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    F.m.II.92 (Gradual)

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    GradualLiturgySaec. xv4 Bli. 21,i x 29,5 cm. 1 Sp. 11 Nz 15. Jh. Blasse Tinte. Initialen rot. Übrige Anfangsbuchstaben mit Gelb oder Roi verziert. Quadratnotation. Von der Folüerung nur ein rotes g fol. Iv oben sichtbar. GRADUALE Fol. 1 [Fer. IV Q. T. Sept.] (vgl. MA) — Dom. XVIII [post Pentec]; fol. 2 [Philippi et Jacobi], In inuencione s. crucis; fol. 3 [Sequenzen: In die pasche: Victimae paschali]; In ascensione domini: Omnes gentes plaudite; fol. 4 [De S. Trinitate: Profitentes unitatem]; De corpore Christi: Lauda Syon saluatorem (mit darunter geschriebenem Text der Sequenz für die Feste des hl. Kreuzes: Laudes crucis attollamus). Ku. Ka. 1614—1622. Fol. 2: »Simon Mattzonn ) Invonare I BB». Fol. 3: »Clas Nilson»

    F.m.V.TH.AA.132 (Sermones de Tempore)

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    Sermones de TemporeTheologySaec. xiv / xvGermanyOTHER NOTES: On paper.German

    F.m.IV.12 (Antiphonal)

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    AntiphonalLiturgySaec. xiii - xivSweden*1 folio. 21 x 30 cm. 2 columns (width 9.5 cm), 16 lines. Damage, the ink having corroded the parchment. 13(-14)th a. One myrtle green large initial ornamented with red hairlines is visible. It opens the great responsory (Produxit deus de humoV Amantissimus) of the I nocturn. Small initials are highlighted with red. Quadratic notation on a red four-line staff (10-11.5 mm), custos, linea (i.e. one or more vertical strokes across the staff), b rotundum. Linefillers (red braid-like ornaments) under melismas. Photograph off. un.'on p. 25. Bears a stylistic resemblance to Antiphoner No. 11. ANTIPHONARIUM. Except for the collect at vespers, Deus qui unigeniti (ta), the contents of this fragment agree with the late medieval printed breviary of Västerås, Breviarium Arosiense 1513 ff. sanctorale 132'-133'. F. un. [In exaltatione sanctae cruris] beginning quern desiderabam of the 2nd ant. at I vespers, [Sub umbra illius], and ending in the 1st resp. of the II noct., Extendit Jacob VAdorat israhel. *& All the antiphons and responsories are foreign to Hesbert 1968 and 1970. Hymn: Salue crux sancta (ta).The text of the 1st resp. of the II nocturn: Produxit deus de humo lignum pulchrum uisu et ad uescendum suaue lignum etiam uite in medio paradisi et collocauit cherubim. Ad custodiendam uiam ligni uite. V Amantissimus dominus meo quasi in talamo morabituret in terras humeras illius requiescet. F. un." 5328 "Clemmet Jörensons Rechenskap för Lapuesi och Taipala Sochner [...] räntan [...] anno etc 1569." "Finland 1569 No 14"."Hans hansson".DATE: Probably saec. xiii. LITURGICAL USE: Diocese of Västerås suggested. ORIGIN: Added according to liturgical use. OTHER NOTES: See also F.m. IV.11 and IV.22.Diocese of Västerås?SwedenSwede

    F.m.IV.16 (Antiphonal)

