CAML Review / Revue de l'ACBM (Canadian Association of Music Libraries, Archives and Documentation Centres / Association canadienne des bibliothèques, archives et centres de documentation musicaux)

-, -

 
CAML REVIEW / REVUE DE L’ACBM  48, NO. 1 (DECEMBER /DÉCEMBRE 2020) PAGE 31 
CAML Milestones 
 
With this December 2020 reboot, we are launching a new column that celebrates milestones of 
CAML and its members. We aim to share organization news, celebrate our colleagues’ 
accomplishments, and document changes for future researchers looking back. Have news to share? 
Contact the co-lead editors to have your news published in the next issue! 
New roles 
Houman Behzadi began his new role as Head of the Marvin Duchow Music Library at McGill 
University May 1, 2019. 
Dan Sich is the new Teaching & Learning Librarian at Western University, a role which is responsible 
for Music as well as other Arts and Humanities.  He started this role May 1, 2020. 
Retirements 
Lisa Philpott retired from the Music Library at Western University April 1, 2020, after nearly 38 
years.  She began part-time as a student worker in 1982 and moved to a full-time position in 1984. 
Awards 
Congratulations to Alastair Boyd (University of Toronto, retired) who won the Toronto 
Mendelssohn Choir’s 2020 Choral Composition Competition. “Boyd’s winning work, A Hymn on the 
Nativity, is an SATB setting of words by English poet and playwright Ben Jonson. TMC associate 
conductor Simon Rivard, who led the three-member competition jury, shares what impressed them: 
“Mr Boyd’s submission exhibits many features that seduced the jury: interesting choice of lyrics; 
richness of the harmony; and a good balance between variety and unity between verses. We are 
looking forward to performing this piece in the coming month.’” Read the full story here. 
Congratulations to Cathy Martin (Marvin Duchow Music Library) who received the 2020 McGill 
Librarian Excellence Award.  “Cathy was nominated by her colleagues for her excellence as a 
librarian, mentor and colleague. The Marvin Duchow Music Library staff rely on her clear vision and 
service implementation and they know that they can always approach her with new ideas. Cathy 
has created and manages an access services team to address any enhancements needed. Two 
recent examples are a service desk triage procedure and an AV equipment online reservation 
request system for Music faculty and students.”  Read the full citation here. 
New Members 
CAML has 9 new members this year - 4 joined CAML and 4 joined CAML/IAML. This brings the count 
to 77 members. 
 
 
CAML REVIEW / REVUE DE L’ACBM  48, NO. 1 (DECEMBER /DÉCEMBRE 2020) PAGE 32 
Book Launch 
Congratulations to Nina Penner (Brock University) who launched her new book Storytelling in 
Opera and Musical Theatre (Indiana University Press, Oct 2020). 
CAML News 
CAML held its first election in seven years in summer 2020, with two candidates in the running for 
Member-At-Large. CAML became an incorporated association in the Federation for the Humanities 
and Social Sciences in 2013, which requires us to follow federal and Ontario rules around 
governance. This became relevant as we looked into holding an online AGM and an online election. 
We had no precedent to follow as this was CAML’s first online election.  
The Federation explains that as per the Canada Not-for-Profit Corporations Act, the organization 
needed to be able to verify the vote after the election while maintaining the anonymity of the 
individual voter.1 In 2016, Jan Guise, in her capacity as Nominations Officer, investigated various 
options and concluded that SurveyMonkey, which was also used by MLA (Music Library Association) 
for elections at that time, met CAML’s election needs. However, SurveyMonkey does not allow for 
sufficiently anonymous voting and verification as required by these federal rules. The Federation 
recommended a number of other platforms. Carolyn Doi (Past President) and Kyla Jemison 
(Nominations Officer) evaluated these recommendations, determining that most of them were 
wildly beyond the needs and budget of CAML. We selected Election Runner because it offered the 
anonymous voting we needed and was reasonably priced at $19USD per election. 
Kyla worked with Houman Behzadi (President) to draft messages that Election Runner would send 
to our membership in English and French and Kyla set up the two candidates as the voting options. 
The platform has a section where we can enter more information about the voting options, so Kyla 
copied the biographical statements from our candidates there. It turns out that this information 
does not display well - voters must click on a button next to the candidate’s name to view the 
biographical information. After several emails from confused voters, Kyla made a note in the 
documentation for future elections to include this information in the election announcement email. 
Following the guidelines set out in the CAML constitution, we held the election one week after the 
CAML AGM and polling remained open for 2 weeks. 
At the time of the election CAML had 58 members. Voter turnout was good; 41 people voted, 71% 
of the membership. It was a tight election, 23-18. Election Runner also offered a Fraud Analysis tool, 
which cheerfully announced that it was “unable to detect any potential voter fraud in this election.” 
On the Monday following the close of the election, Kyla communicated the results to the members 
by email.  
 
