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    14016 research outputs found

    THREE ICONS: A Door; a Book; a Tomb (new approaches to Wilde’s work and life fostered by two recent exhibitions)

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    How Deirdre and the Sons of Uisneac Took the GPO: Parody in James Stephens’s Deirdre (1923)

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    This article looks at the parodical aspects of James Stephens’s novel Deirdre, published in 1923. It uses Linda Hutcheon’s theoretical framework on parody to analyse how Stephens both follows the medieval tradition and the Revivalists, and distances his work from their influence. He breathes life into the age-old narrative of Deirdre by adding dialogues, psychological insights and humour to the story, but also by implicitly comparing the Sons of Uisneac to the Irish Volunteers of 1916. This serves to glorify the rebels, whom he had portrayed in his witness account The Insurrection in Dublin, but the depiction of the fratricidal fight at the court of Emain Macha at the end of the Deirdre legend also acts as a critique of the Irish civil war

    A Nation Once Again? Continuità e discontinuità nel nazionalismo irlandese

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    This essay is a brief overview of the different forms of Irish nationalism (or of nationalism in Ireland), from the Anglo-Norman invasion to the 20th century; from Gaelic proto-nationalism as a reaction to the first Angevin conquest, to the gradual affirmation of a powerful religious element during the Tudor re-conquest and the fast reformulation of identities in the conflicts of the 17th century; from the ironic Protestant colonists’ “Ascendency nationalism”in the 18th century, to the birth of the first form of post-French Revolution, post-Enlightenment modern democratic Republicanism at the end of that century; from the subsequent rise of a new but old constitutional brand to the different epiphanies of those two strands in the following decades, with Unionism as a third possible form. The continuity and discontinuity of the two main “currents” are considered, showing that there was always a continuum between the two

    Linking future energy systems with heritage requalification in Smart Cities. On-going research and experimentation in the city of Trento (IT)

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    Future Energy Systems in midsized Italian Smart Cities are highly dependent upon the pursuit of a smarter grid based on active end-user engagement, the use of distributed energy resources and real-time demand response. In Trento, due to its climatic conditions, the issue of smart energy systems is particularly relevant and its future smart electric grid is expected to produce energy efficiency improvements to the city’s historic municipal buildings, as well as to private residences and businesses. With the contribution of Trento’s Smart City Municipal Office, latest evidence of current approach to urban smart energy systems is presented, highlighting strategies and innovative solutions, benefitting the whol

    The Grace that creates Nature, the Grace that renews Nature: Gilbert of La Porrée and the Victorines on Natural Law

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    Natural law is a crucial subject in the twelfth-century debates among Roman and canon lawyers, but also among the exegetes and theologians. Starting from two verses of Paul’s Epistle to the Romans (Rm 1:18-20 and 2:13-14), the masters debated the natural capability of human being to achieve a moral knowledge and the features of the universal moral principle, that is the lex naturalis, which natural reason can understand. Through the analysis of Gilbert of La Porrée’s Glossa in epistolas Beati Pauli (ca. 1130) and of Ps. Hugh of St. Victor’s Quaestiones in epistolas Beati Pauli (ca. 1160), this essay examines the exegetical developments in the Parisian milieu of the mid-twelfth century. It shows how the doctrinal positions of Gilbert and the Ps. Hugh stand in their intellectual landscape and which influence they have in the development of the theological debate on natural law

    Corrado Ricci: le radici estetico-antropologiche di una politica museale

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    Purpose of the essay is to outline the theoretical roots of Ricci’s museum and publishing policies, inscribed within a visual disclosure plan of our archaeological artistic heritage identified as the pivot on which to build a collective identity of our nation at the dawn of its unification. These policies are closely linked to Ricci’s conception of art, recognized by himself as the formal expression of a – both individual and collective – historical feeling, finding its immediate grip on the public in the optical vividness of its representational form. This conception, however, finds its aesthetic-anthropological foundation in a book belonging to Ricci’s early production: “The art of children”

    Ambivalence of the Notion of “Mimesis”: Between the Opening towards the Other and the Repetition of the Same

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    One of the main characteristics of the contemporary aesthetic debate is the recovery of the concept of mimesis, as a dimension that is originally involved in the foundation of human culture and the processes of cultural learning. This is evident in the aesthetic reflection developed by Gunter Gebauer and Christoph Wulf. For these two authors, mimesis is never a mere reproduction of the given reality, but always implies the production of the New, of the Other, of the different with respect to the empirical world, i.e. to the existing categorical order of the world. In particular, Gebauer and Wulf underline the constitutive ambivalence of the notion of mimesis: on the one hand, it favors the processes of reification fueled by capitalist society and, on the other hand, it contributes to the affirmation of a critical and “utopian” instance that can counter “instrumental reason” and the primacy of identity

    Photographing Sculpture: Aesthetic and Semiotic Issues

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    The essay aims to outline an epistemology of photography through the critical issues that arise from the encounter between photography and sculpture. In particular, it investigates the aesthetic and semiotic constraints that define the specificity of the photographic look with respect to a sculptural three-dimensional vision. The relationship between documentary and art photographs is the main area of research; specifically, the essay tries to highlight the interpretative value that can also be attributed to documentary photography, underlining the boundaries of a complex distinction. A specific section is devoted to Medardo Rosso’s photographs of his own sculptures. Rosso’s work solicits a reflection on the status of photography and on some theoretical problems such as reproducibility, the relationship between original and copy, and the creative gap produced by variation in a series. The artist suggests a peculiar “grammar” of photography by virtue of his relationship with another art – sculpture.

    Smart Urban Districts: Dynamic Energy Systems for synergic interactions between Building and City

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    The primary purpose of this paper is to illustrate the process of experimental research regarding the smart and synergic urban districts/smart and dynamic energy systems relationship, conducted by the authors as part of their activities at Technische Universität München and carried out until realization on both an urban and an architectural scale. The research and applicative experimentation regarded seven German urban situations on the conforming dimension of the “smart district” (between 15,000 and 20,000 inhabitants): the urban communities of Feldkirchen, Aschheim, and Kirchheim, the historical centres of the cities of Iphofen and Taufkirchen, the municipality of Ismaning, and the Wüstenahorn neighbourhood in Coburg. The various urban communities that were the object of research signed an agreement with the Technical University of Munich as part of the German national line of research called “Energienutzungsplan” - “Energy Use Plan” - supported by the Ministry of the Environment of Bavaria, for which the authors were awarded grants and served as rapporteurs.

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