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    AntiphonalLiturgySaec. xiii - xiv8 folios. 18.5-19 x 29.5-30.5 cm. 1 column, 11 lines. F V is partly dark,fi 4'faded. The outer edges ofiff. 3 and 6 have been cut out. Original texts erased for cameral records. 13-14th cc. Large initials: 1) blue (various tones), 2) red, and 3) dark green. One twocoloured large initial is also visible, consisting of red and white elements. Small initials are highlighted with red. Quadratic notation on a red four-line staff (14-15 mm), custos, cephalicus. Photograph off. 8'on p. 29. Bears a stylistic resemblance to Antiphoner No. 15, (Franciscan), but there is no reason why Antiphoner No. 39 (Franciscan) could not be work by the same scriptorium. ANTIPHONARIUM. Franciscan, Breviarium Romanum 1481 passim. The rhymed office for St. Antony of Padua (can. 1232) is considered to be the work of Julian of Speyer (d. ca. 1250), compiled between 1241 and 1249, which provides the terminus a quo. See e.g. Szövérffy 1965 p. 215, especially n. 70. F. 1 [Sabbato in hebdomada I post pascham] beginning with the ant. ad Magnificat, Ego sum pastor ouium; Dominica secunda post pascha ending in alleluiatic abbreviations aevia aevia aev[ia] of the great responsory Locutus est ad. The chant is the 4th one in a series of its kind. F. 2 [In ascensione Domini] beginning eum, the closing word of the 8th chant in a series of responsories, [Ego rogabo V Si enim], and ending in uoce of the short responsory at terce, Ascendit V Et. "S'The order of the great responsories (ten) is stated in roman numerals written in the margin. F. 3 [De Sapientia] beginning aurem tuam Vt, the closing words of the last chant of a series of responsories, [Praebefili VAttende]; [Antiphonae feriales ad Magnificat] usque ad kalenda septembris; Sabbato proximo kalende semtembris (sic); [De lob] ending ita factum est of the resp. [Si bona]. F. 4 [Dominica IV post pentecosten] beginning with the ant. ad Benedictus, Ascendens ihesus in; -*- Dominica viij post pentecosten ending in the rubric of the ant. ad Magnificat. "3* Includes only gospel antiphons for lauds and for II vespers. F. 5 [Anthonij confessoris] beginning rci tyttilum of the ant. ad Benedictus, [Gaude felix Padua]. "®" Aualecta hymnica V 1889 No. 42; In festo omnium sanctorum ending habitabunt of the 1st ant. of the II nocturn, Domine qui operati. <•" Hymn: Xpiste redemptor (ta). F. 6 [Idem] continuing [lau\dabilis of the ant. ad Benedictus, [Te gloriosus apostolorum]. ¦*• At II vespers there is a commemoratio de sancto cesario; In festo sancti martini ending la[borem] of the 2nd resp. of the I noct., Domine si adhuc. cs" At I vespers there is a commemoratio de sancto menna martyre. F. 7 [Caeciliae virginis] beginning fructus of the 1st ant. of the II noct., [Domine fhesu Christe],and ending Nos scientcs, the opening words of the 2nd ant. of the III nocturn. F. 8 [Idem] continuing with the 4th ant. at lauds, [Benedico te], but the passage cannot be identified because of the defective state of the written space; In festo sancti dementis ending in the cue which implies to the 4th resp. at matins. Two headlines on bif. 5/8. The form of the headline on f. 7' suggests that the documents were attached to their wrapper in Finland, see Haapanen 1922 p. XXIV. F. l'Cf. 2603."OloffTrottessens Regenscap [...] och vtgifft [...] på Kastelholms Sloth ...]"."Norrland No 3 1544". F. 4' 3343 "Jorde och Skatteboken wtaff weche lax, Pyttis och pärno Sochner. Och Eleme Och Artteierffui fierdingh Ittem Mattz schåt, komåll Och nebbeschatten Vtaff för[nämn]de Sochner Tesligist Sacköre. Och Quittenzier Register Pro Anno etc 1573". F. 5' "Viku koste [...] rvtta slottz [?] [...] anno etc 1545". F. 7' 2610 a "Saaköres Register Anno 1546"."Sacköres för åland." F. 8'2270 "Årliga Rentan Vtaff Nedre HäredttVdij Biörnneborgz lann Pro Anno etc 1574". "Finland No 6".OTHER NOTES: See also: F.m. IV.15, IV.39; MPO Fr 8764 (see F.m. IV.15).Francisca

