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    Does the church in Scotland still need theology?

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    Liam Fraser’s prize-winning essay takes the approach of standing back to question the question of whether the church needs theology. This takes the form of investigating what the church in Scotland is like now, and also what theology has become and might become within it

    "The Theological Education of the Ministry: Soundings in the British Reformed and Dissenting Traditions" by Alan P. F. Sell

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    Review ofAlan P. F. Sell, The Theological Education of the Ministry: Soundings in the British Reformed and Dissenting Traditions (Eugene, Or.: Pickwick Publications, 2013

    Fraser Prize essay 2014: views of the reading panel

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    Views of the reading pane

    Feet on the ground: ethnography of West Sands

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    WHO ARE WE TO JUDGE?

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    Moral issues can be considered from three vantage points: the first is prescriptive, the second descriptive and the third ascriptive. The prescriptive view claims that certain principles ought to guide human behaviour. The descriptive view is a ‘view from nowhere’. It can be found in the historical and social-scientific study of morality. The ascriptive perspective hypothesises that certain human qualities, a fairness instinct for example, provide the bedrock for morality. What is the relationship between the three perspectives on morality? Can either (or some or all) of them supply a moral voice and vision for anthropology? Or is there something in their very coexistence that could carry forward the anthropological engagement with morality

    The Tools of War and Industry: The Erasure of the Family in Käthe Kollwitz\u27s Der Krieg

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    Käthe Kollwitz is unquestionably one of the most significant artists of the modern period. As seen through her 275 prints, Kollwitz’s visual language is both poignant and universal, allowing for lasting international acclaim. Traditionally, her work has been overshadowed by readings of her subject matter as a nearly fanatical obsession with the tragedies of life. Indeed, her persona has become entangled in a myth of self-torment and oppression. This article argues for the existence of a polarity within her work which has rarely been explored before. This polarity is revealed in several of her works including one of her most celebrated series, Der Krieg. I evaluate Kollwitz’s work beyond the simple answer of human emotions, in the process revealing a complexity beyond just tragedy. Kollwitz was always a political artist and her work is saturated with radical ideas concerning women, the role of the family, and the public sphere. Apart of a larger work, this article tries to examine the series, Der Krieg as a predecessor to the concepts often linked with modern feminist thought. I argue that Der Krieg challenges the stability of the nuclear family by highlighting the necessity of the community. This challenge aimed to free women from their domestic chains, thereby adding domestic life to Germany’s national reforms following World War I. Kollwitz once stated that she wanted “to cultivate the seed that was placed [within her] until the last small twig had grown.” Her artworks, spanning four decades, have continued to serve as the seeds for other’s ideas and implanted within many viewers ideas for a better future

    Park Fiction - a participatory artistic park project

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    The extraordinary green recreational area Park Fiction was proposed, planned, and established by a group of artists, residents, and local institutions in Hamburg from 1994 until 2005. The project was financially supported with public funds from the programme Art in Public Spaces sponsored by the Hamburg Department of Culture. The special combination of art and social work of the group has been seen as an important one and was honoured with an invitation to present Park Fiction at the documenta 11 in 2002. The basic conditions and the main phases of the eleven year history of the project are outlined in the text. Difficulties and helpful conditions are analysed. Special regard is given to the combination of social work and art in the project. The significance of the project for the careers of the project members is also taken into account. At the end, the subtle instrumentalisation of the park within the gentrification process of Hamburg is considered

    Welcome to a new issue of Ethnographic Encounters!

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    Does the church in Scotland still need theology?

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    In this paper, which was highly commended by the Fraser Prize 2013 Reading Panel, Jason Radcliff argues that the church should be theologically conditioned as the Body and Bride of Christ. Following Athanasius, Dr Radcliff argues that theology is the work of the Spirit who enables human understanding of God, allowing us, as Calvin maintained, to be ourselves. He concludes by emphasizing the necessity of theology in preaching and in discussions regarding the nature of ministry

    "Face of the Deep: A Theology of Becoming" by Catherine Keller

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    Review of Catherine Keller, Face of the Deep: A Theology of Becoming (Lodon; New York: Routledge, 2003

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