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The Present Absence: Eyewitnesses, Pilgrims, and the Anastasis Rotunda in the St. Albans Psalter
Get PDFKenyon College Course Catalog 2024-2025
Get PDFhttps://digital.kenyon.edu/coursecatalogs/1217/thumbnail.jp
Great Kings of Africa (4/12): Shaka
No full textText indicates that the image is of Shaka - King of the Zulus (1818-1828)
No.4 of 12 of the Great Kings of Africa Serieshttps://digital.kenyon.edu/arthistorystudycollection/2681/thumbnail.jp
Shiva and Parvati with Ganesha and Skanda
No full textThis record consists of 11 copies.https://digital.kenyon.edu/arthistorystudycollection/2700/thumbnail.jp
Exhibition Catalog: ZHANG Hong-Tu
Get PDFThe exhibition catalog mainly consisted of an interview between Lydia Yee and the artist about the exhibition Zhang Hongtu: Material Mao , which took place in the Bronx Museum of Arts, New York from October 13, 1995 to January 14, 1996. Several selected works in the Material Mao series, a list of the works in this exhibition and a brief resume of the artist are included in the catalog. (Yifan Shang \u2725)https://digital.kenyon.edu/zhoudocs/1469/thumbnail.jp
Poster: 25mm Diameter Rebar 海报：25mm 螺纹钢
Get PDFThis poster is about the artist\u27s action art 25mm Diameter Rebar , which took place in a constructing building in Beijing on April 30, 1995. Written in German, it is titled A Lot is Risked in Beijing , with its subtitles stating Western-style art is also gaining a foothold in China’s capital: locals like Zhang Huan and returning emigrants like Zhu Jinshi (Berlin) and Lin Tianmiao (New York) provoke the authorities with their actions . (Yifan Shang \u2725)https://digital.kenyon.edu/zhoudocs/1473/thumbnail.jp
Essay: CHINAS AVANTGARDE 论文：中国的先锋艺术
Get PDFThis essay, written in German by Sam Ping Hiller, discusses the Avant-Garde art and artists in China in the 1990s. It states how artists have shown a rebellious attitude towards the political and economic pressure through their works, using Zhang Huan as the example. This essay was published in Schwarze Seiten , a German magazine, and has a photo of Zhang Huan\u27s 65 kg attached to the article. (Yifan Shang \u2725)https://digital.kenyon.edu/zhoudocs/1474/thumbnail.jp
A Man Named Solomon Came to China 中国来了个索罗门
No full textAn image of Andrew Solomon, a New York-based writer who wrote on Chinese contemporary art in the 1990s (See Yan ZHOU, A History of Contemporary Chinese Art: 1949 to Present, 2020, Springer, p.283), rowing on a boat which is inscribed “The New York Times Magazine” is painted on the paper. At the right side of the work, the artist writes “The great Mr. Solomon came to distant China and made very sharp observations about the mind of the people in this remote country.” According to the artist, this work implies that China is marginalized and is considered far away from the center of the world art (Lecture by Zhou Tiehai - Placebo-Swiss at Hara Museum, https://shanghartgallery.com/texts/zhoutiehai5.htm). (Yifan Shang ‘25)https://digital.kenyon.edu/zhou/1589/thumbnail.jp
VOGUE
No full textThe collage-like photo as the cover of VOGUE magazine divides the painted image into two parts: on the left is a female sitting on the back of a motorcycle, We can not afford it is written by the painting; and one the right is a man riding in the front of the motorcycle. We do not feel comfortable is written on top of the work. In the center, a black-and-white photo of some Qing Dynasty ladies is set as the cover image of the VOGUE magazine. (Yifan Shang \u2725)https://digital.kenyon.edu/zhou/1591/thumbnail.jp