Università del Salento: ESE - Salento University Publishing
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The conjugacy classes and commuting degree of the -groups with a cyclic subgroup of index
We compute the number of conjugacy classes in -groups of order and exponent classified by Ninomiya in . This enables us to obtain the commuting degrees of these groups
Prospettive fenomenologiche: verso una città post-smart = Phenomenological perspectives: toward a post-smart city
The essay, grounded in phenomenology, critiques the technocratic paradigm of the smart city, whose algorithmic logic overrides lived experience and proves unsustainable on multiple levels. The Urbanocene is reinterpreted not just as a contrast to the Anthropocene, but as an onto-epistemic condition shaped by hyper-rational urbanization and non-porous architecture. Through Heidegger and Merleau-Ponty, the essay recovers the meaning of dwelling and Boden-the embodied ground of spatial experience-contrasting the smart city with Benjamin's idea of a porous, hybrid urban space. Drawing on Tim Ingold, it envisions a post-smart city marked by relational, open-ended habitability. Central to this vision is urban rewilding, promoting city-nature hybridity and new modes of cohabitation, exemplified in the urban design work of Bernardo Secchi
Biopolíticas del trabajo en Rafael Arévalo Martínez
This paper reflects on the relationship between the power of life and the regulation of work in the short story by Guatemalan author Rafael Arévalo Martínez, “Por cuatrocientos dólares (Un guatemalteco en Alaska)”, published in the seventh edition (1951) of the collection El hombre que parecía un caballo (The Man Who Looked Like a Horse) (1915). Drawing on the studies of Foucault, Deleuze, Gabriel Giorgi, and others on biopolitics, this paper seeks to investigate the fictionalization of the rationalization of life in the productive world—or, in other words, the narrative tension between the power of life and governmentality, the counterpoint between irreverent feasting and the organization of bodily consumption in industrial production. The aim of this work is to define the role of queer aesthetics and baroque style, both in terms of form and content, in the definition of a subalternity (from the point of view of work and social role) as one of the key tensions that characterizes modernity