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Publication Document: Chen Danqing: Painting after Tiananmen
This is an English announcement by the Department of Comparative Literature, the University of Hong Kong on the publication of the gallery catalog Chen Danqing: Painting after Tiananmen , edited by Ackbar Abbas. It provides a brief introduction of this catalog and several works by the artist are printed in back-and-white. (Yifan Shang \u2725)https://digital.kenyon.edu/zhoudocs/1482/thumbnail.jp
Great Kings of Africa (8/12): Taharqa
Text indicates that the image is of Taharqa - King of Nubia (710-664 BCE)
No.8 of 12 of the Great Kings of Africa Serieshttps://digital.kenyon.edu/arthistorystudycollection/2685/thumbnail.jp
Great Kings of Africa (11/12): Moshoeshoe
Text indicates that the image is of Moshoeshoe - King of Basutoland (1815-1868)
No.11 of 12 of the Great Kings of Africa Serieshttps://digital.kenyon.edu/arthistorystudycollection/2688/thumbnail.jp
Autonomy of Sculpture 雕塑的自觉
In this article, the author, Li Xianting, discusses the autonomy of sculpture within a modern art context. To the author, the show, Sculpture 1994 addressed the issue of the autonomy of sculpture which is a landmark to the transition of artistic conception since the 1980s. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1434/thumbnail.jp