National Library of Finland: Fragmenta Membranea / Kansalliskirjaston Fragmenta membranea
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F.m.IV.41 (Antiphonal)
No full textAntiphonalLiturgySaec. xivSweden*2 folios. 20-20.5 x 29.5 cm. 1 column, 12 lines. The place for the cameral headline has been erased nearly completely, dark spots onf. 2V.
14th c. Large initials: 1) almost permanent red, 2) dark green, 3) yellow, and 4) blue. Small initials highlighted with red. Quadratic notation on a red four-line staff (14.5-15 mm, ruled with a rastrum), b rotundum, linea, liquescent signs. Line-fillers (red, light blue and/ or yellow braid-like ornaments) under melismas. Photograph off. V on p. 57. Em. I No. 103 (Haapanen; missal of the 13th or 14th c) is stylistically identical to this one.
ANTIPHONARIUM. Probably produced for the diocese ofVasterås, Breviarium Arosiense 1513 ff. temporale 106-110'.
Ff. 1-2 [De psalmis in tempore paschali| beginning alleluya alleluya of the resp. [ Viderunt te aquae] V Illuxeruut. The responsories are given as a series; Dominica III post pascham]; ¦*• Dominica V [p. pascham]. "S" Hymn: Vita sanctorum (ta); Per ebdomadam ending in the second word of the ant. ad Magnificat, Ecce nunc [palam].
F 1'1700 "Här vthi Breff Zedlar och Qwittentzer, öffwer Pikiö Häredt pro Anno 1608".LITURGICAL USE: Probably diocese of Västerås. ORIGIN: Added according to liturgical use. OTHER NOTES: See also F.m. I.103.Diocese of Västerås?SwedenSwede
F.m.IV.49 (Antiphonal)
No full textAntiphonalLiturgySaec. xivNordic*4 (?) folios. 20-21 x 30.5-31 cm. 1 column, 10 lines. Ff. 1, 3 and 4 have been pressed smooth. Ff. 1 and 2 are represented only by very narrow strips, which may be an inner and outer edge from the same leaf. Note too, that the sequence of leaves suggested here may be wrong owing to uncertain liturgical determination of St. Mary's offices.
14th c. Large initials: 1) orange red, ornamented with brown and red hairlines, and 2) ultramarine, ornamented with red hairlines. Small initials are highlighted with straw yellow. Quadratic notation on a red four-line staff (15 nun), b rotundum, linea (not many). Photograph off. 4'on p. 65.
ANTIPHONARIUM CUM HYMNIS, Nordic (St. Eric, St. Olafj.The length of St. Eric's office cannot be specified. According to Nilsson 2000 p. 93, the versicle Corona aurea at lauds of St. Eric possibly associates this fragment with Finnish provenance.
E 1 [De beata Maria].The beginning and the end cannot be identified, because only a narrow strip from the leaf remains. However, the first letters seem to be sa. F. 2 [Idem]. The beginning and the end cannot be identified because of the fragmentary state of the leaf.The only legible items are the ant. Gaude Maria virgo and the versicle Ora pro nobis. F. 3 [Erici regis et martyris] beginning landaitt of the last resp. at matins, [O miles Christi V Perveniant], and ending lau[rea] of the ant. ad Benedictus, Corona Julgens aurea. ra= Analecta hymnica XXV 1897 No. 100. Hymn: Laudes ad laudes. F. 4 [Olavi r. et m.] beginning with the 1st ant. at I vespers, Sancte martyr domini, and ending in the second word of the 1st ant. of the I nocturn, Regnante illns\trissimo\. ¦®" Hymn: Deus tuorum (ta).
F. 3'1746"Inwysingar Quittenngar Och Copie Lengdt affMaska Haredht Anno 1611." F.4" 1748 "Har vthi ahre Inbundne Copior [...] Befalningz Breff och Zedlar sampt [...] Lefwereringar affMascha haredt For Ahr etc 1611 "."No 6".
Lit.: Nilsson 2000 pp. 93 (b/w reproduction off. 3'), 160.LITURGICAL USE: Diocese of Åbo suggested. ORIGIN: Added according to liturgical use.NordicNordi
F.m.IV.55 (Antiphonal)
No full textAntiphonalLiturgySaec. xiv ex. - xv in.Sweden*14th <f - 15th f". Large initials: 1) red (vermilion), and 2) dark brotvn.The last mentioned are filled with red hairlines. In places small initials are highlighted with red, here and there with straw yellow. Quadratic notation on a red four-line staff (15-19 mm, perhaps ruled with a rastrum), linea, b rotundum. In general, the incipits are indicated by duplex lineae. Photograph off. 2'on p. 73.
