridiction, and subjectivity – Descartes draws on the disruptive, negative capacity of the dream. But, while Descartes draws on the dream to get himself free and to establish a way of thinking and living differently, he also disqualifies the dream as a positive source of knowledge, truth, or subjectivity. Excavating this ambivalent place of the dream in the genealogy of our present, we aim to recover the dream not only in its negative power but also to open up the possibility of re-imagining its positivity as a form of counter-conduct, problematization, and element in the care of the self. This paper represents one piece of a larger genealogical study that examines the history of relationships between the arts of dreaming and the problematization of power-truth-subjectivity
Ghamari-Tabrizi, Behrooz. 2016. Foucault in Iran: Islamic Revolution after the Enlightenment. Muslim International. Minneapolis: University of Minnesota Press.
Sielke, Sabine's (ed) (in collaboration with Björn Bosserhoff) Nostalgie / Nostalgia – Imaginierte Zeit-Räume in globalen Medienkulturen / Imagined Time-Spaces in Global Media Cultures
Nicole Hemmer's Messengers of the Right: Conservative Media and the Transformation of American Politics
Sexual Politics of the Gaze and Objectification of the (Immigrant) Woman in Jhumpa Lahiri’s Interpreter of Maladies
Gayatri Spivak’s repeated accusations against the hyphenated Americans of colluding in their own exploitation is noteworthy in the context of diasporic writers’ portrayal of immigrant women within the prevailing discourse of anti-Communism in the United States. The woman in South Asian American writings is often portrayed as still stuck in the traditional prescribed gender roles imposed by patriarchal society. This essay explores Jhumpa Lahiri’s literary engagement with the contemporary racialization and gendering of a collective subject described as the Indian diaspora in her Pulitzer Prize winning short story collection, Interpreter of Maladies (1999). Specifically, it focuses on the two stories of “Sexy” and “The Treatment of Bibi Haldar” to analyse the manner dynamics of the gaze operate between the male and female characters. The numerous acts of looking that take place in these stories fall naturally into two major categories: the psychoanalytic look of voyeurism and the historicist gaze of surveillance. Through a rapprochement between the two seemingly different fields of the socius and the psychic, the study concludes that the material and ideological specificities of the stories that formulate a particular group of women as powerless, passive, alien and monstrous are rooted in the contradictory cultural and moral imperatives of the contemporary American society
Leigh Eric Schmidt's Village Atheists. How America’s Unbelievers Made Their Way in a Godly Nation
Francesca de Lucia's Italian American Cultural Fictions: From Diaspora to Globalization. Transatlantic Aesthetics and Cultures Vol. 7.
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