1 IdeasIdees, “Hosting a virtual annual meeting – Tenir une reunion annuelle virtuelle,” YouTube video, 53:52 
(April 20, 2020), https://www.youtube.com/watch?v=xnHdrLKLrCg&feature=emb_err_woyt 


English

CAML Milestones

Behzadi, Houman

Message from the President / Message du président

van der Bliek, Rob

Reception of Diana Krall, Unique Jazz Phenomenon – by Zuzana Ben Lassoued-Balazsházyová (Book Review)

Stephen, J. Drew

La Patrie / Our Canada: Canadian Orchestral Music 1874-1943 – Symphonova Orchestra; and  Calling: John Beckwith Instrumental Works 2006-2016 (CD Reviews)

Reed, Lelland

From Scratch: Writings in Music Theory – by James Tenney (Book review) /

Sweatman, Conrad

 CAML REVIEW / REVUE DE L’ACBM  47, NO. 1 (APRIL / AVRIL 2019)    PAGE 9 
The Consummate Value of (Manitoba Chamber Orchestra’s)  
Classical Music Recordings 
 
by Conrad Sweatman1 
 
 
 
Anyone outside the Top 40 world who records CDs in this day and age might be accused of 
artistic vanity. Consider this 2015 headline from impish classical blogger Norman Lebrecht on 
Slipped Disc: “Adele’s album sold 3.4M last week. The classical #1 sold 493.” The classical artist 
in question was Yo Yo Ma.  
No shade on Adele, but for those of us who like coffee with our sugar, a bit of Beethoven 
alongside The Beatles, let’s not pretend this trend isn’t at least a little discouraging. But how 
much so? So much that it should stop Yo Yo Ma, or even those talented musicians among us 
who don’t chart in the Top 10, from gracing the world with a durable document of the miracles 
we conduct on stage?  
Phrased that way, the question implies a clear answer in the negative. I’m biased, as a 
dedicated marketer of classical music, so I’ll relate a persuasive argument on this matter made 
by a non-musician friend of mine. Challenged to defend the social value of concert music in 
utilitarian terms, she argued that such value lay in concert music’s prominent place in the public 
domain. In a sense, we all have a stake in the preservation of classical music, just as we all have 
a stake in the preservations of the commons. 
I might extend her argument to point out that most Canadian classical music organizations are 
non-profits, whose budgets are supported indirectly by democratic mandate, and who 
generally, in my experience, do their utmost to keep their concerts and recordings affordable 
for Jane Q. Citizen.  
Take MCO Records, which I help to promote in my capacity as Manitoba Chamber Orchestra’s 
Marketing and Communications Manager. We’re about to release Cello Concerto, an EP 
featuring the excellent music of Canadian composer Michael Oesterle and a performance by 
the MCO and Canadian cellist Ariel Barnes. We’ve priced the CD at a mere $12. The current 
                                                          
 Conrad Sweatman (csweatman@themco.ca) is Marketing and Communications Manager for the Manitoba 
Chamber Orchestra. 
 
