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About My Body Experiment
This letter was submitted to the archive by the artist himself. In it he describes the thought processes behind his \u27Body Experiments\u27, a series of artistic performances. His \u27Body Experiments\u27 are filled with existential questions and often involve nature. The artist is also known to play with intimacy, as shown in his Kinds of Contact series. This letter is written in a poetic, haunting style that supplements his cerebral performance acts. (Nicole Wang \u2726).https://digital.kenyon.edu/zhoudocs/1440/thumbnail.jp
DEAR ADA: An Archive of Memory, Migration, and Mooring
DEAR ADA: An Archive of Memory, Migration, and Mooring reaches toward my possible and spiritual self. In this essay collection, moving from a more traditional CNF voice to more experimental fragments that formally mimic a sinking inward, I ponder what it means to create opacity as a liberatory language. I experiment with how to build a house for people you love without colonial settlement, or if that is ever possible. I explore how we avoid becoming consenting subjects of the Empire through sinking and through embracing insanity. I question the so-called correct collective memory imposed by the violent construction of historical archives and I attempt to make my own archive, bearing witness to History around me in both PRC and the U.S.. This thesis is inspired by many decolonial theorists and disability scholars, especially Édouard Glissant, Michel-Rolph Trouillot, Leah Lakshmi Piepzna-Samarasinha, and Sara Ahmed. I believe Indigenous spirituality paves the path for liberation, and you, Ada — simultaneously a mother, a doula, a spirit, a mad woman, an ancestor, a sibling, a descendant, and last but not least, myself — bring me closer to our liberatory future every day
Seated Four-Armed Ganesha
Orange, elephant-headed, four-armed Ganesha seated outside.
This record consists of 12 copies.https://digital.kenyon.edu/arthistorystudycollection/2695/thumbnail.jp
Essay: Is Action Art an Action or Art? 论文:行为艺术是行为还是艺术?
This essay, titled Is Action Art an Action or Art? , discusses how action art should be a form of art first, rather than being a form of pure action. Zhang Huan\u27s work 65 kg is used as an example to reflect the social impact of action arts. The writer emphasizes the importance of having cultural or artistic implication in a work, rather being a pure series of action. (Yifan Shang \u2725)https://digital.kenyon.edu/zhoudocs/1477/thumbnail.jp
Biography: YU YouHan
A biography is included in this document, which introduced basic information, major works and exhibition experience. Then, it follow up with a artist statement covered the artist\u27s thought in different artistic period. There are two major series that the artist has been working on till nowadays: the Circle series and the Mao Zedong series. The artist provided justification to two works. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhoudocs/1412/thumbnail.jp
Artist -- Yang Ke-Qin Art Exhibition
This is an article describing one of Yang Ke-Qin\u27s art exhibitions. (Nicole Wang \u2726).https://digital.kenyon.edu/zhoudocs/1403/thumbnail.jp
Subverting the Still Life as a Subject 静物的颠覆
This article was about Yang Ke-Qin\u27s artwork, written by Yin Shuangxi, and published in Wen Yi Bao (Literature and Art Newspaper) in the 1990s. For more information on the Faucet painting: https://digital.kenyon.edu/zhou/448/ (Nicole Wang\u27 26).https://digital.kenyon.edu/zhoudocs/1401/thumbnail.jp