International Journal of Applied Arts Studies (IJAPAS)
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    214 research outputs found

    Study and Analysis the Effect of Pond House in the Structural Formation of Houses in Hot and Dry Climate in Iran

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    Residential houses in the hot and dry climate of Iran are among the valuable and important buildings of this land. Recognition of the shape and physical structure of the hot and dry climates of Iran will not only preserve and restore this precious achievement in the past historical periods of Iran, it will also play an important and useful role in identifying the hidden features and potentials of this building. The present study intends to identify the structural features of the pond in relation to other spaces of residential buildings, to study and analyze how and to what extent the pond is effective in forming the structure of residential houses in the hot and dry climate of Iran. In this regard, the researcher first extracts repetitive morphological features in the pool house space and its effect on the emergence of residential house plans from among ten samples of residential houses with basins that have been randomly selected from the samples of the existing statistical population. In this research, the research method is comparative, historical and interpretive, which have been interpreted inferentially. The tools used in this research include collecting research findings through library and field studies and interviews with experts and masters. The results show that although according to the climatic model, the physical structure of most residential buildings in the hot and dry climate of Iran has a dominant north-south axis, but the location of the pool house is always along the dominant axis of the house; Even in cases where the main extension and the dominant axis of the house in this climate is defined as east-west

    Design of Portable Fabric Pots by Hydroponic Method

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    This article, which has been done by descriptive experimental method, has investigated the possibility of designing cloth pots and the growth and development of plants on the fabric bed. In this paper, the hydroponic method is used and the fabric is first supplemented with ammonium nitrate and two substrate samples are prepared for growing wheat seeds (soil, fabric) with the same conditions and parameters. Then seed growth on each substrate was examined for ten consecutive days. The altitude measured in these ten days showed that the plants had a gradual growth and did not show much deviation compared to the soil bed. Then, they designed fabric vases and in the fabric design of these vases, forms with vertical and horizontal lines, diagonal lines and accordion volumes were used. Also, in the color design section, dark spectrum colors have been used to prevent root rot that does not allow light to pass through, and finally, eight fabric pots have been designed and implemented

    An Overview of the Traditional Weaving of Sistan and Baluchistan

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    Handicrafts are part of the national arts and crafts of Iran, which in addition to economic production aspects, reflects national culture and values, as well as creativity and philosophical insights and artistic tastes of ethnic groups living in any part of the country. In other words, handicrafts and traditional indigenous arts related to handicrafts, in addition to the economic aspect, express the social history of societies and represent the ethnic cultures and arts of the Iranian people. For many people, the concept of handicrafts and what the handicrafts are called, and where the artistic, cultural and economic values ​​of this part of national activity lie, may not be clear, but it is important to note that today, in many countries of the world, even in the most industrialized countries, the economic activity of handicrafts is considered as a basic source for the production of goods, especially export goods, and an important means of creating employment, exports, and so on. In this article, a review of handicrafts and clothing of the people of Sistan and Baluchistan has been studied and the handicrafts and clothing of this people have been studied

    The Comparative Consideration of the Bird’s Role in Textile of “Iranian Al-Buwayh” and “Egyptian Fatimid”

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    This research goal is a comparative analysis of bird’s role in the Al-Buwayh in the Iran and the Fatimids in the Egyptian era. The main question of this research is compilation through library method, what is the difference and similarity of bird’s role pattern in cloths of both historical periods? Research concludes with a descriptive and analytical method. These patterns can be seen more on textiles and silk pieces, draw birds similar to those eras. With the differences of the Iran’s art (Al-Buwayh and Seljukian) have much more capability in drawing patterns, combination patterns with background and patterns drawing instructor adjustment below the eyes. Drawing bird pattern from the front view angle in the Ancient Egypt (Fatimids) art is done much more, but more attention has been given in the Iranian perspective and side view

    Analysis of Published Critiques in Sukhan Monthly Magazine on the Subject of Paintings and their Effect on Iran's Modern Painting Flow from 1943 to 1959