 
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. 
 CAML REVIEW / REVUE DE L’ACBM  47, NO. 1 (APRIL / AVRIL 2019)    PAGE 10 
retail price of our 2017 release of Mirage? 
Concertos for Percussion—which features Dame 
Evelyn Glennie and includes the music of Canadian 
composer Christos Hatzis, Vivaldi, and others—is 
$10. Same goes for our JUNO-nominated album, 
Troubadour and the Nightingale, with Canadian-
Armenian soprano Isabel Bayrakdarian. Our concert 
ticket prices are also affordable, which probably 
explains why our concerts remain so popular with a 
diverse group of Manitobans and Canadians. And 
for those who can’t make it to MCO’s core concerts, 
there are free MCO workshops and satellite 
concerts across the province and free streamable 
concerts online.  
Avid concert music fans will feel less pressure to 
justify the recording and production of concert 
music in utilitarian terms. They will purchase and 
recommend albums such as those just mentioned 
purely for their own sake, with little thought about 
the greater good. But in our world of ones and 
zeroes, pragmatism and penny-pinching politicians, 
there are many other ways to justify such 
expenditures. Here’s one relevant to the MCO 
Records: our albums are a who’s who of top 
Canadian soloists, orchestral players, and 
composers. In this sense, they provide the Canadian 
student of music with a useful virtual introduction 
to the world of Canadian professional music, as well 
as some very strong and instructive performances of 
the common practice tradition.  
Contact me at csweatman@themco.ca or visit our 
website themco.ca for more information about 
MCO Records’ titles.   


The Consummate Value of (Manitoba Chamber Orchestra’s) Classical Music Recordings

  
CAML REVIEW / REVUE DE L’ACBM  47, NO. 1 (APRIL / AVRIL 2019)    PAGE 6 
Call for applications: CAML Review  
Appel de mise en candidature : Revue de l’ACBM 
 
 
Call for Editor: CAML Review 
The Canadian Association of Music 
Libraries, Archives and Documentation 
Centres seeks a new Editor for its 
journal, CAML Review. 
CAML Review is the official publication 
of CAML/ACBM. The journal is 
published three times a year and 
includes research articles (peer-
reviewed section), reports (including 
official association business), news, 
essays, and reviews on topics relevant 
to the purposes of the Association, 
particularly those pertaining to music in 
Canada, music librarianship and 
archival management, and 
bibliography. Reviews of recordings, 
books, and reference publications are 
focused primarily on Canadian content. 
CAML Review includes materials 
written in either English or French, the 
two official languages of the 
Association. CAML Review is an open-
access publication, licensed under a 
Creative Commons Attribution-Non 
Commercial 4.0 International License. 
The journal can be accessed at 
https://caml.journals.yorku.ca. 
The primary responsibilities of the 
Editor, in collaboration with the Review 
Editor and the Associate Editor(s), are 
as follows: solicit and manage 
submissions; coordinate the peer-
review process; edit, proofread, and 
format submissions; arrange for 
translations as necessary; post issues 
  
