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A Nomenclature for the Cultures and Practices of Writing in Early Modern Theatre
This introductory essay constitutes a survey of the contributions gathered in this issue of JEMS. It begins with an overview of the volume’s area of study and moves on to build a glossary for an academic field whose perimeters are perhaps not all that clear. The survey next dwells – in a little more depth – on the various perspectives offered and issues raised in the volume, concluding with an afterthought on where this collection of papers leaves us as a scholarly community wishing to continue to engage with a difficult interstitial field beyond books and plays and between cultures and practices of writing in early modern theatr
… a lone a last a loved a long the riverrun… A Brief Nonacademic Reflection on Riverdance a Seemingly Never-Ending Success Story of Diasporic Cultural Cross-Fertilisation
A long chorus of native, diasporic and elective “Irish” danced along the embankment of the River Liffey in Dublin in July 2013 as a very modern bid to enter the Guinness Book of Records as the world’s longest ever Riverdance line; a form of contemporary “religiosity” celebrating a blend of fame and fortune, entertainment and fun. Later, as I watched these myriad click-clacking feet on YouTube, I asked myself two questions. First, what the James Joyce of Finnegans Wake might have written about this interesting example of commercially successful Irish diasporic circulation and recirculation, given his tormented relationship with the river, the city’s famous brewery, music and money. And secondly, who and how many the diasporic Irish are, where they live and how they helped to forge Riverdance
“Exiles at home, neither in exile nor at home”. New Insights in Pearse Hutchinson’s Image of Spanish Regionalism in the 1950s-1970s
After his journeys around a continent that was still licking the wounds of WWII, the Irish poet Pearse Hutchinson (1927-2012) chose Barcelona as his residence in different periods in the 1950s and the 1960s.There is considerable agreement in the notion that Hutchinson reflected the parallels between Spain and Ireland and both countries’ cultural and language oppression in his poetry (Veiga 2011; Keatinge 2011; Mittermaier 2017). Yet, the understanding of his involvement with Spain and its regions/nations is still limited. While existing literature on this issue relies heavily on the poetic production of the author, little attention has been paid to Hutchinson’s uncatalogued papers held at UCC and Maynooth U., which include unpublished poems, personal letters and postcards, annotations and his collection of books. The purpose of this paper is to increase the existing knowledge about the poet’s representation of Spain and, in particular, of the regions of Galicia and Catalonia
Irish Diaspora Politics: The West Riding of Yorkshire, 1879-1886
This article seeks to explore the Irish migrants’ political experience within the geographical confines of the West Riding of Yorkshire during several key election campaigns during the period 1879-86. The focus will be on the constitutional, or moral force, philosophy of Irish nationalism in its diasporic/external context. The central aim is to explore how Irish migrants engaged in political activism in the pursuit of legislative independence for the homeland under the banner of Irish Home Rule. Attention will focus on specific parliamentary election contests where Irish Home Rule became the dominant platform. This will be achieved through an analysis of the Home Rule Confederation & Irish National Leagues of Great Britain and its activities as a political “fifth column” operating in the industrial heartlands of Yorkshire
Two Diasporic Moments in Irish Emigration History: The Famine Generation and the Contemporary Era
In some usages “diaspora” refers to a social process (relocation or migration) and in others to a social entity (a migrant group or ethnic group). Both approaches require scholars to define diaspora, but the criteria often seem arbitrary. Rather than posing a timeless question (“What is a diaspora?”), this article examines diaspora as an idea that people use to interpret the world migration creates. Diaspora in this sense reached its peak historical significance for Ireland in two distinct periods, but for quite different reasons: the era of the Great Famine, when mass emigration gave rise to a powerful transnational sense of exile; and the era since the 1980s, when changes in the academy, popular culture, communications, and especially government policy produced a new sense of connectedness among the global Irish
Detached Lyricism and Universal Rootedness: A Critical Introduction to the Poetry of Pat Boran
Pat Boran is one of the most versatile, polyvalent and innovative voices in contemporary Irish poetry. In spite of his prolific career as a poet, editor, and fiction writer, and the positive reviews his work has received over the years (i.e. Smith 2007; Linke 2009; Dempsey 2011; Cornejo 2016; Kehoe 2018), Boran has received very little critical attention in Irish Studies. This critical introduction intends to cover this gap in academia, by offering a more detailed critical appraisal of a poetic voice largely underrated within Irish literary criticism, as O’Driscoll (2007, xiv-xv) laments in his introduction to his Selected Poems. In particular, I will offer a brief critical overview of Boran’s six collections of poetry, and I will concentrate on several aspects which seem to distinguish him as a writer: his sense of “detached lyricism” (that is to say, his intensive biographical but at the same time impersonal style); the importance that local rootedness exerts in his work; and his idiosyncratic way of handling themes such as masculinity
The chinese ‘high and slender’ condominium
The vertical dimension in the urban structure of Chinese megacities is the unique key that has allowed to cluster millions of people in highly concentrated areas. The exponential growth of Chinese cities since the ‘80s of the last century has been possible thanks to social and land policies in support of urbanism developed through models of constructions that have favored the vertical dimension alone. The essay, after having retraced the history of vertical urbanization in the Chinese metropolis, puts a critical emphasis on the typology of the Chinese condominium