National Library of Finland: Fragmenta Membranea / Kansalliskirjaston Fragmenta membranea
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F.m.II.39 (Gradual)
GradualLiturgySaec. xv15. Jh. Von grösseren Initialen eine blaue sichtbar, die kleineren schwarz-rot, ziemlich gross. Quadratnotation. Folüerung: rote Buchstaben und Zahlen oben auf den Rektoseiten.
GRADUALE.
Fol. 1 (alte Zählung: I im) [Sabb. Q. T. Septembris] — Dom. XVIII [post Pentec.]; fol. 2 (I vn) [Dom. XXI] (vgl. MA).
T. 1604. Nach der Aufschrift (Christoffer Persons Reckenskap usw.) zugefügt: »Christopher Persson hafuer giordt denne Rechenschap för Jsach Monnssonn efther Cammererens Sigfredh Sigfredssons schriftelig befalningh». Isak Månsson war der Vorgänger von C. P. als Vogt in Sääksmäki, von wo diese Rechnung stammt. 1
1 Almquist, a. A. IV, S. 92
F.m.II.48 (Gradual)
GradualLiturgySaec. xiv - xvDATE: Probably saec. xv. OTHER NOTES: See also: F.m. II.40.4 Bll. 17,5 x 23,2 cm. 1 Sp. 10 Nz.
(14.—)15. Jh. Grössere Initialen rot und hellgrün, kleinere mit Gelb ausgezeichnet. Quadratnotation. Folüerung (fol. 1—2): rote Buchstaben auf den Versoseiten, Zahlen auf den Rektoseiten oben. Vgl. Nr. 40.
GRADUALE.
Fol. 1 (alte Zählung: in c) [Dom. 1 Quadrag.]; fol. 2 (vi c) [Fer. IV Q. T.] — Fer. V; fol. 3 [Commune virginum]; fol. 4 [De s. Maria] (mit Sanctus, Agnus Dei und Ite missa est); Pro quacumque tribulacione; In summis festis cantus: Kyrie; In festis duplicibus cantus: Kyrie, Gloria.
Ko. 1606—1609. Fol. 3: »Johann Ottesson Inlagde»
F.m.II.82 (Gradual)
GradualLiturgySaec. xiv - xv2 Bll. Defekt, Grösse der Schreibfläche schätzungsweise ca. 20 x 28 cm. 1 Sp. 7 Nz.
14.—15. Jh. Grössere Initialen rot, grün oder — zu Anfang der Messen — in beiden Farben, kleinere Anfangsbuchstaben schwarz-rot. Ziemlich grosse Quadratnotation. Grössere Zwischenräume zwischen den Worten und Silben durch rote und grüne flechtenförmige Linien ausgefüllt.
GRADUALE.
Fol. 1 [Dom. III Quadrages.] — [Fer. II]; fol. 2 [Fer. IV] — [Fer. V].
N. 1580
F.m.II.93 (Gradual)
GradualLiturgySaec. xv15. Jh. Initialen rot und blau. Kleinere Anfangsbuchstaben mit Rot ausgezeichnet. Quadratnotation.
GRADUALE?
Fol. un. [Liber generationis Jesu]; »Dominus vobiscum . . . Factum est autem» etc. (Geschlechtsregister Jesu nach Lucas).
N. 1572
F.m.II.94 (Gradual)
GradualLiturgySaec. xiv - xvNordicDATE: Probably saec. xiv. ORIGIN: According to liturgical use.7 Bll. 18,5 x 30 cm. 1 Sp. 10 Nz. — Einige Bll. etwas defekt.
(14.—)15. Jh. Initialen rot, blau oder in beiden Farben. Kleinere Anfangsbuchstaben oft mit Zeichnungen verziert. Quadratnotation.
GRADUALE. Nordische Herkunft durch Birgitta, Helena und Olavus bezeugt.
Fol. 1 [Johannis et Pauli], In vig. Petri et Pauli, In die; fol. 2—3 [Vig. Laurentii], In die, Ypoliti sociorumque eius, [In] vig. assumpcionis Marie, [In die]; fol. 4 [Michaelis arch.], Ieronimi, Remigij, Francisci, Marci pape, Birgitte, [Dionysii] sociorumque eius (vgl. MA), Luce, XI milium virginum, In vig. Symonis et Jude, In die, In vig. omn. sanctorum, In die; fol. 5—6 [Sequenzen: De s.] Olauo: Lux illuxit; De s. Helena: Voce dulcis melodie; De s. Laurencio (nur die Überschrift erhalten); fol. 7 [De s. Maria: Stella maris o Maria]; Alia: Aue virgo virginum; alia: Mater patris.