Appel de mise en candidature, rédacteur 
en chef : Revue de l’ACBM 
L’Association canadienne des bibliothèques, 
archives et centres de documentation 
musicaux est à la recherche d’un nouveau 
rédacteur en chef pour sa Revue de l’ACBM. 
Publication officielle de l’ACBM/la CAML, 
la Revue de l’ACBM paraît trois fois l’an et 
comprend des articles de recherche (évalués 
par les pairs), des rapports (y compris des 
rapports administratifs), des nouvelles, des 
essais, ainsi que des comptes rendus traitant 
de sujets qui correspondent aux objectifs de 
l’Association, en particulier ce qui concerne la 
musique au Canada, la bibliothéconomie de la 
musique, le traitement des archives et la 
bibliographie. Les comptes rendus 
d’enregistrements, de livres et d’ouvrages de 
référence portent surtout sur du contenu 
canadien. La Revue de l’ACBM est rédigée en 
français et en anglais, les deux langues 
officielles de l’Association, et est une 
publication en libre accès, autorisée par 
la Creative Commons Attribution — Pas 
d’utilisation commerciale 4.0 International. On 
peut accéder à la Revue en se rendant à 
l’adresse : https://caml.journals.yorku.ca 
Travaillant de concert avec le responsable des 
comptes rendus et le(s) rédacteur(s) adjoint(s), 
le rédacteur en chef a pour fonctions d’inviter 
et de gérer les soumissions; de coordonner le 
processus d’évaluation par les pairs; de réviser, 
de relire et de formater les soumissions; de 
demander qu’un texte soit traduit, au besoin; 
d’afficher les numéros en ligne (système Open 
Journal); d’informer les membres de la 
 
 
 
 
 
  
CAML REVIEW / REVUE DE L’ACBM  47, NO. 1 (APRIL / AVRIL 2019)    PAGE 7 
online (Open Journal Systems); 
disseminate information to members 
about each newly available issue; and 
maintain “About the Journal” 
documentation (e.g. Author Guidelines) 
on the journal’s website. As the journal 
includes content in both English and 
French, knowledge of both languages 
would be an asset.  
Applications for the position of Editor 
should be accompanied by a letter of 
intent and current curriculum vitae, 
sent via email to CAML President, 
Carolyn Doi (carolyn.doi@usask.ca) or 
Incoming President, Houman Behzadi 
(houman.behzadi@mcgill.ca). 
Applications will be accepted until the 
position is filled. The successful 
candidate will have the opportunity to 
receive mentorship from current 
Editor, Cathy Martin.  
~~~~~ 
Call for Review Editor: CAML 
Review 
The Canadian Association of Music 
Libraries, Archives and Documentation 
Centres seeks a new Review Editor for 
its journal, CAML Review. 
CAML Review is the official publication 
of CAML/ACBM. The journal is 
published three times a year and 
includes research articles (peer-
reviewed section), reports (including 
official association business), news, 
essays, and reviews on topics relevant 
to the purposes of the Association, 
particularly those pertaining to music in 
Canada, music librarianship and 
archival management, and 
parution d’un nouveau numéro et de réunir la 
documentation paraissant à l’onglet « À propos 
de la Revue » (p. ex. : les directives aux 
auteurs) sur le site Web de la Revue. Comme il 
s’agit d’une revue bilingue, la connaissance des 
deux langues est un atout. 
Les candidatures au poste de rédacteur en chef 
doivent s’accompagner d’une lettre de 
motivation et d’un curriculum vitae à jour. 
Veuillez les faire parvenir par courriel à la 
présidente actuelle de l’ACBM, Carolyn Doi 
(carolyn.doi@usask.ca) ou au nouveau 
président, Houman Behzadi 
(houman.behzadi@mcgill.ca). Nous 
accepterons des demandes jusqu’à ce que ce 
poste soit pourvu. Le candidat choisi aura 
l’occasion d’être formé par la rédactrice en 
chef actuelle, Cathy Martin. 
~~~~~ 
Appel de mise en candidature, 
responsable des comptes rendus : Revue 
de l’ACBM 
L’Association canadienne des bibliothèques, 
archives et centres de documentation 
musicaux est à la recherche d’un nouveau 
responsable des comptes rendus pour sa Revue 
de l’ACBM. 
Publication officielle de l’ACBM/la CAML, 
la Revue de l’ACBM paraît trois fois l’an et 
comprend des articles de recherche (évalués 
par les pairs), des rapports (y compris des 
rapports administratifs), des nouvelles, des 
essais, ainsi que des comptes rendus traitant 
de sujets qui correspondent aux objectifs de 
l’Association, en particulier ce qui concerne la 
musique au Canada, la bibliothéconomie de la 
musique, le traitement des archives et la 
bibliographie. Les comptes rendus 
d’enregistrements, de livres et d’ouvrages de 
  