ANTIPHONARIUM, Swedish. In a letter to the present writer Dr. Sven Helander states that this fragment originates from an antiphoner produced for the diocese of Uppsala, Strängnäs or Västerås. Correspondingly, it cannot be the remainder of a manuscript for Linköping, Skara or Abo. An argument for this standpoint is the rhymed office Birgittae matris inclitae, a "hystoria" written by Birgerus Gregorij (Birger Gregersson Sw, archbishop 1366-1383).
It is true that the secular source material remaining from the diocese of Abo mainly gives documentation of the office Rosa rörans (written by the bishop of Linköping 1374-1391, Nicolaus Hermanni) for St. Bridget. An exception might be Em. Ill No. 148, a 15th-century psalter-hymnary showing strong Dominican influence. Its hymn for the saint derives from the office Birgittae matris inclitae.The status of the source should be studied carefully, however, before allowing it more weight regarding the secular tradition in Finland.
Two other sources for Birgittae matris are preserved in Finland, namely Em. Ill No. 174 (15th c) and HUL N. Mscr. 4. (first half of the 15th c, described in Jörgensen 1925 pp. 59-64).The latter was never used in the Abo diocese.
The Ordinary of Linköping (Ordinarium Lincopense), ca. 1400, states that Rosa rörans was to be sung when officiating the anniversary of Bridget's death on the 23rd of July. Birgittae matris was reserved for the anniversary of her canonization on the 7th of October. Helander 1957 pp. 41 nn. 5 and 9, pp. 182-183. Later Rosa rörans superseded Birgittae matris in October as well. Breviarium Lincopense 1950-1958 pp. 809-8lO.Thus, taking into account the age of our fragment, a Linköping provenance cannot be excluded.
Dr. Haapanen considered that the original codex was of Finnish provenance, but he was not sure whether it had really been written for the diocesan rite.
It is no doubt difficult to date Antiphoner No. 55 earlier than 1381, when the text of the office was set to its music, see Undhagen I960 pp. 28-31, especially p. 29. F. 1 [Birgittae viduae] beginning pulchritudinis quain of the 4th ant. at I vespers, [Haec est sensata], and ending fiat per of the ant. ad Magnificat. Birgitta xpisti famula. isr Analecta hymnica XXF1897 No. 58. Hymn: Hora consurgit aurea (ta). F. 2 [Idem] continuing nunciat rectis of the 2nd ant. of the III nocturn. [Lux orta iusto], and ending seculi no[vas] of the 2nd resp. of the III noct., Deuotas edit | I'Illic[. ra=The incipits of the great responsories are indicated by duplex lineae.
F. 2" 792 "Stenn perssons Opbördh och Wttgifftt pro anno: 1559".
Lit.: Taitto 1992 (c) pp. 380-382 (e.g. colour reproduction off. 2 ).DATE: Probably after 1381. LITURGICAL USE: Probably archdiocese of Uppsala, dioceses of Strängnäs or Västerås; diocese of Linköping also suggested. ORIGIN: Added according to liturgical use.Diocese of Västerås?Diocese of Strängnäs?Diocese of Linköping?Archdiocese of Uppsala?SwedenSwede
F.m.IV.67 (Antiphonal)
No full textAntiphonalLiturgySaec. xiv - xvSweden*2 folios. 21 x 30.5 cm. 2 columns (width 10 cm), 13 lines. The outer edge off. 2 has been cut out. Original texts erased for the cameral headline.
14(-15)th cc. Large initials: 1) red (vermilion), and 2) ultramarine. Small initials highlighted with red. Quadratic notation on a red four-line staff (13 mm, ruled with a rastrum), b rotundum used as a clef, cephalicus. According to Dr. Haapanen (a small note enclosed in the bifolium) this fragment dates back to the 14th century. Photograph off. V on p. 85.
ANTIPHONARIUM. Considerable similarities with the use of Västerås, Breviarium Arosiense 1513 ff. temporale 23'-25'.
Ff. 1-2 [Stephani protomartyris] beginning with a chant that appears in a series of responsories of the III (?) nocturn. The respond and the opening of the verse are missing, but the first words of the latter might be [Ecce video]. The passage surviving from this chant is: [aper]tos et dominum stautem a dextris dej. [...].The last word is a catchword, but the damaged surface makes it illegible; De sancto Johanne ending exaltauit emu of the 3rd resp. of the II noct., Cibauit ilium.
