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Gospel Band
Ensemble Director:
Cassandra O’Neal
Optimistic
Lead vocals:
Alicia Chestang
Danielle Crim
Vocals:
Skyla Blumenscheid
Rani Bynum
Joshua Emmanuel
Mal Freyvogel
Mauricio Guerrero
Caleb Hester
Lekayla Hill
Huiyao Huo
Brynne London
Micah Mixon
Eunkyung Kim
Band:
Khalif Alston- keys
Hyeong Woo Jung- guitar
Marcel Lockhart- drums
Tim Wenzl- bass
Marcellus Williams- keyshttps://digitalcommons.colum.edu/blackalbummixtape/1008/thumbnail.jp
Guide to the Lisa Brock Anti-Apartheid Collection
This guide describes the organization and scope of the Lisa Brock archival collection, housed within the College Archives & Special Collections at Columbia College Chicago. An element of the Chicago Anti-Apartheid Movement Collection, the Lisa Brock Collection is comprised of materials related to Dr. Lisa Brock’s time as a community activist
For Eunice - Bread On Fork
For Eunice - Bread On Fork
Director: Typhanie Coller & Nick Tremulis
Members: Bea Fuadin - Vocals Mary James - Vocals Stephen Ryan - Guitar Matt McGrath - Bass Sam Nesin - Guitar William Penne - Drums James Gotshall - Producer
Song Title: For Eunice
Composer: Bread On Fork
Lyrics: Mary James
Statement:
I wrote this song after I watched a documentary about Nina Simone. I learned that Nina’s name at birth was Eunice Waymon. I was inspired by all of the injustices of 2020 and how I felt like I was Eunice. I saw what was going on, I was scared about what that meant for me, and my black experience and I immediately went to jump to action and didn’t allow myself to grieve. If Eunice had been given permission to cry and be vulnerable, her life may have been less tumultuous, and her activism may have not come at the cost of her mental health. If someone had just given me permission to cry and be vulnerable sometimes, I would be better now. This is a love song not only to Eunice but to little black girls everywhere. This song tells them that with all of the pain and sadness going on in the world, they don’t have to be so strong all the time. Eunice should have been allowed to cry, I should have been allowed to cry, they are allowed to cry. - Mary Jameshttps://digitalcommons.colum.edu/blackalbummixtape/1013/thumbnail.jp
Authoring Culture Audio, Chapter 03: Arrangement
A podcast to accompany chapter three of Authoring Culture: Foundations of Twenty-First Century Writing. Columbia College Chicago faculty members Brendan Riley and Karl El Sokhn explore a key concept in writing, and Karl chats with students Vadym Valihun and Lila Kelley about their take on the idea. Length: 12:28.https://digitalcommons.colum.edu/authoring_culture/1002/thumbnail.jp
2024 Manifest Arts Festival video
A student-produced video of the 2024 Manifest Arts Festival featuring the art and performances of graduating students and graduate students. Each video is accompanied by original student music and vocals. Length: 03:19.https://digitalcommons.colum.edu/cccmanifest/1016/thumbnail.jp
Authoring Culture Audio, Chapter 07: Field
A podcast to accompany chapter seven of Authoring Culture: Foundations of Twenty-First Century Writing. Columbia College Chicago faculty members Brendan Riley and Karl El Sokhn explore a key concept in writing, and Karl chats with students Lila Kelley and Vadym Valihun about their take on the idea. Length: 14:32.https://digitalcommons.colum.edu/authoring_culture/1006/thumbnail.jp
Authoring Culture Audio, Chapter 09: Image
A podcast to accompany chapter nine of Authoring Culture: Foundations of Twenty-First Century Writing. Columbia College Chicago faculty members Brendan Riley and Karl El Sokhn explore a key concept in writing, and Karl chats with students Fernanda Freaner and Ryan White about their take on the idea. Length: 12:03.https://digitalcommons.colum.edu/authoring_culture/1008/thumbnail.jp
Guide to the Micah Salkind Collection
Dr. Micah Salkind is a DJ, sound designer, curator, and author of Do You Remember House? Chicago’s Queer of Color Undergrounds for which these oral history interviews were collected. There are 58 interviews available online with 61 people about “house music, the rhythmically focused electronic dance sound born in the post-industrial maroon spaces of Chicago\u27s queer, black, and Latino social dancers.” The interviews are with DJs, musicians, club owners, and publishers and were completed over the course of two years, 2013-2014.https://digitalcommons.colum.edu/cmbr_guides/1054/thumbnail.jp
Guide to the Reginald L. Davenport House Music Collection
Reginald L Davenport came of age to the sound of hot mixing Chicago radio DJs during the 1980s and he carried his love of house music to the United Kingdom when he left home to serve in the armed forces abroad, DJ’ing around England when he wasn’t on base. The collection contains flyers primarily from the United Kingdom of house music venues in which he DJ’ed, tapes of his mixes, and documents related to his work.https://digitalcommons.colum.edu/cmbr_guides/1049/thumbnail.jp
Mental Health on College Campus\u27 feat. Regina Taylor
Professor Susan Imus & her class are joined by Regina Taylor to ask the question, What are the issues and remedies in self care and support? .https://digitalcommons.colum.edu/blackalbummixtape/1037/thumbnail.jp