CAML REVIEW / REVUE DE L’ACBM  47, NO. 1 (APRIL / AVRIL 2019)    PAGE 8 
bibliography. Reviews of recordings, 
books, and reference publications are 
focused primarily on Canadian content. 
CAML Review includes materials 
written in either English or French, the 
two official languages of the 
Association. CAML Review is an open-
access publication, licensed under a 
Creative Commons Attribution-Non 
Commercial 4.0 International License. 
The journal can be accessed at 
https://caml.journals.yorku.ca.  
The responsibilities of the Review 
Editor include identifying publications 
for review (with priority given to 
Canadian content), liaising with review 
authors, and editing submissions. 
Questions or applications for the 
position of Review Editor should be 
accompanied by a letter of intent and 
current curriculum vitae, sent via email 
to CAML President, Carolyn Doi 
(carolyn.doi@usask.ca) or Incoming 
President, Houman Behzadi 
(houman.behzadi@mcgill.ca). 
Applications will be accepted until the 
position is filled.  
 
référence portent surtout sur du contenu 
canadien. La Revue de l’ACBM est rédigée en 
français et en anglais, les deux langues 
officielles de l’Association, et est une 
publication en libre accès, autorisée par 
la Creative Commons Attribution — Pas 
d’utilisation commerciale 4.0 International. On 
peut accéder à la Revue en se rendant à 
l’adresse : https://caml.journals.yorku.ca. 
Les fonctions du responsable des comptes 
rendus incluent les suivantes : choisir les 
publications à commenter (en accordant la 
priorité au contenu canadien), travailler en 
liaison avec les auteurs de comptes rendus et 
réviser les soumissions. Les candidatures à ce 
poste doivent s’accompagner d’une lettre de 
motivation et d’un curriculum vitae à jour. 
Veuillez les faire parvenir par courriel, ainsi que 
toute question, à la présidente actuelle de 
l’ACBM, Carolyn Doi (carolyn.doi@usask.ca) ou 
au nouveau président, Houman Behzadi 
(houman.behzadi@mcgill.ca). Nous 
accepterons des demandes jusqu’à ce que ce 
poste soit pourvu. 
 
    
 
 


French

Call for applications: CAML Review / Appel de mise en candidature : Revue de l’ACBM

Pinsonneault, Michael

They Shot, He Scored: The Life and Music of Eldon Rathburn – by James K. Wright (Book review)

Doi, Carolyn

  
CAML REVIEW / REVUE DE L’ACBM  47, NO. 1 (APRIL / AVRIL 2019)    PAGE 3 
Message from the President / Message de la présidente 
 
