East Asian Science, Technology, and Medicine (EASTM - Universität Tübingen)
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    Omen Watching, Mantic Observation, Aeromancy, and Learning to ‘See’: The Rise and Messy Multiplicity of Zhanhou 占候 in Late Han and Medieval China

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    This article investigates the early history of a Chinese mantic practice unattested before the late first century CE known as zhanhou 占候 (lit., omen watching; divination through observation; divination of atmo-spheric or meteorological conditions). While early occurrences of the term primarily present it as a learned form of divination used to forecast human fortune through the interpretation of anomalous emanations of qi 氣 in heaven-and-earth (e.g., wind; clouds; rain; rainbows), zhanhou is also variously classified as an astrological, Five Agents, or military technique; and variously identified as a hemerological, medical, and contemplative-visualization practice by the end of the Tang. I not only contend that zhanhou’s inherent polysemy and its multiple identities helped broaden and perpetuate its transmission during the first millennium of the Common Era, but also that the same messy multiplicity makes its early history and development difficult—but not impossible—to trace and understand. Zhanhou closely resembles many earlier named forms of astrology and divination focused on the observation and interpretation of macrocosmic qi conditions or phenomena, but late Han and early medieval writers carved out a space for zhanhou. This was done through increasingly frequent use of the term, by explicitly distinguishing it from similar families of techniques (e.g., astrology; turtle and yarrow divination; yinyang; algorithmic mantic techniques), and by identifying and constructing networks and lineages of practitioners, both of which helped form and perpetuate zhanhou’s identity as a discrete technique (shu 術). The present study compares different definitions and translations of zhanhou, analyzes a handful of late Han occurrences, and illustrates the term’s increasingly widespread medieval circulation, chiefly through biographic narratives and technical texts

    Jiri Hudecek, Reviving Ancient Chinese Mathematics: Mathematics, History and Politics in the Work of Wu Wen-Tsun

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    Thomas Mullaney, The Chinese Typewriter: A History

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    FRONT AND BACK COVERS

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    The Research Agenda of Zhu Qiqian: A Reframing of Traditional Chinese Craftsmanship

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    As a researcher, Zhu Qiqian 朱啟鈐 (1872-1964) is commonly known as the founding father of Chinese architectural history. Consequently, his work has been analyzed predominantly by architectural historians and in the context of architectural history. However, this lopsided perception distorts and obscures Zhu’s comprehensive research objectives and his contribution to a variety of fields, in particular his attempt to reframe and thoroughly investigate the history of Chinese traditional crafts. In order to reveal the intended scope and the unique approach of Zhu’s studies, this article analyzes the motivations behind Zhu Qiqian’s engagement with traditional craftsmanship, the far-reaching program of the research group he established, and one of his main research projects, the Zhejianglu 哲匠錄 (Collected Biographies of Master Craftsmen)

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    Note from the Editor

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    Note from the Editor

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    Peter J. Golas, Picturing Technology in China. From Earliest times to the Nineteenth Century

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    East Asian Science, Technology, and Medicine (EASTM - Universität Tübingen)
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