    F.m.IV.23 (Antiphonal)

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    AntiphonalLiturgySaec. xiv14th c. Large initials are red, small ones highlighted with red. Gothic notation (Hufnagel) on a brown four-line staff (14 mm), b rotundum. The letters c,g and f function as clefs. Photograph off. 1" on p. 39. ANTIPHONARIUM, secular. Ff. 1-2 [Purificationis Mariae] beginning with the end of the 3rd ant. of the I nocturn, as far as may be determined. The chant is unrecognizable, because the upper part of the leaf has been erased for the cameral headline; De sancta agatha ending in anima of the the 1st resp. of the I noct., Dum ingrederetur I'Ego. F. 1'4832 "GabrielThomassons Rekenscap för Arlighe Räiittan. Hielppe skatz peninger ockTijenden för Nårre fougderijed vthi Österbåtnen för diet åhr 1603". "Norrland 1603 No 7".LITURGICAL USE: Secular, indeterminate

    F.m.IV.24 (Antiphonal)

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    AntiphonalLiturgySaec. xiv14th c.A manuscript of luxury quality. Large initials have lost their gilding for the most part. Other colours of initials are carmine, dark green, light green, red, carnation, light brown, light blue, and ultramarine. These colours appear mainly in a historiated miniature of Christ meeting his disciples on the sliore of Lake Tiberias onf. un.', Biblia sacra 1983 p. 1696. So-called Fliegenfuss notation on a brown five-line staff (17-18 mm), (four-line staff in places, 13 mm). Red lineae here and there. Line-fillers (red braid-like ornaments i under melismas. Photograph off un.'on p. 40. ANTIPHONARIUM. F. un. [Feria ij in hebdomada post pascham] beginning [Cleo]phas dixit ci of the ant. at vespers, [Respondens unus ctti[; "Nocte tercia" ending nolite timere of the ant. at prime, Pax nobis ego. <®° For the great responsory Svrgens ihestis I'Surrcxit an alternative function is given: "In octava resurrectionis ad vesperas". No records. Possibly the leaf was once attached to another vellum (now unknown)

    F.m.IV.39 (Antiphonal)

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    AntiphonalLiturgySaec. xiii ex. - xiv14th c. Large initials: 1) green, and 2) red. Quadratic notation on a red four-line staff (14.5 mm), custos. Photograph off. 2" on p. 55. Bears a stylistic resemblance to Antiphoners Nos. 15 and 16 (both Franciscan). ANTIPHONARIUM. Franciscan, Breviarium Roniaiium 1481 ff. [D ijP-[Dnjr,[Evjr-[Evij]'. E 1 [Johannis evangelistae| beginning [su]per emu of the 5th ant. at lauds. [Ecce puer mens]; In natali sanctorum innocentium ending in the opening words of the 4th chant in a series of responsories, Effiideriint saiiguiiieiu. c* Memoria de natali et de sancto stephano. F. 2 [In epiphania Domini] beginning with the differentia of the 2nd ant. of the II noct., [Reges Tharsis], and ending gauisi of the 2nd resp. of the III noct., Uideutes stellam. Two headlines, written in the same hand. The latter is crossed out. F. 1'2613 "Angår Caster holms slåtz [...] ladugårdh på Ålandh". "Rächningh på Penningar [...] spanmåhl och allehanda proviantz partzeler, som [...] Kongl: Maijtaz slott och gårtt [...] pro Anno 1547".LITURGICAL USE: Franciscan. OTHER NOTES: See also: F.m. IV.15, IV.16; MPO Fr 8764 (see F.m. IV.15).Francisca

    F.m.IV.40 (Antiphonal)

