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Other Side of the Screen 3
WHAT THIS SUBJECT? I chose to portray the difficulties that both teachers and students are facing right now during the pandemic, because I\u27ve seen both nearly firsthand, being a student, and also seeing my mother, who is a teacher, struggle with bringing work home and the difficulties that come with educating and learning in a pandemic.
WHAT SHOULD WE KNOW ABOUT THE WORK? Each of the three images has a parallel issue on both sides. In image 3, for example, both the teacher on the left and the student on the right are having issues getting work done, while also balancing responsibilities. I chose to include the same bold message in each image to connect the pieces, and also to boldly and simply state my message, which is to just support each other right now, but also, after the pandemic as well.
WHAT WAS YOUR PROCESS? I made some initial sketches of my idea, and then made a digital mock-up as well before creating the final pieces. I drew them digitally on my computer, keeping the basic color scheme and format, but changing the figures, scenes and focus for each image.https://digitalcommons.colum.edu/capturingprotest/1034/thumbnail.jp
Greetings from Chicago
WHY THIS SUBJECT? Racial segregation did not die with the end of Civil Rights Movement of the 1960s. Just because we do not have signs that say “whites only” does not mean that it is not implied by decades of historic and systematic racism. Segregation has been embedded through governmental policies and resident action. This present day segregation is so deeply rooted in our society. Its normalization leaves it largely disregarded. We see it everyday, and yet we refuse to see it.
WHAT SHOULD WE KNOW ABOUT THE WORK? Despite Chicago’s beautiful diversity it holds the title of one of the most segregated cities in the United States. By continuing to racialize and promote the stereotypes of neighborhoods we contribute towards the issues at hand.
WHAT WAS YOUR PROCESS? Digital drawing.https://digitalcommons.colum.edu/capturingprotest/1036/thumbnail.jp
Ethical Consumerism
WHY THIS SUBJECT? Because not enough people are aware of alternative ethically responsible habits when they shop for clothing or everyday products.
WHAT SHOULD WE KNOW ABOUT THE WORK? This piece is comprised of obviously the earth, but more importantly all the environmental issues occurring. I also added a website url to be used as a stepping stone for the viewer to check it out and be more familiar with this topic.
WHAT WAS YOUR PROCESS? first started with the globe and added the rings around it that symbolize energies. Then I added the smoke stacks that look like they are burning the earth. Looking deeper into the earth are the different issues and then I added some text that I felt would be inspirational and thought provoking.https://digitalcommons.colum.edu/capturingprotest/1079/thumbnail.jp
\u3ci\u3eCapturing Quarantine: Student Pandemic Experience\u3c/i\u3e Journal
Journal entries submitted by the Public History 2021 summer session class at Columbia College Chicago reflecting on aspects of the global pandemic from the student perspective commenting on their personal pandemic timeline and the other is an essay about what each student learned so far from the pandemic.https://digitalcommons.colum.edu/journals/1027/thumbnail.jp
Will I Ever Be Seen As Equal?
WHY THIS SUBJECT? LGBTQ+ discrimination in the workplace is something not openly addressed, and many members of the community feel uncomfortable even sharing with coworkers that aspect of their personal lives. This poster\u27s aim is to add commentary to this issue and topic.
WHAT SHOULD WE KNOW? When thinking about what topic to choose, and what direction I wanted to take my final poster in, I thought about focusing on something that we didn\u27t necessarily focus on too much in our class. LGBTQ+ issues are very important to me, especially since I happen to be a part of that community. I thought about some ways in which these people face adversity, other than the potentially obvious ways. In my poster image, the male figure is holding a piece of paper with the word “Fired” on top, implying he was just given the form from his employer. The topic of my piece comes through in a more subtle way, through the rainbow pocket square in the figure’s jacket. It represents his sexuality and highlights it in not an overly exploitative way, but it gets the message of the piece across of LGBTQ+ discrimination in the workplace. I learned about the ways in which we can analyze images, and draw deeper meaning using contextual clues from worksheets like the Document Analysis one. I would say that document impacted the creation of this piece the most because it reminded me how to make my poster in a way in the most easily interpreted way, but still keeping it rooted in being a conceptual piece that forces viewers to take a closer look. Our discussion on Emory Douglas also influenced me while making this piece, because it allowed me to think more about how to make my piece have a strong message or topic at its core, and though my poster isn’t as politically charged as much of Douglas’ work, it still influenced me.
WHAT WAS YOUR TECHNIQUE/PROCESS? Sketching in pencil, going over sketch with pens and markers, finishing off piece by adding colored pens.https://digitalcommons.colum.edu/capturingprotest/1105/thumbnail.jp
Young Adult
A young man unravels his uneasiness with his uncertain future through means of self-interrogation.https://digitalcommons.colum.edu/blackalbummixtape/1021/thumbnail.jp
The High Priestess
WHY THIS SUBJECT? Feminist guided foreign policy has been a gamechanger for increasing equality in all aspects of foreign policy.
WHAT SHOULD WE KNOW ABOUT THE WORK? It\u27s a continuous line drawing modeled off of the High Priestess tarot card.
WHAT WAS YOUR PROCESS? Uploading a sketch and editing in photoshop.https://digitalcommons.colum.edu/capturingprotest/1051/thumbnail.jp
Humans for Humanity
WHY THIS SUBJECT? I am very passionate about innovating society in a nurturing way and that was her mission with her feminist based mission.
WHAT SHOULD WE KNOW ABOUT THE WORK? The work was made to be printed on a tee shirt.
WHAT WAS YOUR PROCESS? I used online tools to make the graphics. For the picture of the women I traced it simply.https://digitalcommons.colum.edu/capturingprotest/1065/thumbnail.jp
Powerful Women
WHY THIS SUBJECT? I came up with the idea when I was doing research for another course. I wrote an essay about women images in advertising industry, which is relative to our final topics. Then I started to design and visualize the powerful women in my mind.
WHAT SHOULD WE KNOW ABOUT THE WORK? The topic of my work is powerful women, which is quite a broad one. I drew two women figures to represent two basic skills, power and intelligence. I also made several icons like cooperation, academic and physical strength to decorate the poster. The main idea is that we should not define women. Women can be whoever they want and don\u27t need others\u27 permission. Powerful can be defined from multiple perspectives.
WHAT WAS YOUR PROCESS? I created our my work on Illustrator. I also hand drew my first design on my phone, but it\u27s only a draft.https://digitalcommons.colum.edu/capturingprotest/1081/thumbnail.jp
We\u27re tired of you watching us die
WHY THIS SUBJECT? Transfemme voices are, currently, the least listened to and most oppressed members of the queer community even by the rest of the the queer community.
WHAT SHOULD WE KNOW ABOUT THE WORK? I\u27m doing my best to magnify and focus on transfemme members of the queer community.
WHAT WAS YOUR PROCESS? I used Abode Illustrator and Photoshop to recreate an image and design a poster around ithttps://digitalcommons.colum.edu/capturingprotest/1083/thumbnail.jp