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    Preface

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    Preface to VOL 8, NO 2 (2016) of Syria Studies by Omar Imady

    PROPERTIUS’ PROGRESS OF ROME: ELEGIES 4.4 AND 4.9

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    The fourth book of Propertius’ Elegies marks the progress in the genre of elegy itself, introducing an aetiological aspect. Αt the same time Propertius’ poetic voice expands in order to include a number of different mythological voices. Elegies 4.4 and 4.9 are two representative examples of this, giving voice to Tarpeia and Hercules. The current paper aims to show the progress in the literary figures of Tarpeia and Hercules: Tarpeia will be given her own voice for the first time, inscribing herself in elegy, while an epic struggle of Hercules with Cacus will be replaced by that of Hercules with elegy. It will also be argued that, apart from employing the same literary background, these two elegies are connected through the motives of conflict between female and male, elegy and epic, space and space, and also through the game of appearance and social status. Propertius plays with the expectations of the reader, well acquainted with the 8th book of Virgil’s Aeneid and Livy’s Ab Urbe Condita, and like a new Evander, he takes us on a journey in time, giving his own account on the progress of locus in Rome. Going backwards in time, from the story of Tarpeia to the one of Hercules and Cacus, the progress in the formation of contemporary Rome and its most recognizable monuments is seen by Propertius as a result of a struggle between mythological figures, who wish to gain access to different genres: the elegiac Tarpeia in the epic space of the epic Tatius and the epic Hercules in the elegiac worship space of Bona Dea.

    Editorial

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    “A Celtic Christology: The Incarnation According to John Scottus Eriugena” by John F. Gavin

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    Review of John F. Gavin, A Celtic Christology: The Incarnation According to John Scottus Eriugena (Eugene, Or.: Cascade Books, 2014

    Film in church: Education, entertainment and outreach

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    Dr Robin Hill’s interest in using film to develop the life and work of the parish church was sparked by an assertion made by a fellow minister that the cinema had superseded the church as the place in Scottish public life which offered people a forum for considering spiritual and ethical issues. In this immensely practical paper he describes how his congregation set up a film club with the aim of retaking some of this lost ground. Included are an outline of the legal requirements to be considered with a venture of this kind; a list of films that worked well in stimulating serious discussion; and creative ideas on using film to enable churches to engage more deeply with their local communities

    Welcome to the latest issue!

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    The Framing and Constructing of Edinburgh as a \u27Magical City\u27 for Harry Potter fans

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    Book Review - Lil-Tarikh wa-al-Dhikra, Qisat Jihad wa-‘Umur (For History and Memory, the Story of a Struggle and a Life) By Badr Deen Challah

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    Book Review of a work by a prominent Syrian merchant who forged an alliance with Hafez al-Asad

    Inked: The Formation of Identities and Social Relations in a Dundee Tattoo Studio

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    Going the Distance: Stories and Displacement - encountering experiences of German migrants

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