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    AntiphonalLiturgySaec. xivNordic2 folios. Ca. 19.5 x ca. 27.5 cm. 2 columns (width 8.5-9 cm), 12 lines. Flic top and outer edges have been cut out. 14th c. Large initials: 1) dark blue, and 2) red (vermilion). Small initials are highlighted with red. Quadratic notation on a red four-line staff (12-13 nun), cephalicus, and other liquescent signs, b rotundum functions as a clef as well. Liue-jillers (red braid-like ornaments) under melismas. Photograph off. 2'on p. 56. ANTIPHONARIUM, Nordic. F. 1-2 [Commune unius martyris in tempore paschali trium lectionum] beginning with the ant. ad Magnificat, [FiliaeJerusalem], but the passage cannot be determined because of the fragmentary state of the leaf; In natali plurimorum martyrum; De sancto erico rege opsaiensi (sic, implies to a native scribe) ending after this headline in a rubric that concerns the chapter. E 1" 4153 "Johann Boosons Rekenskap paTauesthus pro Anno etc 1578"."med 3 Register".NordicNordi

    F.m.IV.74 (Antiphonal)

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    AntiphonalLiturgySaec. xiv - xvUppsala?14-15th cc. Only one large initial (red) is visible. In two small initials a human head is depicted. Auxiliary lineation for the text is exceptionally strong. Quadratic notation on a red four-line staff (11.5 mm), custos, linea, b rotundum. The iucipits of antiphons are indicated by duplex lineae. Photograph off. 2V on p. 92. Schtnid 1964 (b) presents a fragment of an antiphoner on pp. 7 (opposite) and 40, SRA KAANT 2, which has been probably done at the same scriptorium, or perhaps even originates from the same manuscript. The date ofi finishing the copying work, the 28th of September 1411, is written down. ANTIPHONARIUM, secular. E 1 [Sanctissimae trinitatis] beginning viium, the third word of the invitatory [Dcum verum], and ending with the second word of the 2nd ant. of the II nocturn, Spes nostra [salus]. E 2 [Corporis Christi] beginning cibi illius of the 3rd resp. of the I noct., [Respexit Hclyas] V Si quis, and ending in me anima of the 3rd resp. of the II noct., Accepit ihesus I 'Memoria, at the close of the chant. The documents were probably attached to their wrapper in Finland: "förslag" means an unconfirmed calculation, a rough draft, which was taken along by the bailiff when he had to have his taxes audited. Lehtinen 1961 p. 132. F. 1'7908 "Förslagh AffTafwasthuus Lähn Pro Anno 1639:"."Finland 1639 No 12".DATE: 1411 suggested (MPO). ORIGIN: Uppsala suggested (MPO). LITURGICAL USE: Secular, indeterminate. OTHER NOTES: From the same codex: CCM Ant 2 suggested (Stockholm, Riksarkivet: Fr 20009 KB A 103 k 181 Kläde utgivet i Livland och Finland 1573-1575; Fr 20010 S 13; 2 fr., 4 fol.). See also: CCM Jur AA 99 (Stockholm, Riksarkivet: Kammararkivet Fr 30766 Smålands handlingar 1541:4:1 Fodring saköre; Fr 30767 Västmanlands handlingar 1540:9 Räkenskap (avt); Fr 30768 2:1 Stockholm Joakim Horns räkenskap 1541; Fr 30769 Västmanlands handlingar 1541:8:1 Nils Birgersons räkenskap; Fr 30770 Smålands handlingar 1541:3:1 Räkenskap (avt, folio); Fr 30771 Västmanlands handlingar 1540:2:1 Bengt Erikssons räkenskap; 5 fr., 8 fol.?).Uppsal

    F.m.IV.78 (Antiphonal)