Å. Ku. W. 1600—1617. Der Bogen fol. 2—3 war sorgfältig zu einem festen Einband geformt, wobei eine beträchtliche Menge von Rechnungen aus Å. u. dgl. zur Verstärkung dienten. Unter diesen findet sich eine Vollmacht von Eskil Jakobsson für denselben Vogt Jören Eskilsson l, von welchem laut Aufschrift auf fol. 2
1 Zur Ergänzung der Angaben bei Almquist, a. A. IV, S. 54 u. 119 sei erwähnt, dass in der am 4. Dez. 1614 datierten Vollmacht Eskil Jakobsson als Vogt von Halikko und Jören Eskilsson als ladugårdsfogde i Näs gård i Bjerno genannt werden. Aus der Aufschrift fol. 2 geht hervor, dass der letztgenannte auch für das Jahr 1615 dort die Abrechnung aufgestellt hat.
die betr. Abrechnung stammt. Es kann mithin in diesem Fall sicher konstatiert werden, dass das Einbinden bei dem Vogt stattgefunden hat, und der Codex stammt demnach aus Finnland.Nordi
F.m.II.119 (Gradual)
GradualLiturgySaec. xvOTHER NOTES: See also: F.m. II.123.2 Bll. Breite der Schrift ca. 20,3 cm. 1 Sp. — Defekt.
15. Jh. Initialen rot und blau. Kleinere Anfangsbuchstaben schwarz, verziert. Quadratnotation. Folüerung mit Tinte geschrieben fol. lr am Rand. Verwandt mit Nr. 123.
GRADUALE.
Fol. 1 (alte Zählung: x) [Vig. Nativ. Domini] —¦ In nocte natiuitatis domini; fol. 2 [Stephani] (von GR, MA und MU abweichend), [Johannis ev.].
Ku. 1575
F.m.IV.6 (Antiphonal)
AntiphonalLiturgySaec. xii - xiii in.Germany?France?England?13th é". Large initials: 1) two red, the first is ornamented with green hairlines, and 2) one dark green, beginning in the Pentecostal responsory Dvm complerentur. The latter is highlighted with dark brown and ornamented with green, red and yellow hairlines. Small initials are brown, highlighted with red. Early quadratic notation on a red four-line staff (8-12.5 mm). The sign scandicus appears in a shape in which all three note-heads are located to the left of the same tail. Droste 1983 p. 26 and Neume chart 5 (Col. 2 form b). It is typical of the signs virga and clivis, and of the elements ofvirga in the climacus, that the tail passes the head upwards. Beside the usual c and fi the letters a, d and b are used as clefs. Photograph of f. 2'on p. 17.
ANTIPHONARIUM, secular.
F. 1 [In ascensione Dornini] beginning Vt maneat, the catchwords of the responsory at matins, [Ego rogabo] V Si enim, and ending in the versicle at prime (?), Ascendit deus [R Dominus] (tsa). w Hymn: Tu xpiste nostrum (tsa).The great responsories at matins are given as a series. Responsory Cumque intuerentur in.
Ff. 2-3 [Dominica post ascensionem] beginning seemingly with the versicle at lauds. **" Beside the one mentioned, only the antiphons ad Benedictus (Cum uenerit paraclitus) and ad Magnificat (Hec locutus sum) are given for this day; In vigilia pentecostes; -*- Feria ij [post dominicam pentecostes] ending in the 1st resp. at matins, lam non dicam V Quorum, only the catchword is lacking. •*• Hymns: lam xpistus astra (tsa), Te nunc deus piissime (tsa), Beata nobis gaudia (tsa), Veni creator spiritus (tsa), lam xpistus ascenderat (tsa). F. 4 [Feria iv p. dom. pent.] beginning prout spiritus of the resp. at matins, [Spiritus sanctus replevit] VDum; ¦*• Sabbato ending autem, the second word of the ant. (?) Vespere autem. »*" Resp. Spiritu sancto docebat VRepentino, following the resp. which opens f. 4'.
F. 2'First an illegible record of two words, not including the year, then: "Måns Juensson". F. 4" 3765 "Härman Flämingx Räkenskap affTauesthws Slått Anno 1554"."Opbordes Registrett".DATE: Saec. xiii in. (Taitto); probably saec. xiii in., xii ex. also suggested (Niskanen 2010). LITURGICAL USE: Secular, indeterminate. ORIGIN: Probably France or Germany or Franco-German influence (Niskanen 2010).GermanyFranceEnglan
F.m.IV.27 (Antiphonal)
AntiphonalLiturgySaec. xiv10 folios. 14-15 x 22-22.5 cm. 1 column, 9 lines.Thc outer edge off. 10 lacks a strip.Th blue colour has eaten holes into the parchment. Dark places ouff. 3', 4", 7'and 10".
14th c. Large initials: 1) red, and 2) dark blue. Small initials are generally highlighted with red. Quadratic notation on a red four-line staff (11.5 -13.5 mm), linea, cttstos, b rotundum, b quadratum, many liquescent signs. Incipit is always indicated by a duplex linea. Date on an enclosed note, written by Dr. Haapanen; From the 13th c. Photograph off. 9 on p. 43.
ANTIPHONARIUM. Conforms to Dominican use, Breviarium Do minicanum 1485 passim.