Dear CAML members, 
Greetings from Saskatoon! I can hardly 
believe it is the last time I will be writing 
the President’s Message. It has been my 
pleasure to serve in this position for the 
past two years. I want to express my 
gratitude and thanks to all the members 
of the board who have worked alongside 
me during my term, and I look forward to 
welcoming my colleague Houman Behzadi 
to take over the position this June.  
The board recently held its spring meeting, 
during which we discussed plans for the 
upcoming meeting in Vancouver at the 
University of British Columbia, as well as 
several shifts in responsibilities. Marc 
Stoeckle (Program Committee Chair) and 
Kevin Madill (Local Arrangements Chair) 
have been hard at work planning the 
upcoming annual meeting, along with 
colleagues in MusCan. The preliminary 
program has now been posted to the 
Congress website 
(https://www.congress2019.ca/associatio
ns/103), and registration is open! The 
program looks both engaging and diverse. 
I am especially looking forward to the 
presentation and panel discussion titled 
“Music Scholarship and Digital 
Technologies: Perspectives from 
Collaborative Corpus Building and Text 
Analysis,” which will be presented by Ève 
Poudrier and Rémi Castonguay from the 
University of British Columbia. Vancouver 
and UBC will certainly be a beautiful 
backdrop for the meeting, but you might 
want to bring a rain jacket just in case! 
You can expect to see updates about 
 Chers membres de l’ACBM, 
Bonjour de Saskatoon! J’ai de la peine à 
croire que je rédige le Message de la 
présidente pour la dernière fois. C’est avec 
plaisir que j’ai tenu ce rôle pendant deux 
ans. Je remercie tous les membres du CA de 
leur collaboration au cours de mon mandat 
et je me réjouis d’accueillir le futur 
président, mon collègue Houman Behzadi, 
qui prendra la relève dès le mois de juin.  
Le CA a récemment tenu sa réunion du 
printemps. Nous y avons discuté de 
l’organisation du congrès qui se tiendra à 
l’Université de la Colombie-Britannique, à 
Vancouver, ainsi que de plusieurs transferts 
de responsabilités. Marc Stoeckle 
(responsable de la programmation du 
congrès) et Kevin Madill (responsable des 
préparatifs sur place) ainsi que nos 
collègues de MusCan ont travaillé 
d’arrache-pied pour planifier cette réunion 
annuelle. On a affiché l’ébauche du 
programme sur le site du congrès : 
https://www.congres2019.ca/associations/1
03, et il est maintenant possible de 
s’inscrire. Le programme est à la fois 
diversifié et intéressant. La présentation 
d’Ève Poudrier et de Rémi Castonguay, de 
l’Université de la Colombie-Britannique, 
m’enthousiasme particulièrement : 
« Érudition musicale et technologies 
numériques : constitution collaborative d’un 
corpus et réalisation d’une analyse de 
texte ». Celle-ci sera suivie d’une table 
ronde. Vancouver et l’université serviront de 
merveilleux arrière-plan à ce congrès, mais 
n’oubliez pas d’apporter un imperméable! 
Nous vous ferons parvenir sur notre serveur 
 
 
 
 
 
  
CAML REVIEW / REVUE DE L’ACBM  47, NO. 1 (APRIL / AVRIL 2019)    PAGE 4 
social events and places to explore via the 
CAML listserv.  
The board has welcomed some new faces 
to appointed and volunteer positions. Kyla 
Jemison (University of Toronto) was 
appointed to the position of Nominations 
Officer and is running the current call for 
nominations for the position of Secretary. 
Marc Stoeckle has been volunteering to 
assist James Mason with the CAML 
website. I anticipate a draft of a newly 
designed site will be shared during our 
upcoming AGM. Finally, we have had 
some recent development with RISM 
responsibilities. Creighton Barrett 
(Dalhousie University) has done some 
significant work on adding Canadian music 
manuscripts and first edition publications 
to RISM. You can read all about the 
sources, as well as some new 
documentation that has been developed 
by Dalhousie, on the RISM blog 
(http://www.rism.info/en/home/newsdet
ails/article/2/new-sources-from-canada-
in-rism.html). The position of RISM 
coordinator has been vacant for some 
time, but I am happy to report that Kyla 
Jemison has agreed to take on the 
position. Kyla’s expertise with MarcEdit 
and cataloguing will undoubtedly be an 
asset in this role.  
This issue of CAML Review features one 
peer-reviewed article, a report about the 
Manitoba Chamber Orchestra’s record 
label, MCO Records, and several reviews. 
We are anticipating significant changes on 
the editorial board of the Review, as both 
Cathy Martin (Editor) and Brian Thompson 
(Review Editor) have announced they will 
be stepping down in the upcoming year. A 
call for both positions has been posted to 
the CAML listserv and also appears in this 
de liste des suggestions d’activités et 
d’endroits à visiter.  
Le CA a accueilli de nouveaux bénévoles et 
pourvu certains postes. Kyla Jemison 
(Université de Toronto) a été nommée 
responsable des mises en candidature. 
D’ailleurs, celle-ci a déjà affiché le poste de 
secrétaire à combler. Depuis quelque temps, 
Marc Stoeckle aide à titre gracieux 
James Mason à l’entretien du site Web. Je 
m’attends à ce qu’ils soumettent à l’AGA 
une version renouvelée du site Web. Enfin, il 
y a du nouveau sur le plan du RISM. 
Creighton Barrett (Université Dalhousie) a 
ajouté au RISM beaucoup de manuscrits de 
musique canadienne ainsi que des éditions 
originales de publications. On peut en 
apprendre davantage sur les sources et la 
documentation qu’a accumulées l’Université 
Dalhousie en se rendant à l’adresse : 
http://www.rism.info/fr/home/newsdetails/
article/2/new-sources-from-canada-in-
rism.html (en anglais seulement). Le poste 
de coordonnateur pour le RISM est vacant 
depuis un certain temps, mais je suis 
heureuse de vous faire savoir que 
Kyla Jemison a accepté de le pourvoir. 
L’expertise de Kyla en matière de catalogage 
et son expérience avec MarcEdit 
constitueront assurément des atouts dans 
l’exercice de ses fonctions.  
Le présent numéro de la Revue de l’ACBM 
contient un article évalué par les pairs, un 
rapport portant sur l’étiquette MCO 
Records, de la Manitoba Chamber 
Orchestra, ainsi que plusieurs comptes 
rendus. De grands changements se 
produiront au sein du comité de rédaction 
de la Revue. Cathy Martin (rédactrice en 
chef) et Brian Thompson (responsable des 
comptes rendus) nous ont annoncé qu’ils 
quitteront leurs fonctions au cours de 
  
