North Georgia College & State University: Digital Commons
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Las Ventanitas/ Little Windows
No full textThis class exhibit was inspired by surrealism and Salvador Dali. It includes several of Dali\u27s symbols like the egg and ants.
It is small wooden boxes and decorative eggs painted in acrylic. We spent two weeks on our class exhibit
Love You Bunches Poster
No full textThe definition of a farmers market is “a food market at which local farmers sell fruit and vegetables and often meat, cheese, and bakery products directly to consumers.” Within this definition there is both simplicity and connection. In deciding to create branding for my market, Atlanta Farmers Market, simplicity and relational connection were the values I wanted my designs to communicate. I have grown up with an appreciation for the hardworking vendors at farmers markets and the community a market has the ability to create. Maybe it’s just the romanticism of the mundane in films, or maybe it’s a reality of the flourishing environment created when people come together to share their passions with each other. Either way, my affinity with this environment has combined with my desire to create things that look beautiful together. This is why I chose to create branding for both the market as a whole and individual vendors of honey, flowers, and bread. I wanted all of the logos, business cards, posters, pictures to speak to their own vendor’s talents and individuality, and work well together to make a successful group under the market’s umbrella.
Throughout most of my work I am interested in the human experience, specifically in relation to the impact we have on each other, and how we move through change and dealing with our past. I have used Adobe Illustrator and Photoshop in combination with photography to create my work, and I have an appreciation for both the practical side of graphic design, like branding, logos, etc. and the artistic side of graphic design like collage.
My concept for this body of work was to create simple and straightforward design that still had an artistic quality to it; I wanted the work to still communicate artistic effort behind it even if it was simple. I chose my color palette to be warm and inviting while also playing on colors that could be pulled from nature. These qualities both serve to emphasize the handgrown and handmade aspects of the products being sold in the market, and to create a simple path to connection with the company and vendors, therefore building trust. One of the most admirable parts of a farmers market is that you as the customer get to meet and interact with the person or people who have made or grown this product, are passionate about it, and are open with how they got here. This level of understanding people and why they are doing what they are doing is something that is easily accessible in the farmers market environment. The ease of getting to know someone is what I wanted my designs to communicate and make a way to happen.https://digitalcommons.northgeorgia.edu/seniorexhibspring2021/1018/thumbnail.jp
Market Poster
No full textThe definition of a farmers market is “a food market at which local farmers sell fruit and vegetables and often meat, cheese, and bakery products directly to consumers.” Within this definition there is both simplicity and connection. In deciding to create branding for my market, Atlanta Farmers Market, simplicity and relational connection were the values I wanted my designs to communicate. I have grown up with an appreciation for the hardworking vendors at farmers markets and the community a market has the ability to create. Maybe it’s just the romanticism of the mundane in films, or maybe it’s a reality of the flourishing environment created when people come together to share their passions with each other. Either way, my affinity with this environment has combined with my desire to create things that look beautiful together. This is why I chose to create branding for both the market as a whole and individual vendors of honey, flowers, and bread. I wanted all of the logos, business cards, posters, pictures to speak to their own vendor’s talents and individuality, and work well together to make a successful group under the market’s umbrella.
Throughout most of my work I am interested in the human experience, specifically in relation to the impact we have on each other, and how we move through change and dealing with our past. I have used Adobe Illustrator and Photoshop in combination with photography to create my work, and I have an appreciation for both the practical side of graphic design, like branding, logos, etc. and the artistic side of graphic design like collage.
My concept for this body of work was to create simple and straightforward design that still had an artistic quality to it; I wanted the work to still communicate artistic effort behind it even if it was simple. I chose my color palette to be warm and inviting while also playing on colors that could be pulled from nature. These qualities both serve to emphasize the handgrown and handmade aspects of the products being sold in the market, and to create a simple path to connection with the company and vendors, therefore building trust. One of the most admirable parts of a farmers market is that you as the customer get to meet and interact with the person or people who have made or grown this product, are passionate about it, and are open with how they got here. This level of understanding people and why they are doing what they are doing is something that is easily accessible in the farmers market environment. The ease of getting to know someone is what I wanted my designs to communicate and make a way to happen.https://digitalcommons.northgeorgia.edu/seniorexhibspring2021/1013/thumbnail.jp
[4] Home Is Where The Art Is
No full textThe home is a sacred place, where we feel most comfortable. It’s where we perform our daily rituals, from the mundane tasks to the more complex routines. These moments are times when we pause and reflect. They are the quiet moments that have a surprising ability to ground us. My work compliments these instants. The pieces welcome relaxation and escape. They invite blissful memories of exploring nature with boundless imagination. My pieces bridge the gap of nostalgic memories to the present need for comfort in our own homes.
My decorative functional ware is inspired by nature and science. For most of our time on Earth, humans have been surrounded by wilderness, with shelters made from rocks and trees. The idea that humans are more comfortable with biological elements around us—rather than clean, geometric environments—is known as Biophilia. This concept is the basis for biophilic design. Instead of rejecting nature as if we have no place in it, we should embrace the natural world by modeling our everyday spaces after it.
