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Interview with Paul Riojas, April 29, 2009
No full textThese oral histories were conducted in the Spring 2009 semester of the Mexican American Culture (BBL 3023) course taught by Dr. Marie Miranda. The course is a survey of Mexican American cultural distinctiveness in the areas of biculturalism, cultural production, and social organization. This offering of the course examined Chicana/o popular culture focusing on rock ‘n’ roll
Interview with Bett Butler, April 14, 2009
No full textThese oral histories were conducted in the Spring 2009 semester of the Mexican American Culture (BBL 3023) course taught by Dr. Marie Miranda. The course is a survey of Mexican American cultural distinctiveness in the areas of biculturalism, cultural production, and social organization. This offering of the course examined Chicana/o popular culture focusing on rock ‘n’ roll
Interview with Salome Gutierrez, April 14, 2009
No full textThese oral histories were conducted in the Spring 2009 semester of the Mexican American Culture (BBL 3023) course taught by Dr. Marie Miranda. The course is a survey of Mexican American cultural distinctiveness in the areas of biculturalism, cultural production, and social organization. This offering of the course examined Chicana/o popular culture focusing on rock ‘n’ roll
Interview with Mauro Leija, April 18, 2009
No full textThese oral histories were conducted in the Spring 2009 semester of the Mexican American Culture (BBL 3023) course taught by Dr. Marie Miranda. The course is a survey of Mexican American cultural distinctiveness in the areas of biculturalism, cultural production, and social organization. This offering of the course examined Chicana/o popular culture focusing on rock ‘n’ roll
Punishment for 16 Sins
No full text"For Serie XVI, she created Punishment for 16 Sins, where the main protagonist, a metal object in the shape of a gasket, is being tortured and pulled apart, while other objects observe the punishment from the sidelines. Working with rich ochres, she renders a seductive, yet menacing mood by developing light, space, and depth in the print. She cites ancient Chinese painting, Hieronymus Bosch, and surrealist painting as primary influences." - excerpt from Serieproject.org16 x 22 i