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Chapter 5 - An Alternative To The Permanent War Economy: Reindustrializing the U.S. (Beyond a War Economy)
Naturalism and the Empfindsamerstil in 18th-Century Europe
C.P.E. Bach was the most notable composer of the empfindsamerstil, an 18th-century musical style in Germany that highlights an important change in the production and reception of music. This change is seen in the aesthetic philosophy of this period, which reflects a conflict between old forms of naturalism and a new modality of taste, in which subjective avowals of like or dislike become the criteria for aesthetic judgment. This paper addresses the interrelationship of the empfindsamerstil and aesthetics of its period, providing an account of this conflict between old forms of objective musical codification and a wholly modern account of subjective pleasure
Many Identities, One Nation: The Revolution and Its Legacy in the Mid-Atlantic
Many Identities, One Nation
The Revolution and Its Legacy in the Mid-Atlantic
Liam Riordan
Philadelphia, University of Pennsylvania Press, 2007
392 pages, 6 1/8 x 9 1/4 , 27 illus.
Cloth ISBN 978-0-8122-4001-6
A volume in the Early American Studies serie
Letters Home: Themes and Messages in Soldier Songs of the Second Iraq War
Country music has a long tradition of war-related songs dating back at least to the Civil War and is present today in the context of the current war in Iraq. Amid the many jingoistic songs in this category is a subgenre referred to in this study as “soldier songs.” Since WWII, soldier songs have retained an important place in country music during subsequent periods of war because of their personal reflections on the tragedies of war. The appearance of soldier songs in relation to the timeline of the war, in combination with the personality of the recording artist, is significant to how the audience receive the song. The main objective of this study is the analysis of the messages and contexts of modern soldier songs, which support the troops but not necessarily the war, and establish a sort of political middle ground that can be appropriated by both sides of the political spectrum
The Psycho-educational Application of Hip-Hop Music to Bridge the Cultural-Competence Gap: Young Black Males and Juvenile Delinquency
American Incunabula: 'Grotesque Genesis' and the Genealogical Genre
Analysis of Os Sertões (Euclides da Cunha, Brazil, 1902), Absalom, Absalom! (William Faulkner, USA, 1936), Cien años de soledad (Gabriel García Márquez, Colombia, 1967), The Invention of the World (Jack Hodgins, Canada, 1977), and Texaco (Patrick Chamoiseau, Martinique, 1992) as a generic ensemble enables diverse treatments of race, class, gender and sexuality to resolve over time and across cultures into the meaningful patterns of American literary history. Each text incorporates the origin in writing and exposes it to difference—plurality, ambiguity, discontinuity. With this, the perpetual rewriting of the strong poem (the Book of Genesis) at the symbolic founding, the originary tradition transforms itself through incorporation of non-canonical elements, as the ‘same’ turns endlessly different: hybrid, ex-centric, grotesque, increasingly Creolized