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Peder Dahlgaard: Leder af Skuespillerskolen i Odense, Syddansk Musikkonservatorium og Skuespillerskole (SMKS), i dag Skuespiluddannelsen Odense ved Den Danske Scenekunstskole.
Get PDFInterview med Peder Dahlgaard om muligheden for en fremtidig performanceuddannelse i Danmark
Ida Krøgholt, Mette Obling Høeg og Laura Luise Schultz: Aarhus Universitet og Københavns Universitet.
Get PDFSamtale mellem Ida Krøgholt, Mette Obling Høeg og Laura Luise Schultz om muligheden for en fremtidig performanceuddannelse i Danmark
Interview med Cecilie Ullerup Schmidt: Performancekunstner og kurator.
Get PDFPeripeti interviewer performancekunstner, kurator og underviser Cecilie Ullerup Schmidt om, hvilket indhold, hun anser for centralt, ift. en specialiseret performanceuddannelse, og hvordan den kunne organiseres
Højskolesangbogen – nu som teater: Musikteater til tiden
No full textEn anmeldelse af Højskolesangbogen, Skuespilhuset, tekst og instruktion af Minna Johannesson
Træet: Et eventyr – om børnesoldater – men ikke for børn.
No full textEn anmeldelse af Træet, Odin Teatret, instruktion Eugenio Barba
Culture and brand communication: The analysis of Facebook advertisements of Volkswagen in Germany and Italy according to Hofstede’s cultural dimensions
No full textThe current study explores the connection between Hofstede’s cultural dimensions and advertising elements by analyzing Volkswagen’s Facebook posts targeting German and Italian consumers.
For the analysis, 96 German and 57 Italian advertisements were collected from Volkswagen’s Facebook page. Texts and pictures of advertisements were analyzed using the semiotic approach, to identify how the cultural dimensions of Hofstede are present in the posts and how they reflect characteristics of the given culture.
The analysis proved that German and Italian posts share certain common features; however, Volkswagen adapts the advertisements – both language and visual elements – to align with cultural expectations, balancing both universally appealing and locally relevant themes
Au pair-ordningens synlighedsøkonomi: Emilie Helene Holm
No full textAu pair-ordningen er en omdiskuteret størrelse, der jævnligt bliver vendt og drejet i de danske medier. Den tese, der oftest bliver udfordret, er hvorvidt au pair-ordningen stadigvæk kan forstås som kulturudveksling, eller om ordningen i højere grad er en vej til billig arbejdskraft. Men i praksis er au pair- ordningens regler og rammer, samt au pairens rolle i hjemmet noget, der kontinuerligt forhandles mellem au pairen og værtsforældrene. I denne artikel vil jeg udfolde, hvordan særligt synlighed og usynlighed kan spille en vigtig rolle heri
The Displeasure of Implication in Fix & Foxy’s Dark Noon (2019)
Get PDFIn their award-winning and still touring 2019 performance Dark Noon, the project theatre Fix&Foxy, led by Danish director Tue Biering, creates a theatrical space in which the audience are implicated in the hypercomplex relations between violent colonial oppression and the entertainment industry. What appears through the staging is the indirect complicity of the present White European in the long-distance and long-term atrocities of colonialism. Drawing on, amongst others, Michael Rothberg’s theory of The Implicated Subject, the present performance analysis will describe and discuss this unpleasant dramaturgy of implication in Dark Noon, and more specifically, how it works through a complex play on non/identity between the actors, the spectators, and the characters of the performance
