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A comparison of some gigantic characters in Iroquois and Saami traditions
No full textA comparison of similar narrative figures in presumably unrelated cultures may contribute to the discovery of blind spots and new areas of reflection in ethnographical description and thus indirectly contribute to a better basis for comparative studies. The lack of money and precious metals in the Iroquoian repertoire shows contrasting concerns between Saami and Iroquoian tradition, suggesting new directions of reflection on the Iroquoian material, namely in terms of hunting and warfare luck in the context of guardian and helping spirits. The stereotyped simplicity of the Iroquoian material in contrast with the variety of the Saami material suggests 1) the superimposition of a heavier load of concerns and values on the Saami figures and opens for reflection the possibility of an archaic Stallo who more purely represents the interaction between the human and the natural world in terms of guardian and helper spirits; and 2) the possibility of approaching the Saami material from the point of view of local repertoire and concern in order to reduce false problems of complexity. The Saami material serves to clarify the particular configuration of the Stone Coat tradition through a comparison of similarities and contrasts. Also, the Iroquois material may stimulate some clarification of some aspects of the Stallo tradition
Pilgrimage as post-secular therapy
No full textThis article describes the institutionalized pilgrim role and then turns to the therapeutic discourse which is so prominent in the modern pilgrimage to Santiago de Compostela. Both the role and the discourse can be related to the concept of post-secularity, demonstrating that complex cultural fields such as religion and therapy, become intertwined in new ways through modern pilgrimage. This article also shows that churches cooperating in this type of pilgrimage are adapting to the post-secular age, finding a new sort of raison d’être in a multi-religious, international world. Here the author refers to the Church of Norway and its role in Norwegian pilgrimage. The latter is modelled upon the Santiago example
Religion in the Yugoslav conflicts: post-war perspectives
No full textThe wars that dissolved Yugoslavia – were they religious wars? Why are conflicts increasingly coded as religious, rather than as, for example, social or ethnic? What constitutes a ‘religious’ or ‘holy’ war. This article attempts an inventory of important categories and hypotheses generated in the relevant literature so far, with a few critical notes along the way. The author considers the role assigned to religion in structural, cultural, and actor-oriented explanations of the Yugoslav wars. Structural and cultural explanations downplay the role of human agency and, hence, of moral responsibility; actor-oriented approaches focus on it
Different ways of classifying drums with reference to illustrations and positioning of drum illustrations
No full textThe focus of this paper is on the traditional Saami hunting in relation to the animal and hunting motifs on their drum, more specifially the southern Saami drums. One may wonder if it is possible for anyone to interpret a picture unconditionally. One has a certain ground of one's own to stand on and the question arises of whether this is the correct position, when -as in the present case — we approach another culture. We naturally include the experiences of our own culture in interpretations of another culture. The animal which is the commonest species on the southern Saami drums, is the reindeer. Other animals that occur are elks, wolves, beavers, foxes, snakes, among others. Considering the Saamis' hunting weapons, the most important of these were the bow and arrow, and the spear or spear shaft. Of these weapons it is the bow which is most often portrayed on drums. Also some trapping implement like a gin may appear on a drum, but in general we have little or no information about hunting or trapping methods at all
Contrary to nature : Inuit conception of witchcraft
No full textThe present contribution to the phenomenology of witchcraft will depend for its data on the traditional conceptions, rites, and folklore of witchcraft among the Inuit (Eskimo) of Čanada and Greenland. A phenomenological definition of witchcraft may be obtained through recognition of its position within Inuit religion. Like many native North Americans, the Inuit epitomized their religion in the concept of balance. The Polar Inuit understood religion to have the function "to keep a right balance between mankind and the rest of the world". Without exception, the rites of Inuit witchcraft were rites of Inuit religion that were made unnatural, through the alteration of one or more features. Because counterclockwise ritual motions were specific to witchcraft, the expression "contrary to nature" may be understood to epitomize the Inuit's own appreciation of witchcraft. Whether witchcraft depended on deliberate violations of traditional observances, on malicious uses of magic formulae and songs, and/or on ritual motions, witchcraft proceeded "contrary to nature". Thus, witchcraft can be defined as special practices, which together with the beliefs and folklore surrounding them, are believed to be innately disruptive of the balance between mankind and the numina. Because it is contrary to nature, witchcraft is innately anti-social. The disruption of the balance of mankind with the numina is not the private act of the witch against a victim, but a danger for the entire community
Editorial note
No full textEditorial note of the Scripta Instituti Donneriani Aboensis, vol. 20, based on papers read at the symposium 'Western Esotericism', held at Åbo, Finland, on 15-17 August 2007
Struggling bodies and body struggles: explorations of body and religion in contemporary Nordic film
No full textThis study focuses on representations of the body and religion in Nordic film. The aim is to illustrate the kinds of representations of religion and the body that can be found in contemporary Nordic films, demonstrate how these representations relate to religion, the body and film more generally, and explore what perceptions of and attitudes to the body and religion the representations suggest. The analysis begins with an introduction to religion and film studies, religion in Nordic film and the themes and films chosen for this study. After this a short overview of earlier studies dealing with the body, film, and religion is presented, before delving into the issue of the body and religion in Nordic film. The article is concluded by reflecting on the more over-arching ideas and attitudes that the material can be argued to point to and the possible changes and challenges the films express
L'expérience mystique chez Philon
No full textIn this paper, the author explores the mystic experiences and philosophy of Philon of Alexandria
Exploring the social without a separate domain for religion: on actor-network theory and religion
No full textIn post-secular societies—after secularisation—it may increasingly be the case that the connecting and structuring of religious matter is done outsidedesignated religious sites and without appointed religious experts. The centres of calculation have changed and so the connections between these are different. The former ways of translation and ordering are transforming into new ones. By exiting the designated sites religious matter has found new freedom with the new associations and inventions in the processes of translation. Less control leads to more heterogeneous agencies and facilitates the mobility of religious materials. This less controlled mobility of religious actants can also produce an apparent increase of religious matter, but this does not necessarily mean the return of religion. In any case, this increased plurality combined with increased mobility calls for perspectives which can recognise novelty, andnot just in comparison with previous states of affairs. Actor-network theory (ANT) is about tracing the webs of associations between myriad actants whose collective actions produce what we call ‘society’. Dismissing the notion of ‘the social’ as a kind of ‘stuff ’, ANT insists that sociology should focus on the interactional processes—the circulation of ‘the social’ among human and non-human actants—collectively assembling emerging states of affairs
Ecstasy research in the 20th century – an introduction
No full textScholars have always been interested in distinctive phenomena in culture and religion. Thus the accounts and achievements of yogis and mystics received attention at an early stage. There is a similar tendency with shamans, different kinds of sorcerers and with the "group-hysterical" phenomena that have appeared from time to time. There is, on the other hand, no major collection of research contributions on all the phenomena belonging to this field. Before proceeding to discuss some of the research produced over this vast area, some of the technical terms and concepts current in this field of study need to be introduced: ecstasy, trance, mysticism, possession, and altered states of consciousness