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Femiliar: An Artistic Exploration of Feminism Through Comedy
This project seeks to examine feminism through the widely accessible means of comedic performance. I have written, created, and acted in a web series that I established for several reasons: namely, to diffuse information about the oppressions that female-identifying individuals face in their everyday life as well as in the larger scheme of existence, but also to attempt to create a community of intersectional communication and collaboration where women can go to express their grievances and inspirations as well as seek comfort for the issues that plague them by nature of their gender identification. The show, Femiliar, is a sketch comedy web series consisting of one-minute episodes, released weekly, that satirize problematic ideologies pervasive throughout modern society. I have been able to garner hundreds of views on the various videos I have released and hope to continue to inspire a change of thought in people who are not affected directly by these issues, and to foster a sense of hope for those who are. I have addressed common issues such as catcalling and pop culture’s portrayal of women, but also less-recognized problems like oppressive female clothing and the perceived ownership of women by their spouses and fathers
Faith-Based Emergency Powers
This Article explores an expanding phenomenon that it calls Faith-Based Emergency Powers. In the twenty-first century, conservatives have come to rely heavily on Faith-Based Emergency Powers as a legal strategy in the culture wars. This typically involves carving faith-based exceptions to rights of women and LGBT people. The novel concept of Faith-Based Emergency Powers is developed in this Article through an analogy to “traditional” emergency powers. In the war-on-terror, conservatives have argued that judges, legislators and the public must defer to the President and the executive branch in matters involving national security. As scholars have shown, this position has three key components: (1) a rhetoric of war, emergency or catastrophe; (2) a legal argument for suspension of existing human rights; and (3) a designation of decision-makers in real or perceived emergencies who are allegedly more qualified than courts or legislatures to address the national-security emergency. The consequence is temporary suspension of human rights in real or perceived national-security emergencies.
The principal claim of this Article is that in contemporary culture wars, conservative politicians, lawmakers, and litigants have imported these emergency powers rationales to a range of legal contexts including marriage-equality, the Affordable Care Act (ACA), and general antidiscrimination laws. For example, the Supreme Court has recently granted certiorari in the case of a Denver baker who refused to sell a wedding cake to a same-sex couple. In its 2017-2018 session the Court will decide whether an individual’s religious or moral objection to same-sex marriage trumps state public accommodations laws. In this case and in many others, the conservative position typically follows the rationales of traditional emergency powers in (1) applying rhetoric of war and emergency; (2) arguing for suspension of legal rights of women and sexual minorities and; (3) claiming deference to religious or moral dissenters. The end goal, as in the war-on-terror, is to suspend or diminish legally recognized individual rights. The Article concludes that lawmakers ought to defend the rule-of-law and individual rights by rejecting Faith-Based Emergency Powers
Under the Radar: The Cost and Benefits of Wind Energy Through the Lens of National Security
This Article examines wind energy through the lens of national security. The benefit resides with helping the United States become energy independent. National-security concerns also present a cost because wind energy interferes with military radar, posing a potential threat to the systems that monitor possible attacks. This Article attempts to analyze the overall impact of wind energy while noting the inherent difficulties when so much uncertainty is involved in the process.
Part I of this Article discusses the benefits of wind energy. Part II examines its costs, specifically its interference with radar, and what that means for national security. This Part focuses on the fact that wind turbines can cause significant interference with radar, a problem complicated by the disturbing reality that it currently lies beyond the Department of Defense\u27s (DOD\u27s) technological capabilities to determine whether and if such interference occurs. Part III outlines the federal process by which wind energy interference with radar is managed and the mitigation strategies used to reduce the interference. Part IV uses a 2010 wind-energy project in Oregon as a case study to illustrate the uncertainties in calculating the costs of wind energy. Part V discusses the current mitigation strategies employed by federal agencies to reduce the effects of wind development on radar systems.1S Part VI analyzes the hard and soft uncertainties associated with the effects that wind turbines have on military radars.