Ff. 1-2 [Dominica in passione] beginning with the ant. at prime, Ego demoni um non; -*- Feria quinta ending huic mulieri of the ant. ad Benedictus, Quid mole sti estis.
F. 3 [Feria v in coena Domini] beginning with the psalm incipit and differenti; of the 1st ant. at lauds, and ending no[men] of the 1st ant. at vespers, Calicen salutaris.
F. 4 [In sabbato sancto] beginning with the differentia of the 1st ant. of the II nocturn, and ending in the 3rd resp. of the same noct., Caligauerunt oculi I' O uos. F. 5 [Dom. resurrectionis] beginning with the invitatory Alleluya alleluya alleluya. and ending cru[cifixum] of the 2nd resp. at matms, Ängelns domini I 'Jhesum. F. 6 [Idem] continuing mea precedet of the sequence [Victimae paschali laudes]; -> Feria ij ending queritis non of the 1st resp. Maria magdatene et. «s- Processiona. antiphon Xpistus resurgens V Dicat nunc.
Ff. 7-8 [Agathae virginis] beginning me, the closing word of the 3rd resp. of the II noct., [Ego autem] V Mens mea, and ending Medicinarn [camalem], the opening word of the 2nd ant. at lauds. Ff. 9-10 [Annuntiationis Mariae] beginning que fluiint of the 2nd ant. of the II noct., [Fons hortorum puteus], and ending sedebit super of the 2nd resp. of the III noct., Nascctur nobis.
Missing records on bif. 8/9, and the headline on f. 7', imply that the documents were attached to their wrappers in Finland, see Haapanen 1922 pp. XXIV-XXVI. "Förslag" (Sw) means an unconfirmed calculation, a rough draft taken along by the bailiff when he went to the audit, Lehtinen 1961 p. 132. F. 2 "E. B[...] Stoore Safu lax." In lead pencil:"1614-1618". F. 3' Cf. 4495."Hendrich Pawallsons [...] for hattula häredh 1629"."Finland 1629 No 16". F. 5' 4499 "Manntals och Rootheringh Längder,Vtöffwer,Vthshriffningh, hielpen affHattula häredh, pro Anno etc 1630." F 7' 4469 "Förslagen af Tawastehws Lhän Anno 1622.""An kommet den 24 octob [...]". F. 8/9 No records. F 10'"'Finland 1622 No 16".This text was actually located on the cover of the taxbook, the cover being partly formed by f 7'.Dominica
F.m.IV.45 (Antiphonal)
AntiphonalLiturgySaec. xiv (post 1334)14th c. One dark blue large initial is visible, small ones highlighted with red. Quadratic notation on a red fiour-line staff (16-17.5 mm), b rotundum, b quadratum, custos, linea. Photograph off. 1" on p. 61.
ANTIPHONARIUM. Conforms to Dominican use, Breviarium Dominicanum 1485 ff. t [iij]" - t iiif, [t viij]"- v [l]r.The observance of Trinity Sunday indicates that the codex was produced after 1334. F. 1 [In die pentecostes] beginning erant omnes of the 1st resp. at matins, [Dum complerentur] V Dum ergo, and ending mo[ventur] of the 4th ant. at lauds, Fontes et omnia.
F. 2 [Sanctissimae trinitatis] beginning [spi]ritui of the doxology of the 3rd resp. of the I nocturn, [Quis Deus magnus V Notam], and ending in the rubric of the III nocturn.
F. 1" Cf. 3565. "Skatte Bok aff Borgo Un pro Anno 1612 No 10". The hand of the headline deviates gready from the usual one. The vellum seems to have been used as some kind of rebinding, because on f. 2'there is a marginal cue "1790", clearly a year. Behind the present headline an older one is dimly visible.Dominica
F.m.IV.46 (Antiphonal)
AntiphonalLiturgySaec. xiv2folios sewn together. 19.5-20 x 29 cm. 1 column, 10 lines. The ink has eaten holes into parchment. F. V badly dark.
14th c. One large initial is visible (red, colour faded). Many small initials are highlighted with red. Quadratic notation on a red four-line staff (13.5-14 mm), linea, custos, cephalicus and other liquescent signs. Photograph off. 1" on p. 62.
ANTIPHONARIUM. Conforms to Dominican use, Breviarium Dominicanum 1485 ff. [k vij]r - [k viij]', m ij" - m iijr.
F. 1 [In epiphania Domini] beginning with 2nd resp. of the III nocturn, [ Videntes stellam] V Stella. Due to the defective written space the beginning is difficult to determine, but obviously the first words are suis obtuleniiit. Ends with the opening word of the short responsory at terce, Reges [Tliarsis]. F. 2 [Feria iv in hebdomada I post octavam epiphaniae] beginning with the 3rd resp. at matins, Adiutor meus V Eripe. ¦*- Feria v ending in the first word of the verse of the 1st resp. at matins, Deus in te V Esto.
F. 1'2586 "Anders Jacobssons Räckenskap, aff Öffre Satagunden ifrån Johanni 631, och tilljohanni 632.""Fmland 1631 No 10".Dominica