F. 1 6473 "Förtärningz och Mantals Register på Nyslott pro Anno etc 1574".DATE: Probably saec. xiv. LITURGICAL USE: Probably diocese of Västerås. ORIGIN: Added according to liturgical use.Diocese of Västerås?SwedenSwede
F.m.IV.70 (Antiphonal)
No full textAntiphonalLiturgySaec. xiv - xv4 folios. 20.5 x 31.5-32 cm. 1 column, 12 lines. The outer edge off. 3 has been cut out. Onf. 4" there are some dark spots and shrinkage.
14-15th cc. Large initials in so-called permanent orange, small initials highlighted with dark red. Gothic notation (Hufnagel) on a brown five-line staff (14.5 mm). Line F is red, the colour of the line c is faded, originally it has been perhaps yellow. C andficlefs are used simultaneously. B rotundum, custos. Foliation: black roman numeral in the middle of the upper margin on the recto. Photograph off. 1" on p. 88.
ANTIPHONARIUM, secular. Not Nordic, because the feast of St. Olaf is not observed.
F. 1 (= xcj.) [Jacobi apostoli] perhaps beginning perpetem tua fiesta of the 5th ant. at lauds. "S3The ant. ad Magnificat is metrical and rhymed O ministrum summi regis; De sancta anna ending exatidiuit of the 2nd resp. of the I nocturn, Quodam die ioachim. ¦* A variant of Analecta hymnica XXF1897 No. 18. Cf. Antiphoners Nos. 33 ff. 6-8r and 161 ff. 3r-4", which include the same office. Hymns: Ends huiiis (ta) and Adest dies Celebris (ta). A later hand has made alterations to this last, which now begins with the words Jam dies (ta). Some additions in the margin relating to compline; Suffragium de Jacobo, written in a later hand. F. 2 (= xciij.) [Idem] continuing sed, the third word of the 1st ant. of the III noct., [Non naturae], and ending nam dedecus of the 4th ant. at lauds, Hie ad casam. F. 3 (= xcviij.) [Marthae virginis] beginning [...]lo non timebit of the verse of the last resp. at matins. Damage allows only the following chants to be recognized: the 1st and 2nd antiphons at lauds (Exultet omnis, Hodie de earths), and the ant. ad Magnificat at II vespers (Adonay Ihesu); [Ad vincula Petri] ending Symon, the opening word of the ant. ad Magnificat. ¦*¦ Hymn: Jaw; bone pastor (ta). E 4 (= c.) [Laurentij martyris] beginning pauperibus iusticia of the 1st resp. of the I noct., [Levita Laurentius VDispersit], and ending consueueras of the 1st resp. of the II noct., Quo progrederis [V Quid[.
Secondary provenance in eastern Finland ? See Haapanen 1922 p. XXXII. F. 2'5466"Sckatte Bocken aff Kyminegårdzlänn pro Anno etc 1579"."Här wti ärTiende Registrett och qwitentier". "Veckelax -375-121"."Pyttj -335-[...]"."Eleme -196-33". F. 4" 5439 "Jorde och Schatte Boken aff Wederlax, Weckelax och Pyttis Sochner, medh Eleme fierdingh, Item Matzskott, Komål och Nebbeschatten vtaff för:ne Sochnar. Tesligjt Tijenden Sachöris, drenge och husmans Peningar, Copijer aff k:m: breff medh Quittentier Pro Anno etc 1577"."Fougte Knut Gladh".LITURGICAL USE: Secular, not Nordic
F.m.IV.79 (Antiphonal)
No full textAntiphonalLiturgySaec. xiv - xv14-15th cc. Small initials are variously filled with straw yellow or highlighted with red. Many ofi them are completed with a human head-like figure as well. Quadratic notation on a red four-line staff (21 mm), custos, linea, b rotundum also junctions as a clef cephalicus. Photograph off. un.1'on p. 97.
ANTIPHONARIUM. Conforms to Dominican use, Breviarium Dominicanum 1485 ff. [67]!'-[68]r.
F. un. [Agnetis virginis] beginning [la]pidibus of the 2nd resp. of the I nocturn, [Dexteram meam] V Induit, and ending cuius mi[hi] of the 1st resp. of the II noct., Amo xpistum.
F. un.'3214 "Arlige Rentan och Schatte Boken Med Preste Rentan Item Sachoris Register aff Pyttis Soken och Eleme Fierdungh anno 1561".DATE: Saec. xv suggested (MPO). OTHER NOTES: From same codex: MPO Fr 8619 (Stockholm, Riksarkivet: Kammararkivet Skeppsgårdshandlingar 22:4 1569; 1 fr., 2 fol.).Dominica