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    The press is one of the most important means of communication due to the rapid reflection of society's news and developments. Following the modernization policies in the Pahlavi era, intellectuals have made fundamental changes in the needs of the Iranian community, especially in the cultural sphere. The publication of art magazines from 1941 to 1978 had an essential role in the cultural revival of society. The authors of these magazines and publications made a significant impact on public opinion through their content and writings. Therefore, the range of such magazines is an essential source of information and various approaches of this period. One of these publications was "Sukhan" Monthly Magazine, established by Parviz Natel Khanlari in June 1943. In the present study, the main issue is focused on how and what influence Sukhan Magazine has on artistic developments, especially on the modernization and expansion of Iranian painting. In terms of purpose, this research is in the category of basic research, and in terms of method, it is based on the descriptive-analytical method. According to the primary purpose of the journal, which is research on visual arts and the introduction of typical painting in Europe and the United States, the results show that the Sukhan Monthly Magazine had been influential in the process of holding exhibitions of paintings and the introduction of modern Iranian painting from the beginning and had a growing trend in that area.   &nbsp

    Comparison of Construction Discourse and Justice in Relation to Collective Housing

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    Collective housing is an emerging phenomenon in the contemporary world that has been able to provide a wide range of societal demands and accommodate a wide range of social groups. Following the Islamic Revolution, contemporary Iranian architecture has arisen in the framework of the republic's political discourse. The government's position on the development of mass and social housing is based on the Islamic Revolution's major priority from an economic standpoint. This study was created with the goal of separating the building and justice discourses and assessing the factor contribution of each discourse on the dimensions of community housing. The research approach is a nested blend of qualitative and exploratory quantitative research that first defines the sorts of discourses before observing the communal housing complexes in each time and their repercussions (disadvantages, benefits). Then, based on the observations of the discourses, 384 space users are given a questionnaire with a Likert scale to evaluate the efficacy of the outcomes. In EnViews software, the findings are examined using inferential statistics. The findings show that constructive discourse has the most impact on outcomes; the elimination of some domestic activities has left the standardization and disregard for ecology with a value of (1,000) with least impact on rent provided ownership with a value of (0.258), but has the greatest impact in the justice-oriented period. The discourse of beauty and integrity, with a value of (1,000) has the most influence and the least impact on the discourse of marginalized people, a significant fall in construction quality, acceleration of building, and underutilized areas (0.116)

    Investigation and Analysis of Jungian Archetype and its Indication in Architecture

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    Architecture is a mixture of science and art. Accordingly, there is always moving between the two poles of sense and sensibility. There is always something new to discover and interpret in artifacts. Theorists in aesthetics and psychology believe that many architectural forms have cultural, sociological, philosophical, psychological, etc. meanings higher than their functional values, which can be expressed through the structure of architecture. Carl Gustav Jung, a Swiss psychoanalyst and founder of the School of Psychoanalysis, by studying dreams, sacred texts and myths, could reach archetypes in the human psyche that have been repeated throughout the history of human life in art and human works. Jung believes that there is a psychological system that has a collective, universal, and impersonal nature that is common to all human beings. This collective unconscious does not grow individually but it is inherited and consists of pre-existing forms, ie archetypes. The purpose of this article is to answer the question of how to understand its reverberation in the structure of architecture from an accepted value in the field of psychoanalysis. Based on the nature of the research, this research is qualitative and has been done by descriptive-analytical method. The results of the research indicate that in fact, part of architecture as art is a symbolic expression of the collective human psyche and transforms its mental contents into matter. Architecture occupies two thresholds at the same time; First, structural, industrial and material reality, and second, abstract, semantic, artistic and spiritual

    Evaluation of University Education in Architecture at the Undergraduate Level from the Viewpoint of Professional Needs and Employment

