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    Mike Brown responding to the moderator’s question

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    Pictured left to right on stage: Jeff Berrong, Phillip Reid, Dr. Diana Lovell, Dr. Heather Katz, Mike Brown Gallery Collection: Community Panel Discussion Unless stated otherwise within this repository collection, all materials are shared under the following Creative Commons license: [Creative Commons Attribution-NonCommercial 4.0 International License].https://dc.swosu.edu/votesphoto3/1010/thumbnail.jp

    4/14/2024 Meghan Mudd Junior Recital

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    4/14/2024 Meghan Mudd Junior Recita

    4/14/2024 Caleb Kaiser Junior Recital

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    4/14/2024 Caleb Kaiser Junior Recita

    4/28/2024 Cody Malbrough Senior Recital

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    4/28/2024 Cody Malbrough Senior Recita

    11/14/2024 SWOSU Percussion Concert

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    SWOSU Percussion Concert Fine Arts Center 101 W. Davis Avenue Weatherford, OK 73096 Thursday, November 14, 2024, 7 – 8p

    4/17/2024 Student Performances Departmental Recital

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    4/17/2024 Student Performances Departmental Recital 4:00 p.m. April 17, 2024 at the Fine Arts Center Auditoriu

    12/07/2024 Brandy Rolling, clarinet - Senior Recital

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    12/07/2024 Brandy Rolling, clarinet - Senior Recita

    Interview with Phillip Fitzsimmons

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    Phillip Fitzsimmons Resident of Weatherford, OK Interviewed September 6, 2024 Interviewed at the Al Harris Library on the SWOSU Campus in Weatherford, OK

    They Say Where There’s Smoke, There\u27s Fire; but Sometimes it\u27s a Self-Induced Fire : Understanding Claims of Unequal Treatment Among Mexican-American Officers in the Los Angeles Police Department

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    Serving as an ethnographic case study and utilizing qualitative interviews, this study focuses on Mexican-American police officers and their perceptions of claims of unequal treatment based on race/ethnicity from other officers. The study finds that officers ideologically stand firmly against racism and discrimination. When non-overt claims of unequal treatment based on race/ethnicity are encountered, officers develop negative perceptions of claiming officers. Officers revert to individualized, merit-based, and other colorblind justifications to interpret and dismiss the claims. It is argued that given the lack of the overt nature of most claims today, facilitated by the most common occupational context in which the topic of race is encountered (with the community), this provides the foundation for interpreting claims of unequal treatment based on race/ethnicity among other officers

    No Place: The Queer Utopia of Liminality

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    My proposal is a paper on the inherent queerness of the liminal in Jeff Vandermeer’s works, through examples such as the transitional narrative present in the transformation of the Biologist in Annihilation. Especially pertinent is the inherent fighting of Yonic/Phallic imagery happening between her interpretation of a concrete structure as a tower as opposed to a tunnel, which is important to understanding how the Biologist’s trans-masculinity manifests symbolically in the narrative as antithesis to the other cis women on the expedition. Vandermeer’s liminal space in Dead Astronauts also connects to the characters of Moss, a non-binary life form who exists simultaneously across the multiverse; Grayson, an astronaut who was stranded alone in space for decades after the death of her planet while she was on a mission; and Chen, a worker for The Company who is taught by Moss to break their body apart into different objects and elements constantly fighting against their body’s want to dissolve and separate. All three characters embody a different kind of liminality: only their mutual overt love for one another keeps them existing in the between states

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