Like the nature that informs it, my work embodies a balance of precision and fluidity. My process is a symbiosis of planning and coincidence, and I allow new features to come together throughout the process. I strive for my work to embody the simplicity of nature with precision and craftsmanship. I want my work to invoke comfort while being integrated as a regular part of each day. I make functional ware with the hope that my pieces will find homes and form connections with those who use them. When not in use, these items are also meant to decorate a space, because I believe home is where the art is.
Keneddi Horn
April 2021https://digitalcommons.northgeorgia.edu/seniorexhibspring2021/1090/thumbnail.jp
[7] Being and Company
No full textA project exploring both screen-printing and graphic design. It is a tote bag company based on environmentally friendly practices and techniques. Being and Company was created to inform users of environmentally friendly practices.https://digitalcommons.northgeorgia.edu/seniorexhibspring2021/1006/thumbnail.jp
[3] Being and Company
No full textA project exploring both screen-printing and graphic design. It is a tote bag company based on environmentally friendly practices and techniques. Being and Company was created to inform users of environmentally friendly practices.https://digitalcommons.northgeorgia.edu/seniorexhibspring2021/1002/thumbnail.jp
[1.9] Finding Your Why
No full textWhen viewing a new piece of artwork, many people attempt to draw their own conclusions, make assumptions, and create a meaning for a piece that they had no hand in making. Yes, individual interpretation is an essential aspect of visual art, but how often do you stop and ask the artist “why?”
Why did you make this piece? What inspired you? Why do you make art? Why are you like this? Who hurt you? Who loved you? What was your favorite color in third grade and why did you name your fish after a Disney princess? Why? Why? Why? Why? Why?
This research project, this documentation, this body of work, this zine is an exploration of the artist’s mind. It is meant to both inform the viewer of the deeper aspects of why an artist makes a piece, series, body, or exhibit and to raise new questions. I want you to question everything. I want you to ask why I did this. I want you to question every single decision you have ever made and then hate me for it because you can’t stop.
My interest in the “why” stems from my constant and insufferable overthinking about my interactions and other people’s interactions. I hyper-analyze, I question everything, and I try to understand people. So, this topic really gives me the opportunity to do that.
Through my research and documentation, I hope to have inspired those presented in my work to question their work and Find the Why in their practice.
All rights associated with the works displayed in this zine remain with their respective creators.https://digitalcommons.northgeorgia.edu/seniorexhibspring2021/1035/thumbnail.jp
[2.8] Finding Your Why
No full textWhen viewing a new piece of artwork, many people attempt to draw their own conclusions, make assumptions, and create a meaning for a piece that they had no hand in making. Yes, individual interpretation is an essential aspect of visual art, but how often do you stop and ask the artist “why?”
Why did you make this piece? What inspired you? Why do you make art? Why are you like this? Who hurt you? Who loved you? What was your favorite color in third grade and why did you name your fish after a Disney princess? Why? Why? Why? Why? Why?
This research project, this documentation, this body of work, this zine is an exploration of the artist’s mind. It is meant to both inform the viewer of the deeper aspects of why an artist makes a piece, series, body, or exhibit and to raise new questions. I want you to question everything. I want you to ask why I did this. I want you to question every single decision you have ever made and then hate me for it because you can’t stop.
My interest in the “why” stems from my constant and insufferable overthinking about my interactions and other people’s interactions. I hyper-analyze, I question everything, and I try to understand people. So, this topic really gives me the opportunity to do that.
Through my research and documentation, I hope to have inspired those presented in my work to question their work and Find the Why in their practice.
All rights associated with the works displayed in this zine remain with their respective creators.https://digitalcommons.northgeorgia.edu/seniorexhibspring2021/1046/thumbnail.jp
Parenting and the Development of Social Competence in Early Childhood
Full text link: Developing social competence in early childhood is beneficial for children’s academic, emotional, and social outcomes, and is influenced by the parenting children receive.
This review aims to evaluate research on parenting and social development in early childhood to assess the parenting strategies that best promote early social competence. Drawing on the tenets of Bandura’s Social Learning Theory and knowledge of early childhood, the review hypothesized that connected, consistent, and supportive, yet firm, parenting would be positively associated with social competence development during early childhood, and that harsh and rigid parenting would be negatively associated with this development. This hypothesis was confirmed for both mothers and fathers in the reviewed studies that did not account for temperament and challenged by the studies that did evaluate temperament. The research involving temperament suggested that the beneficial and detrimental parenting behaviors proposed in the review’s hypothesis may require adjustment for children with different temperaments. These studies highlight how important it is for parents to socialize their child in a way that fits their child’s temperament. The implications of these findings for parenting interventions are noted, and the limitations and possibilities for future research are highlighted
