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Seven Sayings of Jesus On The Cross
No full text35.5 x 32 cm., Paper and Ink on Cardstock. Illustration of a cross.
His outshining Grace; He saved others ; Three hours of light ; Verily I say unto thee, Today shalt thou be with me in paradise-Luke 23:43; Eli, Eli, lama sabachthani? My God, my God, why hast Thou forsaken me?-Matt. 27:46; It is finished-John 19:30; Himself he cannot save. ; His overwhelming Grief; Three hours of darkness; The first, the fourth and the seventh are prayers, answering to our three relationships, outward to others; upward to God; inward to self. In the Greek text there are just 7 times 7 words in these 7 sayings; 4x7=28 words in the 3 prayers: 3x7=21 in the four that are not prayers.https://digitalcommons.biola.edu/ejpace-cartoons/1270/thumbnail.jp
Ye are not under Law but under Grace Rom. 6:14
No full text27 x 26 cm., Paper and Ink on Cardstock. No real illustrations on the card. Just all sorts of various text
Christ hath redeemed us from the curse of the law, being made a curse for us. -Gal. 3:13; Curse/Works: For as many as are of the works of the law are under a curse: for it is written, Cursed is everyone that continueth not in all things which are written in the book of the law to do them. -Gal. 3:10; The Legalist would have God believe in him.; Blessing/Faith: Blessed are they whose iniquities are forgiven, and whose sins are covered. Blessed is the man to whom the Lord will not impute sin. -Rom. 4: 7,8.; The Christian is content to believe God.https://digitalcommons.biola.edu/ejpace-cartoons/1264/thumbnail.jp
Faith\u27s Prayer-Ground
No full text48.5 x 42 cm., Pen and Ink on Paper. Illustration showing a woman kneeling on a life-size Bible.
Faith, mighty faith, the promise sees, And looks to God alone; Laughs at impossibilities, And cries: It Shall Be Done. ; Holy Bible; The Word Of God; Faithhttps://digitalcommons.biola.edu/ejpace-cartoons/1240/thumbnail.jp
Isalkes?;
No full text30 x 28 cm., Pen and Ink on Cardstock. Partial illustration of a man\u27s head, looking at an engraved stone(?) Some of the illustration is in pencil as well as ink.
Kristus; Gyvenimo; Duono.https://digitalcommons.biola.edu/ejpace-cartoons/1331/thumbnail.jp
Up The Old Family Tree, And Out On A Limb
No full text26 x 24 cm., Pen and Ink on Cardstock. Illustration of a man sitting in a tree branch with a bear approaching him.
Everyone that committeth sin is the bondservant of sin. ;(a) John 8:34 (lit. slave ); If ye were Abraham\u27s children, ye would do the works of Abraham. ;(b) John 8:39; Ye are of your father the devil, and the lusts of your father ye will do. ;[c] John 8:44; If ye be Christ\u27s, then are ye Abraham\u27s seed. ;(d) Gal. 3:29; The Dominion of Sin; We be Abraham\u27s seedhttps://digitalcommons.biola.edu/ejpace-cartoons/1302/thumbnail.jp
Cerro Azul Mexico Team
No full textCross-cultural Experiences: Cerro Azul eventually provided both weekend and summer experiences for students in all three years of the nursing program.https://digitalcommons.biola.edu/nurse-photo/1043/thumbnail.jp
Leta Kilander (1953-1989)
No full textLeta Kilander (1953-1989) joined the staff of the School of Missionary Medicine. She came with a missionary attitude, not sure where she would live or what kind of salary she would have, but with assurance that God was calling her and He would take care of everything.https://digitalcommons.biola.edu/nurse-photo/1040/thumbnail.jp
Miss Soubirous Director of SMM
No full textUnder the leadership of Miss Soubirou: In 1945 the School of Missionary Medicine opened its doors. Classes were held on the 10th floor of the BIOLA Campus in downtown Los Angeles. The program was for graduates of Bible schools, colleges and seminaries who definitely planned on missionary service.https://digitalcommons.biola.edu/nurse-photo/1028/thumbnail.jp
Speaking of Beginnings for brass quintet Mvt.4
No full textThis is one of the few pieces I have written in which I directly derived the title from the compositional process. I wrote the second movement first, beginning with a wedge-like figure that started with a compact chord and then blossomed out into a larger more resonant consistency. The first movement came next in line and, at least when I was writing it, it too started with a thinner texture and grew to become more full as the phrases progressed. Similar patterns emerged for the third and fourth movements, and so I contemplated calling the piece “Small beginnings.” However, I was uncomfortable with following the same model for every piece in the set, and decided on a more bombastic energetic opener to get things moving. The first movement then, (“Starts with a Bang”), essentially takes the process I describe above and retrogrades it; instead of growing from something small, it diminishes from something big. The second movement follows it directly (attacca) and so in the end, the first two movements may be seen as a single entity that may roughly be thought of as one big inverted swell, moving from big/rich to small/thin, back to big/rich