CAML REVIEW / REVUE DE L’ACBM  47, NO. 1 (APRIL / AVRIL 2019)    PAGE 5 
issue. If you are interested in contributing 
to the important work of our association’s 
official publication—to support 
communication and professional 
knowledge sharing among members, and 
to promote the dissemination of 
scholarship—please reach out to any 
member of the board. Cathy and Brian 
have offered to provide support, during 
the transition, to the candidates who take 
over the positions.  
It is always encouraging and exciting to 
hear about the work of my colleagues, 
whether it be through the CAML Review, 
via the listserv, or in person. The CAML 
community continues to be one that I am 
inspired by regularly. I look forward to 
staying on in the role of Past President for 
the upcoming year and hope to see many 
of you in Vancouver. 
Carolyn Doi 
CAML President (2017-19) 
University of Saskatchewan 
carolyn.doi@usask.ca 
l’année. Un appel de mise en candidature 
pour leurs postes a paru sur notre serveur 
de liste et est inclus dans ce numéro. Si vous 
souhaitez contribuer à la parution de notre 
publication officielle, en soutenant la 
communication entre membres, leurs 
échanges professionnels et la diffusion des 
connaissances, veuillez en notifier l’un des 
membres du CA. Cathy et Brian ont offert 
d’aider les candidats choisis pendant leur 
période de transition.  
Il est toujours encourageant et 
enthousiasmant d’entendre parler du travail 
de mes collègues, que ce soit au moyen de 
la Revue de l’ACBM, du serveur de liste ou 
de dialogues. La collectivité de l’ACBM ne 
cesse de m’inspirer. Je me réjouis d’occuper 
le poste d’ancienne présidente au cours de 
l’année qui vient et j’espère vous voir 
nombreux à Vancouver!  
Carolyn Doi 
Présidente de l’ACBM (2017-2019) 
Université de la Saskatchewan 
carolyn.doi@usask.ca 
 
Traduction : Marie-Marthe Jalbert 
Révision : Valérie Arboit 
    
 
 


Message from the President / Message de la présidente

CAML Conference 2019: Program and Abstracts /  Congrès de l'ACBM 2019 :  Programme du congrès et résumés de communications