University of Birmingham
University of Birmingham Research Archive, E-papers RepositoryNot a member yet
3085 research outputs found
Sort by
Codex Zacynthius: table of Scholia in the Catena
No full textThis webpage provides a key to the contents of the catena of Codex Zacynthius (Cambridge, University Library, MS Add. 10062). This is a revised version (June 2020) of the list originally published in January 2020 at http://epapers.bham.ac.uk/3278/
It was produced by the Codex Zacynthius project in conjunction with the online edition in the Cambridge Digital Library at https://cudl.lib.cam.ac.uk/collections/codexzacynthius/1
It has been deposited in epapers in order to be linked from this electronic edition until it can be more fully incorporated in the edition. A printed version of this list is to be found in H.A.G. Houghton and D.C. Parker, ed., Codex Zacynthius: Catena, Palimpsest, Lectionary (Piscataway NJ: Gorgias, 2020) and H.A.G. Houghton, Panagiotis Manafis and Amy Myshrall (ed.), The Palimpsest Catena of Codex Zacynthius: Text and Translation. Piscataway NJ: Gorgias, 2020)
Internships and ethnography:students researching students
Get PDFChapter from the UXLibs Yearbook 2019:
http://uxlib.org/uxlibs-the-books
Two hundred years of women benefactors at the National Gallery: an exercise in mapping uncharted territory
Get PDFThis article sheds fresh light on women who have been important benefactors to the National Gallery from its foundation in 1824 to the present (2020), largely in terms of donating paintings but also through financial aid to support the acquisition of paintings and frames, building work, staff posts, publications, exhibitions, and various public events. Through a mixture of case-studies and basic data analysis, the following set of core questions is addressed: (1) Who were the Gallery’s women donors? (2) Which paintings did they give and in what other ways have they been generous to the Gallery? (3) What patterns within their donating can be discerned? (4) What were their motivations for their gift giving? (5) Why have their donations been easy to lose sight of? (6) What is the Gallery doing now, ahead of its 200th anniversary in 2024, to draw attention to the significant contributions of its women donors past and present? It is hoped that the information compiled here will act as a useful reference point for others in the field when probing similar types of provenance records and will encourage readers to share information to help us fill persisting gaps in our data
Fundamental rights in the institutional architecture of EU trade agreements: a tale of omissions
Get PDFThis paper explores the institutional dimension of the implementation of the new generation EU Free Trade Agreements (FTAs) from a fundamental rights perspective. The creation of an institutional architecture of EU FTAs is what makes them operational. It enables the other dimensions to become “alive” and not to remain words within a text. Given the plethora of entities created by the new generation of EU FTAs, this paper investigates the extent to which the institutional architecture of EU FTAs is adequate to protect and promote fundamental rights. This investigation shows that, despite significant novelties, several limitations remain. Gaps in the mandate and deficiencies in the decision-making processes lead to foresee little consideration of fundamental rights at the implementation stage
Rosalind Krauss: between modernism and post-medium
Get PDFRosalind Krauss: Between Modernism and Post-Medium’ is a response to an essay, ‘Automat, Automatic, Automatism: Rosalind Krauss and Stanley Cavell on Photography and the Photographically Dependent Arts’, by Irish aesthetic philosopher Diarmuid Costello criticising the prominent American art critic and historian Rosalind Krauss for her notion of “post-medium” art. Costello objects to the fact that in Krauss’ theorisation a particular post-medium can in principle be practised by only one artist and thus does not allow the comparative judgement and sense of artistic or historical development that the notion of medium implies. This essay by contrast contends both that Krauss’ notion of post-medium does allow comparison and that in the very notion of medium on which Costello relies there is a certain moment of non-comparison, of a particular author or artist making something absolutely novel and unprecedented. Indeed, it suggests that these two qualities of the medium cannot be separated and necessarily imply each other. The author does this with reference to the work of the American “ordinary language” philosopher Stanley Cavell, on whom Krauss draws for her theorisation of the post-medium. Also included is an interview with Krauss herself that raises a number of these matters
Regulatory cooperation in EU FTAs: characteristics of the reestablished practice
Get PDFRegulatory cooperation is a complex and multifarious concept. Its multimodality applies not only to the forms it can take but also to the fora where it may appear. Although regulatory cooperation does not constitute a new trend in EU trade, its current state represents an original development. Regulatory cooperation is now treated as a separate phenomenon in the new generation of free trade agreements (FTAs), raising several questions. What is the significance of this change? How does bilateralism as an external relations tool fit into a concept that partially falls under trade and partially under rule-making? Since regulatory cooperation is considered a trade-related concept that views domestic regulation through the prism of a beyond-the-borders dialogue, is bilateralism the best venue, considering the nature and sensitivities of the regulatory activity itself? What is the status of regulatory cooperation activities in the context of multilateralism, which is a de facto extension of bilateralism? This contribution will answer these questions through the concept of the ‘characteristics’ of contemporary regulatory cooperation, as the latter is envisaged in the new generation of European FTAs. The two identifiable characteristics upon which our analysis shall be based are bilateralism and inclusion in an FTA structure
IGNTP guidelines for the transcription of manuscripts using the Online Transcription Editor
Get PDFVersion 1.2.2: 1.4.2020
Instructions for IGNTP transcribers to create XML transcriptions using the Online Transcription Editor at https://itsee-wce.birmingham.ac.uk/ote
A Transcription of Codex Sinaiticus
No full textAn electronic transcription of Codex Sinaiticus, a Greek manuscript of the New Testament held in the British Library, London, Leipzig University Library, the National Library of Russia, St Petersburg, and St Catherine's Monastery, Sinai.
This transcription was prepared by a project funded by the Arts and Humanities Research Council entitled "A Scholarly Digital Edition of Codex Sinaiticus, published on the Internet". The project was led by Professor David Parker and based at the Institute for Textual Scholarship and Electronic Editing. The transcriptions of the New Testament were contributed by the Institut für neutestamentliche Textforschung, Münster, and enhanced to meet the standards for the project.
The transcription forms part of the Digital Codex Sinaiticus published online at: http://codexsinaiticus.org/
A full introduction to the transcription is provided at:
http://codexsinaiticus.org/en/project/transcription.aspx
The transcription uses a customised form of XML markup, details of which are available on the page from which this transcription may also be downloaded:
http://codexsinaiticus.org/en/project/transcription_download.aspx
This version is 1.05, released on 7.9.2020
Data sources:
Access Repository Dashboard
Do you manage Open Research Online? Become a CORE Member to access insider analytics, issue reports and manage access to outputs from your repository in the CORE Repository Dashboard! 👇