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    1414 research outputs found

    Review: Jaimie Baron, Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era

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    Review: Eric Smoodin, Paris in the Dark: Going to the Movies in the City of Light, 1930-1950

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    Trading with the Enemy in the Great War: The Directors of William Jacks and Company in Glasgow

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    This article considers the delicate circumstances arising from the outbreak of the Great War and existing trade at the immediate date of the declaration of war. The decision to prosecute, or not to prosecute, for criminal charges is never easy but it is all the more problematic and sensitive when the immediate context is national high politics

    "Disability: Living into the Diversity of Christ’s Body" by Brian Brock

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    Review of Brian Brock, Disability: Living into the Diversity of Christ’s Body (Grand Rapids, MI: Baker Academic, 2021), pp. xxii + 180, ISBN 978-154096297

    Review: Greg Garrett, A Long, Long Way: Hollywood\u27s Unfinished Journey from Racism to Reconciliation

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    Besideness: distance and proximity as queer disorientations to inhabit projective moving image installations

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    This article explores the experience of disorientation within projective moving image installations through a case study of the artwork Swinguerra (2019) by Barbara Wagner and Benjamin de Burca. The encounter with the case study evoked an experience of disorientation due to the confusing process of deciding which way to look, which room to enter, which side to walk towards in the art gallery. Engaging with music video aesthetics, this case study portrays Brazilian queer dance groups that work with popular music from the northeast of Brazil. Rather than representing these bodies, Wagner and de Burca speak nearby to them through a besideness attitude, allowing the dancers to speak for themselves in the film. Besideness comprehends an attitude that destabilises normative positionalities to challenge binarisms and hierarchies that can privilege the experience of some bodies to the detriment of others. I employ a queer phenomenological and autoethnographic methodology to explore the fleeting disorientated moments that emerged in the live encounter with this artwork. This is to account for an analysis that considers self-narration and autobiographical notes of a queer researcher as queer methods appropriate to approaching disorientation as a queer affective experience. I argue that my physical and affective positionality in relation to the two projective moving images located in the art gallery affected the other bodies I shared the space with, leading to the necessity of also employing a besideness attitude and demonstrating how distance and proximity from objects can only be understood if in relation to each other

    Queer Temporalities: Boredom and Bodily Intelligence in Early Italian Slapstick Comedies

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    The adoption of cross-dressing by male characters in Italian comedy films of the 1910s has previously received little critical attention. Far from being isolated representations of queer behaviour, cross-dressing was more prolific both on-screen (and off) than was previously thought.   Within the early comedy canon lie the male-female cross-dressing films where the narrative is suspended to allow the audience to gaze upon the cross-dressed character. These films offer audiences a trans-perspective as their gaze is directed by the cross-dressed character to the transgendered body. The queerness of these films lies not only is the visibility of the queer characters but also in the productivity of the queerness. The film itself becomes queer as the narrative economy is replaced by a luxuriating of the queer body.  For the spectator a conflict occurs as the cross-dressed character’s visibility, through the materialisation of the body, disrupts the perception of a trans-corpo-reality. Exposure of the cross-dressed character ruptures the heteronormative construction of the cinematic space. In the early Italian comedy films, knowledge of the cross-dressing comic star is the visibility that threatens the transgender character. The queerness of the cross-dressed character in Italian comedy films opens up temporalities and suggests the possibility of different modes of living, and of reading film texts. This paper argues that the popularisation of the cross-dressed male served as a transgressive force that provided an articulation of social tolerance in Italy at a time when gender roles were undergoing renegotiation.&nbsp

    “Gregory of Nazianzus’ Soteriological Pneumatology” by Oliver B. Langworthy

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    Review ofOliver B. Langworthy, Gregory of Nazianzus’ Soteriological Pneumatology, Studies and Texts in Antiquity and Christianity 117 (Tübingen: Mohr Siebeck, 2019), pp. xii + 187, ISBN 978-3161589515. £74.2

    “Marriage, Scripture, and the Church: Theological Discernment on the Question of Same-Sex Union” by Darrin W. Snyder Belousek

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    Review ofDarrin W. Snyder Belousek, Marriage, Scripture, and the Church: Theological Discernment on the Question of Same-Sex Union (Grand Rapids, MI: Baker, 2021), pp. xxi + 330, ISBN 978-1540961839. £21.9

    Digital Research and COVID-19: An Argument for using both Primary and Qualitative Secondary Data in a Hong Kong Ethnography

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    This paper addresses the challenges of conducting theological ethnographic fieldwork during COVID-19, and proposes a solution of incorporating qualitative secondary data from online databases. The author draws from her experience in conducting her doctoral research in Hong Kong to explore the issues of whether ethnographic fieldwork has to be in a physical space, and how qualitative secondary data from online databases can be used. The study employs a methodology in which lived theology informs and shapes written theology. This paper asks whether being physically present in a field site is still necessary for conducting ethnographic fieldwork, since the pandemic has shifted much of human interactions online. The author argues that physically being in a field site is still necessary to build rapport with the community. This paper also considers the use of existing qualitative secondary data in conducting ethnographic field research. The author sees using qualitative secondary data as more than a way to overcome obstacles set by pandemic restrictions. Researchers who can access under-used data sets can triangulate with their primary data to give stronger support to their arguments

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