Finally, this Article concludes that logic and common sense require a precautionary approach to this problem. Until such time as DOD is able to determine whether and to what extent wind turbines cause interference, no new permits for wind-energy developments should issue for installations in proximity to military radar. In addition, current radar facilities should be retrofitted immediately to the extent possible, and additional resources should be devoted to resolving the interference problem
The State of American Juvenile Justice
This article will summarize the major twenty-first century state legislative and case law developments. It will also briefly note the expansion of state and local initiatives limiting the prosecution of youthful offenders, such as diversion and restorative justice programs.
The state of American juvenile justice has improved significantly in the past several years. However, the reforms are best viewed as a work in progress. Much has been accomplished, but much remains to be accomplished. Crucially, after a generation of “tough on kids” measures, we are on the road toward a true “justice” system for children
Mechanical Timepieces & Intellectual Property Protection
This article is meant to give you a basic understanding of mechanical timepieces—not just what they are, but how they are different from one another and why that difference is significant. Watches themselves do not need an introduction; they are ubiquitous and have withstood the peaks and troughs of social inequality and have persisted as a commonality between the rich, the poor and the middleclass since the beginning of their mass production in the 19th century. I focus here on the history of watches within the United States because, ultimately, this is a discussion of their legal protection under United States intellectual property law and not a full history lesson on horology. If you would like to establish a foundation of knowledge for the intellectual property which this article discusses, I suggest first reading of the achievements of individuals such as Christiaan Huygens, Peter Henlein, Patek Philippe and Louis Cartier. This article will focus on two areas of intellectual property, patents and trademarks, and their application to mechanical timepieces
Enforcing the Bargain v. Materiality Requirement: The Future of Disclosure-Only Settlements Post-Trulia
In In re Trulia, Inc. Stockholder Litigation, the Delaware Court of Chancery broke away from its tradition of routinely approving disclosure-only settlements and required disclosures to be material in order to cure the conflict of interest between plaintiff’s counsel and the plaintiff class. I argue that fairness of settlement is the only standard in approving class action settlements and fairness will not be achieved by requiring materiality. Shareholders are legally entitled to all material information, as the board’s fiduciary duty dictates. Thus, material disclosures are enforcement of a legal duty that is no consideration for the release of shareholder claims. On the other hand, fairness could be achieved by enforcing the bargain if the bargaining process was conducted fairly and in good faith. The agency problem and the conflict of interest between the plaintiff’s counsel and the plaintiff class can be resolved by judicial assessment on whether there was adequate representation based on the effort of the plaintiff’s counsel and the appropriate attorney fee award according to the well-established three-scale system in quantifying the appropriate attorney fees. In addition, overbroad releases can be rescinded under the contract doctrines of fraud and unconscionability if such settlements were fraudulently induced or the release is overbroad compared to the benefit that the disclosures conveyed
The Director\u27s Role in the Development of a New Play
Over the course of May 2017 - February 2018, I examined the role of a theatre director in the development of a new play. The play that I directed was written by Brandon Adam, and is titled Nice Jewish X. We developed the play using three different forms of performances as guideposts and opportunities for feedback. The three forms of performance were a closed cold reading, a rehearsed open reading, and a fully staged and produced production. Over the course of this process, I worked closely with the playwright and helped facilitate his creative process, as well as explored what I could bring to a piece that was still in constant flux as I worked with actors and designers to bring the piece to life. Each draft of the play, and each step of the process, allowed me to explore how best to work with the playwright while working toward obtaining the most successful final product.
Most of my results came from looking back at the process in retrospect. I went through my notes and examined the experiences of myself and the rest of the production team. From this investigation I have been able to discern that the director’s role in the development process is one of facilitation of the process, similarly to that of a midwife. The director is meant to usher the play into the world, however it is not their job to create the story or to do the work of the playwright. I find that in my own experience of this process I was mostly successful in this, but I can see the examples of my own oversight and lack of decision making that held the play back from developing even further