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    Engendered Relations in the Global South

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    Reading Carlos Bulosan/Documenting the Filipino Diaspora

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    This editorial introduction to Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan (2016) sheds light on the diasporic scope of Bulosan’s literary imagination and the literary scholarship on his diverse body of writing. Writer in Exile/Writer in Revolt gathers for the first time nearly sixty years of literary criticism by scholars in the United States and the Philippines on Bulosan, a pioneering twentieth-century Filipino writer in the United States. The editorial introduction highlights the ways in which Writer in Exile/Writer in Revolt documents the unfolding of Bulosan’s radical literary imagination which straddles the colonial and neocolonial periods of U.S.-Philippines relations (from the pre-Pacific War period to the Cold War period). Six decades of literary criticism generate a fascinating inventory of Bulosan’s invaluable contributions to modern diasporic Filipino literature that, when historicized, problematize the notion of hybridity and trouble the binary opposition between Asian and Asian American literatures. In addition to discussing the significance of Writer in Exile/Writer in Revolt, the editorial introduction features Cabusao’s dialogue piece (featured in the anthology) with distinguished Asian American scholars Marilyn Alquizola and Lane Ryo Hirabayashi on their groundbreaking research on Bulosan’s FBI files which reveals the transnational nature of U.S. political surveillance/repression and the diasporic framing of Filipino resistance that informed Carlos Bulosan’s life and wor

    Faith-Based Socially Responsible Enterprises: Selected Philippine Cases

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    Faith-based organizations (FBOs) have long played a role in international development and are increasingly involved in sustainability initiatives. Since they are motivated by a distinctive set of values, have particular modes of operation and governance, and hold a unique place within communities and the larger society, these organizations are poised to be distinctively successful and sustainable. In the case of the Philippines, the situation is unique in the sense that there are a large number of Christian business leaders and entrepreneurs who put their faith “to the plow.” Based on a review of the literature on faith-based social enterprises as well as on an in-depth descriptive analysis of three sample ventures from the Philippines, this study proposes a descriptive framework for their success and sustainability which consists primarily of two elements: a) Christian social capital and b) spiritual leadership

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    For Kritika Kultura

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    A Tribute to Lulu Reyes

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    Pelikulang Komiks: Toward a Theory of Filipino Film Adaptation

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    This paper tackles the major assumptions of a proposed/emergent Filipino komiks-to-film adaptation theory based on archival texts from the 1950s. An inventory of extant texts has led to the identification of twelve komiks-to-film adaptations representing Filipinized genres such as the korido film, fantasy/folklore, family drama, woman’s film, personality comedy, and historical film. Textual analysis of uncovered texts has been complemented by a social film history based on unstructured interviews with ten komiks and film scholars and retrieval of archival film journalism pieces. The main concern of this paper is to present the concepts and assumptions about komiks-to-film adaptation that will constitute the proposed Filipino film adaptation theory. The main arguments of the prospective theory follow either one or all the definitions/phases of contextualization, namely: indigenization, localization, vernacularization, and hybridization. The prospective theory will be referred to as Pelikulang Komiks

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