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    Architecture education has long been related to many topics. The assortment of these topics and their correct arrangement in the learning process has been one of the key subjects in forming educational systems and the description of courses in this university major. Simultaneously, the effectiveness of an educational system in educating people in the work environment is another concern that is considered as a measure of the quality of the same educational system in public judgment. This study aims to recognize the areas of employment and capabilities affected by the areas of knowledge and skills that each job position requires. To this end, in terms of their relationship with each skill, the arrangement and planning of architecture courses are valuable for qualitative and quantitative review. Under a qualitative paradigm and with a logical reasoning approach, the current research tries to understand the relationship between effective parameters in the common fields of employment of architecture graduates with approved courses in the discontinuous bachelor's degree. For this purpose, the researchers use a pairwise analogy of skill-specialized parameters of architectural employment and hierarchical analysis to measure the frequency of courses and the weighted frequency of the criteria. The description of the approved courses as the most effective upstream plan in the architecture education system has a rigid and inflexible body that, while not responding to creating effective areas to reinforce the students’ ability to enter numerous fields of employment due to their central vision, has caused a waste of student time while studying and learning topics that they do not use in a professional environment as provided. On the other hand, the top graduates of this educational system are very similar in terms of similar learning; they have a lot of competition in limited fields

    Comparative Analysis of Vernacular Passive Cooling Techniques in Hot Humid Regions

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    Understanding the vernacular architecture is recognizing the limitations and capabilities of the region's climate; in fact, a direct response to existing contexts and resources includes the materials and techniques. The architecture of warm and humid climates also has a particular architectural style, previously used to achieve a sustainable architecture. However, few studies have been conducted to identify vernacular architectural features and their role. The southern edge of Iran has one of the most critical climates in the world. So, cognition and extraction of similarities and differences between the vernacular architecture of Bushehr region with similar climatic zones in other countries in passive cooling techniques, provides suggestions for improvement in this area. In conclusion, these techniques are compared with Bushehr in two categories of natural ventilation and radiation and heat control in areas known to be warm and humid in four countries including Iran, Vietnam, Oman and Malaysia

    Discourse Between Body and Clothes as an Object

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    Considering all the functions that have always redefined their existential meaning, the objects have also had deeper and inner functions, and sometimes some theorists and researchers such as "Germas", "Fontaine" and "Landowsky" They have rewritten these internal functions and caused the emergence of new strains (or level) of attitude (or theory) towards this direction. For a long time, artists have looked at all subjects and objects around them with a different attitude than the common people, and therefore have redefined the world around them differently. They bring out the invisible meanings that are hidden in the depth of each object with a sensory and inner look and with perceptive digestion and show the connection between the objects and redefine a new identity for the objects. The human body is full of tangible and intangible sensory and perceptual experiences, and it is full of words (or theory) alone. When this utterance (or statement or speech) is combined with the physical experience of another object such as clothes, the meaning of all its experiences is redefined and each one appears in a cocoon of another definition. The body is no longer a body with limited uses, and everything that is in contact with the human body is no longer a simple and functional object, but every object, after interweaving, harmonizes with the body and creates a new perceptual world. In her phenomenological views, "Horsel" puts forward the theory of the body in relation to the subject with sensory perceptions, and "Landowsky" continues by defining the semantic system of coincidence and its application. The purpose of this research is to investigate the relationship between body and clothes as two objects of the same word at that moment. In other words, the main question of this research is how clothes as a man-made and non-dynamic object and body and body as a created and dynamic object enter into discussion with each other in a discourse semantic system and how this discourse is transcended. During the course of the research, relying on the theories of "Merleau-Ponty" and "Eric Landowsky", the interpretation of the meaningful relationship between the body and clothes in the dimensions of Merleau-Ponty's perceptual world is expanded in a descriptive and analytical way. Finally, in this article, it has been determined that body and clothes both influence and give meaning to each other in a transcendental system. Each complements the other and gives new dimensions to each other. Both reveal the inner and undiscoverable meanings of each other and turn that stillness inside each other into ecstasy and dynamism

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    International Journal of Applied Arts Studies (IJAPAS)
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