University of Wisconsin–Washington County
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Morris Fromkin Memorial Lecture, 2012: Picture of Max Yela, Raoul Deal, and Ewa Barczyk
No full textColor
Nicaragua & El Salvador, Central America 2012
No full textThird edition (Nicaragua), fourth edition (El Salvador).Title from panel.;
On El Salvador map: Design and cartography by Pham Viet Hoa.;
Relief shown by gradient tints and spot heights.;
Includes indexes, color illustrations, and insets of San Salvador, Leon, Managua, San Juan del Sur, Isla de Ometepe, Isla del Maíz Grande, and Isla del Maíz Pequena.;Color;1:700,000 (W 88°00ʹ--W 82°30ʹ/N 15°00ʹ--N 10°40ʹ).;
1:250,000 ; Lambert's azimuthal equal-area proj. (W 90°10ʹ--W 87°40ʹ/N 14°30ʹ--N 13°00ʹ).
Punta Arenas, Argentina and Chile 2012
No full textPanel title. Relief shown by spot heights and form lines. Includes distance tables, 2 location maps and text.Color;1:1,600,00
Ferne Caulker-Bronson interview (November 6, 2012)
No full textThe first twelve years of Ferne Caulker-Bronson's life were spent in Sierra Leaone's capital Freetown, which is located within West Africa. She then spent three years in an English boarding school and completed her last year of High School at Milwaukee's own Custer High. Her diverse cultural and educational background has afforded a unique prospective and disciplined approach to her career as an educator, mentor, professor, artist, and human being. Caulker-Bronson has studied with numerous master teachers in African and Caribbean dance and music, including her mentors, Katherine Dunham, Lavinia Williams, Chief Bey and Pearl Primus. Through her continued research in the history and aesthetics of the performing arts of the African Continent and Diaspora, she continues the traditions of these great legends
Oral History Interview with F. Gerald Ham, February 18, 2012
No full textGerald Ham reflects on his education, early archival career, involvement in SAA, tenure as State Archivist of the Wisconsin Historical Society, publications, and awards and accomplishments. Reflection is followed by transcript of follow-up interview with Lauren Kata
