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Everyone Learns, Nobody Changes : Images and the Ideal in Anna Karenina and Closer
The main characters in Leo Tolstoy’s Anna Karenina and Patrick Marber’s Closer literally and figuratively surround themselves with images of themselves and others that define how they choose to see and be seen. Using the framework of Tolstoy’s What Is Art?, this paper evaluates how these images affect the characters’ relationships with one another. Tolstoy writes that art should enable humanity to pursue an ideal of unity with one another, but the characters’ ideals are more self-centered, making it so that the images they use prevent them from authentically connecting with each other. Proximity with suffering and death can tear down the characters’ images, providing the opportunity for more authentic connection
Macbeth
The playbill for Taylor University\u27s performance of Macbeth by William Shakespeare.
Performed February 24-26 & March 3-5 2023 at the Mitchell Theatre.
Macbeth is a tragedy that delves into themes of ambition, power, and guilt. The play follows the rise and fall of Macbeth, a Scottish nobleman, who is driven by a prophecy from three witches and the manipulative encouragement of his wife, Lady Macbeth. After murdering King Duncan to seize the throne, Macbeth\u27s reign is marked by paranoia and tyranny, leading to further bloodshed and his eventual downfall. The play explores the psychological effects of ambition and the moral consequences of unchecked power.https://pillars.taylor.edu/playbills/1380/thumbnail.jp
Perception of Physical Safety Among Non-White College Students
Non-White college students in the United States have a lower perception of physical safety than White students. Colleges around the United States have significant indicators of safety and have some attitudes of fairness. They need to grow in creating avenues for communication, fostering non-White sense of belonging, addressing bias, and installing policies that validate perspectives of diverse students