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Kenyon College: Digital Kenyon - Research, Scholarship, and Creative Exchange
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    PEAK : An AI Voice Coach for Emotion-Aware Performance Tracking in High-Stakes Fields

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    High-stakes performers, such as athletes, artists, and professionals, often lack tools that integrate objective performance metrics with subjective mental states. This disconnect can hinder effective training and optimization. PEAK addresses this gap by combining customizable performance analytics with real-time emotional insights via Hume\u27s Empathic Voice Interface (EVI). Through natural voice interaction, PEAK correlates emotional expression with performance data, enabling personalized feedback and data-driven reflection. The platform empowers users to understand their emotion-performance dynamics and develop targeted strategies for sustainable peak performance

    Philippines 07: Future Predictions

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    Directed by Sam Pack, edited by Eunseong Seo (’28)

    Sarayburnu

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    https://digital.kenyon.edu/arthistorystudycollection/2760/thumbnail.jp

    Umayyad Mosque

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    https://digital.kenyon.edu/arthistorystudycollection/2786/thumbnail.jp

    New Mosque

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    https://digital.kenyon.edu/arthistorystudycollection/2776/thumbnail.jp

    Jemaa el-Fnaa, Kutubiyya Mosque

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    https://digital.kenyon.edu/arthistorystudycollection/2796/thumbnail.jp

    Alhambra, Interior

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    https://digital.kenyon.edu/arthistorystudycollection/2799/thumbnail.jp

    Chaharbagh School, Silver Door

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    https://digital.kenyon.edu/arthistorystudycollection/2810/thumbnail.jp

    Great Mosque of Djenné

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    https://digital.kenyon.edu/arthistorystudycollection/2819/thumbnail.jp

    Collection of Zhuo You-Rui\u27s work (Y. j. CHO) 卓有瑞

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    This collection presents an essay on the artist Zhuo Yourui (Y. J. Cho), New York-based Taiwanese woman artist, titled The Wall of Life , by Cheng Mingzheng, which discusses the “anti-Western” role of Zhuo’s art within a postmodern context. The book includes her Wall Series, which is a series of 23 oil paintings depicting walls, with an objective and meticulous gaze to capture the minute textures of the wall, and to faithfully render the shifting appearances of this motif under different conditions of light and shadow, followed by another essay, In the Shadows and Cracks: Viewing Y. J. Cho\u27s Paintings in Taiwan, by Wang Jiaji, plus the artist\u27s resume. (Zhuocheng Jiang \u2726)https://digital.kenyon.edu/zhou/1698/thumbnail.jp

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    Kenyon College: Digital Kenyon - Research, Scholarship, and Creative Exchange
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