Jeunesse - Young People, Texts, Cultures (E-Journal)
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State Against the Migrant Child: US Government Systems and Legal Processes in Dealing with Undocumented Youth
Review of:
Boehm, Deborah A., and Susan J. Terrio, editors. Illegal Encounters: The Effect of Detention and Deportation on Young People. NYU P, 2019.
DOI: 10.1353/jeu.2019.0031
 
Negotiating the Hyphens in a Culture of Surveillance: Embodied Surveillance and the Representation of Muslim Adolescence in Anglophone YA Fiction
In the era defined by the war on terror, border security, and increased Western cultural anxiety, the discourses of politics, race, and gender influence the representation of non-normative bodies, notably in the signification of female Muslim adolescent bodies as sites of political, racial, and cultural contestation within a culture of surveillance. Mirroring Western society, Anglophone YA fiction typically privileges white normative portrayals of Western adolescence. Fostered in a culture of suspicion, the revitalized orientalist tropes depict Muslim adolescent girls as bodies to “save,” “fear,” and “Westernize.” An emerging group of YA novels presents a substantive challenge to this tradition by seeking to disrupt patriarchal, white normative conceptualizations of Western adolescence. Through an analysis of Randa Abdel-Fattah’s When Michael Met Mina and S. K. Ali’s Saints and Misfits, this article explores the ways in which the female Muslim adolescent body is constructed as a product of surveillance, problematizing the experiences of embodied surveillance and the complexities of being identified as a part of racialized surveillant assemblages.
DOI: 10.1353/jeu.2020.000
Posthumanism, Parenting, and Agency: A Review of Naomi Morgenstern’s Wild Child
Review of:
Morgenstern, Naomi. Wild Child: Intensive Parenting and Posthumanist Ethics. U of Minnesota P, 2018
Shakespeare Criticism and Performance in Children’s Literature: In Summer Light and Becca Fair and Foul
In this article, I seek to place Zibby Oneal’s In Summer Light and Diedre Baker’s Becca Fair and Foul in dialogue with the body of texts that adapt Shakespeare’s works into literature for children. In each of these novels, young women interpret and adapt Shakespeare’s The Tempest. Both texts are self-reflexive adaptations; the stories themselves resonate thematically and geographically with The Tempest, and yet both are overtly conscious of the process and politics of adaptation containing, as they do, characters who interpret and critique Shakespeare’s text
Board(er) Games: Space, Culture, and Empire in Jumanji and Its Intertexts
Two recent transmedia narratives—Karuna Riazi’s 2017 middle-grade novel The Gauntlet and the 2017 film Jumanji: Welcome to the Jungle—have attempted to reclaim the 1995 film Jumanji’s colonial narrative (adapted from Chris Van Allsburg’s 1981 picture book). Both present forms of the “portal fantasy,” in which a protagonist supernaturally breaches the borders of another world. The Gauntlet transports its Muslim Bangladeshi American protagonist to a fantastical board game, whereas Jumanji: Welcome to the Jungle reconfigures the genre as multimedia immersive gameplay in a fictional “other” realm. Although these reworkings seemingly destabilize white supremacy by centring multi-ethnic American identities, their negotiations with the board game, itself a product of imperial history and a manifestation of the “gamification” of empire (wherein progress is measured by control of the board) complicate this. The creation of an American neo-colonial nationalism through a system of orientalizing these fantastic spaces (the jungle within the 2017 film and Riazi’s clockwork Islamic city) affirms the need for their control or eventual destruction by the protagonists. This effectively creates cultural borders that extend into these fictional spaces, playing out historical systems of empire in a bid to gain access to neo-empire
Integration and Inequality: Mid-1900s Midwest American History, As Told by Modern Youth Literature
Review of:
Cline-Ransome, Lesa. Finding Langston. Holiday House, 2018.
Cline-Ransome, Lesa. Leaving Lymon. Holiday House, 2020.
Cutler, Jane. Susie Q Fights Back. Holiday House, 2018
Those that Fly: Michaela DePrince and the Transnational Politics of Rescue
This article analyzes Taking Flight, a memoir written by former African war-orphan-turned-ballerina Michaela DePrince with her white adoptive mother Elaine DePrince. Through an analysis of DePrince’s narrative, this article seeks to lay out how the privileged international movement of African youths uncomfortably aligns with more violent forms of inter and intra-national movement, including child soldiering as well as the shutting down of borders to other racialized children who do not meet the ideological requirements implied by discourses of childhood innocence. By thinking through the acceptance and rejection of black and racialized children across borders, this article will not only interrogate the Western framework of humanitarianism but also explore how the subjective formations of a rescued African child can either challenge or be contained in service of the hegemonic terminology of human rights that makes her movement possible.
DOI: 10.1353/jeu.2020.000
On Being Haunted by King: An Elegy for Queer Youth
In this elegy for queer youth, the author returns to a photo of Lawrence/Leticia King to reflect on the ways King's life and death provided then and now insights on the promises and perils of queer and trans youth in schools. King has become a part of the past, a shared queer past, but a past that might be used to imagine a future—a queer, a trans, future—for students becoming amidst the halls and classrooms of school.
DOI: 10.1353/jeu.2020.000