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    AntiphonalLiturgySaec. xiv - xvSweden?*8 folios. 18.5 x 26.5 cm. 1 column, 11 lines. Ffi.3 and 6 are mutilated, dark spots on ff. V, 2V and 7'. The top off. V has been erased for the cameral headline. 14-15th cc. 1) One red (or vermilion) large initial ornamented with blue hairlines, and 2) one blue ornamented with red hairlines, are visible. Small initials are highlighted with red. Quadratic notation on a red four-line staff, (12 mm, ruled with a rastrum), b rotundum, linea (not many). In many cases the incipit ofi a chant is indicated by a duplex linea. Photograph off. 8" on p. 96. ANTIPHONARIUM. Conforms to Dominican use, Breviarium Dominicanum 1485 passim. Concerning the provenance and the date of the original Ms. it is worth noting that St. Sigfrid and St. Vincent OP (can. 1455) are not observed. Note the remark on an inserted paper leaf written by Dr. Haapanen: "Antiphonale Domin-Aboense 14.(-15.) vs.". F. 1 [Agathae virginisj beginning with the 2nd resp. of the I nocturn, [Vidisti domine] V Propter, but the passage cannot be identified because of the defective state of the leaf. Ends aditiua me of the 1st resp. of the II noct., Ipse me coronauit. Ff. 2-3 [Idem] continuing with the psalm incipit and the differentia of the 3rd ant. of the III nocturn; In cathedra sancti petri ending celis Et of the 9th resp., Qtiodcuiiiqiie ligaucris. v&amp; Only a part of the office is copied here. Ff. 4-5 [Annuntiationis Mariae] beginning dixit ei, the closing words of the verse of the 3rd resp. of the I noct., [Ave Maria V Quomodo], and ending superiicniet of the 3rd resp. of the III noct., Quomodo fiet istud. F. 6 [Idem] continuing [fie]mina iiitulit of the ant. ad Magnificat at II vespers, [Haec est dies];ln communi unius vel plurimorum apostolorum seu vnius euuangeliste in paschali tempore ending in the rubric of the 3rd responsory. resp. in question is no doubt Candidi [facti sunt], because the word Candidi appears as a catchword at the end of the leaf. E 7 [Michaelis archangeli] beginning with the verse of the 2nd resp. of the III noct., [In conspectu] V Deus mens, and ending in the text incipit of the short responsory at terce, Stetit angelus. F. 8 [Commemorationis animarum] beginning with the 3rd ant. of the III noct., Sitiuit aiiima mea, and ending reclemisti cor[pusque] of the last verse (V Creator omnium) of the 3rd resp. of the same noct., Libera me. Two headlines on bif. 7/8. A narrow strip of parchment, originally the outer edge off. 3, was previously bound to a now unknown loose-leaf of a missal. According to a note written by Dr. Haapanen this contained taxes of theyear 1600 from Finland. F. 1' 2392 "Ärliga Rentan och Landbo Lengden affNedresategunden Item K Mtz breff och Copier aff Quittentier Anno etc 1588"."Her vdi finnes och förtärningz Mantall widh Biornbärgz gårdh". F. 2" 2384 "Hans Morthensons Reckenskap För Ärlige Renttan Gerden och Hielpe partzeler sampt förtäringen och Wtspisningen aff Biörnborgz Gårdh vdi Nedra satagunden pro Anno etc 1587"."Förhördh affSighfred Sigfredsson [?] Anno etc 90"."Finland 1587 No 4". F. 4' 2405 "Försegladt Lengdh på Jören Prydzes Ätterstäder aff Nedre Sategunden Pro Anno etc 1590." "No 12". F. 7' Cf. 356. "Anders Nilsons Rekenskap för [...] Silff Peninger och [...] Finlandh ifrä then [...] 1606 [...] Augustj 1607." F. 8' Cf. 356."Anders Nilsons Reke[...| [...] Silff'Penningar och Comuuls vthj [...] 1606".LITURGICAL USE: Probably Dominican; diocese of Åbo also suggested. ORIGIN: Added according to liturgical use.Diocese of Åbo?DominicanSwede

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