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    Il maestro dei gattini

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    The figure of Raoul Gatto, who died in 2017, is remembered here, with an illustration of his career and the main results of his research, along with the personal memories of some of those who worked with him.Viene ricordata la figura di Raoul Gatto, scomparso nel 2017, illustrando la sua carriera e i suoi principali risultati di ricerca, anche tramite i ricordi personali di alcuni suoi collaboratori

    Un agosto pieno di sorprese gravitazionali

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    L’interferometro per la rivelazione di onde gravitazionali Advanced Virgo è entrato in funzione il 1 agosto 2017. I 25 giorni di presa dati con tre interferometri hanno segnato la nascita dell’astronomia multimessaggera. Dapprima è stata rivelata la coalescenza di due buchi neri, ricostruendo per la prima volta la posizione della sorgente. Poco dopo si è scoperta la coalescenza di un sistema binario di stelle di neutroni, osservata contemporaneamente per la prima volta anche nell’emissione elettromagnetica.The gravitational wave interferometric detector Advanced Virgo began its data collecting on August 1, 2017. The following 25 days saw the dawn of multimessenger astronomy. First, a two black hole merger was detected, with the first reconstruction of the source position in the sky. A few days later, a binary neutron star system merger was discovered and for the first time observed simultaneously even through electromagnetic emission

    Il Rotolo 3 dell’Archivio capitolare d’Arezzo: un caso ancora aperto

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    The author once again considers an important document of the Capitular Archive of Arezzo (the Roll 3) whose dating has long been discussed among scholars: some have considered the Roll 3 a copy set up between the end of the 9th century and the beginning of the 10th century, while others considered the scroll an 11th century product. Here it is reiterated the dating to the IX-X century of the document, already proposed by Carlrichard Brühl on the basis of an opinion by Bernhard Bischoff, linking together the history of legal practice of the Carolingian age with the history of writing in Arezzo and its territory

    Qualifying faculty teaching competences. The pilot experience at Politecnico di Torino

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    The paper presents evidence from a staff development project implemented by Politecnico di Torino in 2017. The project was an institutional activity aimed at promoting and enhancing teaching competences of junior faculty. Theoretical and methodological strategies, training model and approach are described as well as results from evaluative research carried out to identify participants’ satisfaction about specific program dimensions and to investigate changes of teaching perspectives as a result of the program. Results are discussed and interpreted, highlighting elements and identifying areas of improvement for a future edition of the program.La qualificazione didattica dei docenti universitari. L’esperienza pilota del Politecnico di TorinoIl presente articolo documenta l’esperienza di formazione alla didattica condotta dal Politecnico di Torino, che nel 2017 un’azione di sistema per il miglioramento delle competenze didattiche di giovani ricercatori dell’Ateneo. Vengono presentate le scelte teorico-metodologiche e il modello formativo adottato nonché gli esiti della ricerca valutativa condotta allo scopo di rilevare il gradimento dei partecipanti rispetto ad alcune specifiche dimensioni di interesse e la variazione delle prospettive di insegnamento dei partecipanti prima e dopo la frequenza al percorso. I risultati vengono discussi e interpretati, identificando i fattori di successo ed esplicitando le aree di miglioramento per una futura edizione del percorso formativo

    From needs’ analysis to Community of Practice about Teaching and Learning in HE: the University of Genoa’s experience

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    Some teachers from eight Italian universities have become members of the Italian Association for the Development of Teaching and Learning in Higher Education (ASDU). ASDU promoted a survey based on a questionnaire developed by the University of Padua to identify teachers’ beliefs, best practices and training needs. The questionnaire has been administered at the University of Genoa. Results show that faculty members would appreciate both formal and informal training activities. This paper focuses on the request and building up of one of the first experiences of Communities of Practice devoted to academic teaching.Dall’analisi dei fabbisogni formativi alle Comunità di Pratica sulla didattica universitaria: l’esperienza dell’Università di GenovaAlcuni docenti di otto università italiane hanno aderito alla Associazione Italiana per lo Sviluppo della Didattica, dell’apprendimento e dell’insegnamento in Università (ASDU). L’ASDU ha promosso l’utilizzo di un questionario creato dall’Università di Padova per effettuare un’indagine su credenze, buone pratiche e bisogni formativi dei docenti universitari. Il questionario è stato somministrato presso l’Università di Genova. Dai risultati emerge che i docenti desiderano avere occasioni di formazione informale e formale. Questo lavoro si sofferma sulla richiesta e avvio delle prime Comunità di Pratica dedicate alla didattica universitaria

    Quando il patrimonio affonda. La Péniche di Le Corbusier a Parigi

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    Last February the Péniche Louise-Catherine, a reinforced concrete barge built by Le Corbusier at the end of the 1920s for the L'Armée du Salut, has sank in the waters of the river Seine in Paris. For years the Péniche, which has long been classified as historic monument, has suffered from negligence as being considered a minor work among the vast biography of the French-Swiss architect, the attempts of a private association to safeguard it notwithstanding. The story of the asile flottanti is even more paradoxical as in the light of the recent nomination of part of Le Corbusier's architectures for the Inscription on the World Heritage List

    Palazzo Capponi delle Rovinate a Firenze: analisi e valutazioni per il progetto di restauro

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    Palazzo Capponi delle Rovinate, was build between 1406 and 1426, it was commissioned from Niccolò da Uzzano and Lorenzo di Bicci, to young Filippo Brunelleschi, as written from Vasari, do the recent studies evidence. According the 1427 cadastre the building is accountant as build and actually used by the family. After the death of the Uzzanos brothers, the building passes trough wedding to the Capponi’s family. The name “Rovinate” comes form the continuous landslides happening in that area, for this reason the name Rovinate, comes from. The relief of the building and the analysis of the deterioration, architectonical and structural, have affected mostly the basement, ground floor, mezzanino and the under roof areas, the intermediate levels were not accountable of relief, because the are residential. Although, they were inspected, and the cracking framework seems aligned with the rest of the evidence. The conducted studies allowed us to understand the evolution phases of the structures also the nature of the materials and techniques used and the peculiarities of the geological underground. The failure analysis reviled a rotary translation, in the south-west corner of the building, followed by cracks in the opposite corner, accounted as strange

    L'ultima notte. Il concerto dei Pink Floyd a Venezia

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    On the night of July 15, 1989, the Venice lagoon filled with the sound of Pink Floyd’s rock music booming from St. Marks’ basin. The memory of the concert’s atmosphere and an account of the objectives, facts and consequences associated with this event provide an opportunity to reflect on the use of history and of the urban space, on the conflicts running through the city, and the connections between that which is persistent and that which is temporary. In the words of Manfredo Tafuri, “l’ephemere est éternel”

    Questo amore azzurro. Aldo Rossi a Samos, lo stupore nella scena di fine estate

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    In his voyage to Samos in the Summer of 1989 Aldo Rossi gathered a collection of fragments in accordance with a Palladian education. The image repeats itself, following what Johns had written in 1984: “I like to repeat an image in another medium to observe the play between the two: the image and the medium”. The room then transfers its elements from the Mediterranean to Lake Maggiore

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